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Essays on african american culture
African american culture overview
Literary devices and their use
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From The Souls of Black Folk by W.E.B Du bois is lauded in American history and sociology for its symbolic importance. Du Bois uses style, Tone, imagery, metaphors and similes as well as many other literary devices to discuss socially constructed and self-determined identities. Throughout this analysis I plan to discuss three chapters out of From The souls of Black Folk. Those chapters are chapter one of our spiritual striving, chapter three of Mr. Booker T. Washington and others and last chapter 14 of the sorrow songs. W.E.B Du Bois book anticipates many of the central questions of the twentieth century and makes the reader aware that current problems have their roots in the failed effort to bring equality and justice to African Americans …show more content…
after the civil war. Du Bois has two main ideas that he talks about throughout his book.
Those two main themes are what Du Bois terms double conciseness and the other theme is that African Americans grow up living behind a veil. Du Bois explains that he first became aware of this veil growing up as a child in Massachusetts. One day all the children in Du Bois class at school exchanged greeting cards, and one girl refused to accept Du Bois’ card. It was this experience that helped him realize he was different and was excluded from the world of white people by a vast veil. However Du Bois didn’t immediately feel the need to destroy the veil. He instead dedicated himself to working hard in the hope that in his future he could become a doctor, lawyer, or writer. Du Bois notes that his reaction is different from that of other young black boys, many of whom grew bitter at the idea that god made them outsiders within their own …show more content…
country. Du Bois uses poetic imagery to illustrate the idea that white and black people in America are separated into two worlds.
Although they may inhabit the same community which is the case in Du Bois integrated school, the reality is that they are divided by an invisible yet immensely powerful force, which Du Bois characterizes as a veil. This veil represents the psychosocial force of racism that prevents black people from accessing the same chances, resources, treatment and quality of life as white people. Du Bois argues that the veil makes black people feel like outsiders in their own country. Children are not born with knowledge of the veil, but black children discover it at an early age. “After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world- a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world”(308). This quote suggest that African Americans are treated as outsiders in their own country. Witch creates a painfully split subjectivity that Du Bois calls “double consciousness”. Double consciousness is one of Du Bois most influential concepts in his book. Du Bois explains that double consciousness is a painful burden because it creates a constant feeling of alienation, self-hatred, and doubt. Du Bois emphasizes that African-Americans are so torn apart by the identities and
perspectives they are forced to inhabit that it can feel like existing as two opposing people, instead of one person. This is a good example of the psychological burden of racism. Du Bois also shows that double consciousness can have material effects like causing black people to turn to hedonism and crime, or to influence black people to compromise with whites on political matters. Du Bois suggest that until African Americans can live in harmony with these two views and feel that there is no contradiction between being both black and American, they will remain unable to achieve real progress, freedom, and peace. In the next chapter of Du Bois book he writes mainly about Booker T. Washington, who at the time was one of the most famous African-American leaders. Washington was born around 1856 into slavery but would later work to uplift southern black people through the promotion of education and philanthropy. In The Souls of Black Folk, Du Bois admits that Washington was a pioneer, taking on a role as a leader committed to helping the welfare of his people. However on the other hand, Du Bois is highly critical of Washington’s leadership style and in this chapter Du Bois mainly try’s to point out the deep flaws in Washington’s approach.” History is but the record of such group leadership; and yet how infinitely changeful is its type and character!” (316) Du bois has detailed his assessment of highly influential African-American leader Booker T. Washington, criticizing Washington’s popularity among white people and the silencing of his condemnation within the black community. Du Bois argues that it should not be the case that black people have their leaders chosen for them by whites, but that they should elect their leaders themselves. This is especially important because, as Du Bois points out in this quotation, the historical record tends to revolve around the leaders of groups rather than ordinary citizens and therefor people ate represented by their leaders not only in a present, political sense, but also in history. So it is unwise and unjust for leaders not to be chosen by the very people they aim to lead. Another quote from Du Bois book that really stood out to me was when Du Bois says “The Nation has not yet found peace from its sins; the freedman has not yet found in freedom his promised land. Whatever of good may have come in these years of change, the shadow of a deep disappointment rest upon the Negro people.” (310). I thought that this was a very powerful quote by Du Bois. He has explained that slaves used to believe they would be saved by a divine intervention, and when Emancipation finally arrived there was a brief moment when it seemed like this sacred justice had prevailed. However, the years following emancipation have proven such optimism to be premature, if not completely delusional. Although technically no longer slaves, black people are not really free at all. This is most obviously true of the rural southern poor, whose lives often still resemble slavery. However it is also true of even the most privileged and successful black people, whose existence is restricted by the presence of the color line and the veil. By referring to the unresolved “sins” of America, Du Bois is suggesting that black people will not be free until there has been some sort of restorative or compensatory justice for the damage caused by slavery. The topics that Du Bois addresses may at first appear to be a rather random assortment of different issues facing the African- American community. However, his overview of the book’s content also illuminates its key overarching themes, including problems within education and leadership, the pervasive burden of racial exclusion, and the idea that the freedom black people have been promised is something of an illusion. In writing this book I think Du Bois has positioned himself as a major leader in the African-American intellectual tradition and in the fight for racial justice. In a lot ways, Du Bois leadership style is unusual. He combines personal anecdote, historical evidence, numerical data, and even a short story in order to depict the African-American community in a multi-dimensional, insightful and nuanced manner, and refuses to shy away from highlighting the bleaker elements of black life. Although prescriptive at points, the main purpose of Du Bois’ writing seems to be to convey rich and detailed information about history and present the situation of black people in America. By doing so Du Bois suggest that if more people properly understood the reality of race and racism they would be inspired to act in a way that would foster racial justice.
B., Du Bois W. E. The Souls of Black Folk: Essays and Sketches. New York: Dodd, Mead, 1979. University of Virginia Library. 4 Oct. 2008. Web. 23 Feb. 2014. 37.
Booker T. Washington and W. E. B. Du Bois are both writers who use realism as their literary mode. They both try to depict life the way it was and didn’t “sugar coat” it. They both also wanted more civil rights to be given to the blacks. Although they lived in the same era they had different opinions on how to get these rights. They think differently about education, racial advancement, and relationships between blacks and whites. Booker T. Washington and W. E. B. Du Bois’ ideas are reflected in their different writing styles, and different backgrounds, along with his intentions, becoming important when their differences had one of the greatest impacts on the future.
From slavery being legal, to its abolishment and the Civil Rights Movement, to where we are now in today’s integrated society, it would seem only obvious that this country has made big steps in the adoption of African Americans into American society. However, writers W.E.B. Du Bois and James Baldwin who have lived and documented in between this timeline of events bringing different perspectives to the surface. Du Bois first introduced an idea that Baldwin would later expand, but both authors’ works provide insight to the underlying problem: even though the law has made African Americans equal, the people still have not.
"For now we see through a glass, darkly" --Isiah 25:7 W.E.B. Du Bois's Souls of Black Folk, a collection of autobiographical and historical essays contains many themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture; but one of the most striking themes is that of "the veil. " The veil provides a link between the 14 seemingly unconnected essays that make up The Souls of Black Folk. Mentioned at least once in most of the 14 essays it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world with yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others.
... collective consciousness of the Black community in the nineteen hundreds were seen throughout the veil a physical and psychological and division of race. The veil is not seen as a simple cloth to Du Bois but instead a prison which prevents the blacks from improving, or gain equality or education and makes them see themselves as the negative biases through the eyes of the whites which helps us see the sacred as evil. The veil is also seen as a blindfold and a trap on the many thousands which live with the veil hiding their true identity, segregated from the whites and confused themselves in biases of themselves. Du Bois’s Souls of Black Folks had helped to life off the veil and show the true paid and sorry which the people of the South had witnessed. Du Bois inclines the people not to live behind the veil but to live above it to better themselves as well as others.
After slavery ended, many hoped for a changed America. However, this was not so easy, as slavery left an undeniable mark on the country. One problem ended, but new problems arose as blacks and whites put up “color lines” which led to interior identity struggles. These struggles perpetuated inequality further and led W. E. B. Du Bois to believe that the only way to lift “the Veil” would be through continuing to fight not only for freedom, but for liberty - for all. Others offered different proposals on societal race roles, but all recognized that “double consciousness” of both the individual and the nation was a problem that desperately needed to be solved.
The idea of double consciousness was first conceptualized by W.E.B. Du Bois. In his writing “The Souls of Black Folk” Du Bois reflects on the subjective consequences of being black in America. On the concept, Du Bois says: “After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,--a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,--an America...
Throughout his essay, Du Bois challenged Booker T. Washington’s policy of racial accommodation and gradualism. In this article Du Bois discusses many issues he believes he sees
" The Souls of Black Folk", is a collection of autobiographical and historical essays contains many vast themes. There is the theme of souls and their attainment of consciousness, the theme of double consciousness and the duality and bifurcation of black life and culture. One of Dubious the most outstanding themes is the idea of "the veil." The veil provides a connection between the fourteen seemingly independent essays that make up "The Souls of Black Folk". Mentioned at least once in most of the essays, it means that, "the Negro is a sort of seventh son, born with a veil, and gifted with second sight in this American world, -a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one's self through the eyes of others”. The veil seems to be a metaphor for the separation and invisibility of black life and existence in America. It is also a major reoccurring theme in many books written about black life in America.
“How does it feel to be a problem?” (par. 1). Throughout “Of Our Spiritual Strivings” W.E.B. Du Bois explains the hardships experienced throughout his childhood and through the period of Africans living in America before the civil rights movement. Du Bois begins with his first experience of racism and goes all the way into the process of mentally freeing African Americans. Du Bois describes the struggle of being an African American in a world in which Whites are believed to dominate through the use of Listing, Imagery, and Rhetorical Questioning because these rhetorical devices stress the importance of the topic Du Bois is talking about.
Booker T. Washington and W.E.B. Du Bois were very important African American leaders in the United States during the late nineteenth and early twentieth centuries. They both felt strongly that African Americans should not be treated unequally in terms of education and civil rights. They had strong beliefs that education was important for the African American community and stressed that educating African Americans would lead them into obtaining government positions, possibly resulting in social change. Although Booker T. Washington and W.E.B. Du Bois had similar goals to achieve racial equality in the United States, they had strongly opposing approaches in improving the lives of the black population. Washington was a conservative activist who felt that the subordination to white leaders was crucial for African Americans in becoming successful and gaining political power. On the other hand, Du Bois took a radical approach and voiced his opinion through public literature and protest, making it clear that racial discrimination and segregation were intolerable. The opposing ideas of these African American leaders are illustrated in Du Bois’ short story, “Of the Coming of John”, where Du Bois implies his opposition to Washington’s ideas. He shows that the subordination of educated black individuals does not result in gaining respect or equality from the white community. In fact, he suggests that subordination would lead the black community to be further oppressed by whites. However contrasting their views might have been, Booker T. Washington and W.E.B. Du Bois were significant influential black leaders of their time, who changed the role of the black community in America.
“The history of the American Negro is the history of this strife, – this longing to attain self-consciousness, manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message f...
Du Bois, W. E. Burghardt. The Souls of Black Folk. Chicago: A.C. McClurg & Co.1903. Print.
In Du Bois' "Forethought" to his essay collection, The Souls of Black Folk, he entreats the reader to receive his book in an attempt to understand the world of African Americans—in effect the "souls of black folk." Implicit in this appeal is the assumption that the author is capable of representing an entire "people." This presumption comes out of Du Bois' own dual nature as a black man who has lived in the South for a time, yet who is Harvard-educated and cultured in Europe. Du Bois illustrates the duality or "two-ness," which is the function of his central metaphor, the "veil" that hangs between white America and black; as an African American, he is by definition a participant in two worlds. The form of the text makes evident the author's duality: Du Bois shuttles between voices and media to express this quality of being divided, both for himself as an individual, and for his "people" as a whole. In relaying the story of African-American people, he relies on his own experience and voice and in so doing creates the narrative. Hence the work is as much the story of his soul as it is about the souls of all black folk. Du Bois epitomizes the inseparability of the personal and the political; through the text of The Souls of Black Folk, Du Bois straddles two worlds and narrates his own experience.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.