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Critical views of cordelia in king lear
The development of lear in the king lear
King lear character development
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In Shakespeare’s the dramatic tragedy which is King Lear, we are introduced to the Earl of Kent, earl of Gloucester and his illegitimate son, Edmund. In the mist of Gloucester’s mockery of his adultery and youngest son’s conception, the reason for the season is revealed: King Lear will be dividing his kingdom amongst his three daughters, before his death, in order to avoid strife. This is also the day that the princes of France and Burgundy will rival for the youngest daughter, Cordelia’s, hand in marriage. “Which of you shall we say doth love us most?” ignited the sparks, soon to turn ablaze of the kingdom. Using bombastic speeches, Goneril and Regan proclaim their love for Lear which, seemed to more than life itself. For Cordelia, when asked, …show more content…
all she was able to reply was “nothing.” This lack of expression of obsequiousness, of blandishing that her sisters use, promptly besmirches Cordelia’s reputation. Lear sent into outrage, ousts Cordelia to be a plebeian with no identity, besmirching her to the King of France as if she was a worthless “wretch.” With the brandishing of Lear’s sword, Britain is divided into two parts for Goneril, Regan, and their husbands, Duke of Cornwall and the Duke of Albany, leaving himself with a crown, title and 100 knights. Kent, foreseeing the temerity of the king’s whimsical decisions, hails Lear to “reverse thy doom!” However instead of taking heed to his noble advisor, Lear demands for the removal of Kent’s presence in his life forever. Despite the chaos of everything and Lear’s obloquies against Cordelia, the King of France sees “she is herself a dowry”; France not only gaining a new angelic bride, but a severed relationship with Britain. In observation of how Lear “carry authority with such dispositions,” Regan and Goneril confer in collusion that they must be unorthodox with care and treatment of their father for selfish gain. Aside, Edmund juxtaposes “nature” and the “plague of custom”; “illegitimate” and “bastard”, to reveal his machination to becoming the legal ere of Gloucester. The only thing standing in his way is, the legitimate brother, Edgar. Edmund frames Edgar, with justification from the stars, by letter, to plotting their father’s early end. Edmund plans to insure separation between Edgar and Gloucester, so the truth may never be spoken. From Lear’s to Albany’s (Goneril’s) palace, Goneril grows querulous of Lear and his knights’ company thus, commanding Oswald to irritate Lear by disobeying his every order and to write to Regan, instructing her the same. Kent incognito as Caius, is determined to fulfill his perpetual duty as advisor to Lear, who is referred to merely as “Goneril’s Father.” Enter the Fool or uproarious harbinger, who is a well needed companion for Lear. His playful banter is rich with wisdom, which is a nothing for those who can’t receive it. Goneril believes that Lear’s knights are ruining her home, in an angry retort, Lear curses her with sterility and if a child is born, that they be a demon spun, saying “how ugly didst thou in Cordelia show!”, as she dismisses half of his knights. Lear writes to Regan, his only “thought” ally left for shelter. In Gloucester’s castle, word is given of a pending war between Albany and Cornwall. Edmund continues in his pursuits of engrossed power and parricide. He leads gullible yet, noble Edgar, to fall into his machinations, and flee in fear and trust of his brother, Edmund, left to perambulate aimlessly around the country side as Tom O’Bedlam. This, leaving Edmund to become the defender of the Gloucester name.
Here we also learn that Regan and Cornwall fled to Gloucester’s to avoid Lear and mentor Edmund because, of the honorable character traits he displays in this time of chaos. On the way to deliver the letters, Kent and Oswald come to an impasse, each other. Cornwall comes to the rescue of the noxious, cowardly, disrespectful Oswald, however Caius is left in the stocks to rot. An incredulous Lear receives the final coup de grâce from Regan, as she breaks the axiom news to him, “What need one?” as he has gone from having 100 knights to 50 to none. As a storm brews in the skies, we witness the parallelism between the turmoil of the families mirroring the chaos of nature and the country. On the heath, a gentleman gives word that France has used Britain’s “negligence” against them and advanced to Dover. King Lear also sees an enlightenment of what he is culpable of, through being humble and self-pity, realizing that he is a “man more sinned against than sinning” and his “wits begin to turn.” Gloucester, currently inquires word that Cordelia has come to save her father. He is prompted to come to Lear’s aid, not knowing sharing this information would lead to the altitude of betrayal from his son, …show more content…
Edmund. In a hovel, Lear, Caius, and the Fool meet Tom O’Bedlam, who on the surface is plain crazy, however Lear sees a wise philosopher within him, proving his mental state and showing the Fool, his utilitarianism is no longer needed in this state of immense insanity and an understanding of what he has done wrong. Back at Gloucester’s castle, by Cornwall, Edmund is bestowed the honor and esteem of Earl of Gloucester. Upon Gloucester’s return, he is met with questions, accusations, and the treatment of civility and cruelty of a common criminal. Cornwall, then blinds Gloucester, in the most animalistic, primitive, vile way, sparking retaliation in his own servants, ultimately leading to his death. This leaves Gloucester with heighted enlightenment about his Edmund but, lost optimism in living and sight; much Like Edgar who, on the heath, loses faith in the world once seeing his father’s state. Albany is finally unsilenced with his true feelings toward his foul wife and the turmoil at hand, as he promises to avenge the good who have fallen. Goneril thus, reveals her acts of adultery and wants of unity with Edmund. Then we are once again united with the compassionate and beautiful Cordelia at a French camp near Dover, where we learn that the king of France will be absent in the war, however the only purpose for the war is to undo the hatred that has undone Lear with love. Regan finds temerity in Gloucester’s life and the relationship between Goneril and Edmund since, she is a widow and Goneril is married. She enlists Oswald to murder Gloucester.
While all of this is happening, Edgar, still disguised, restores Gloucester’s self-purpose and desire to live, twice, as he was on the precipice of depression, suicide and wanted by the quasi-murderer, Oswald. Edgar killed Oswald, by doing so, he gathered information on Goneril’s intentions of the death of her husband. Lear is now dressed in a gown and covered in flowers, completely insane but still holds insight in his words to show what he has learned. Lear is then captured by the reunion of himself and Cordelia, begging for her forgiveness as Cordelia empathizes with him to show the purity in her nature. This story does not share the common happy ever after, as we approach the battle of good vs. evil, evil prevails; All the darkness comes to light, Regan gives her power to Edmund and he reveals his faux love for both sisters and plans to end Albany’s intentional mercy to Lear and Cordelia., as he rises in his own estimation, taking Lear and Cordelia as prisoners of war. Seemingly unstoppable, Albany accuses Edmund of treason and challenges him to a sword fight as Regan cries in agony, unknowing being poisoned by Goneril, leading to her death. Then, enters Edgar as also challenging Edmund to a dual to avenge his father’s death of a broken heart and happiness of their
reunion. Edmund falls mortally wounded. Edgar reveals that Kent has been incognito as Caius. Additionally, a gentleman reveals that Goneril has committed suicide, and Lear enters holding dead a Cordelia, just as Edmund instructed a captain prior to his death. Lear is left pathetic and pitiful, dying because the tragedy is far greater than he can take. Albany is left to revive the shattered state.
Free will is defined as the power of acting without the constraint of necessity or fate. It is the ability to act at one’s own discretion. What this means is that there is no set destiny; only a person’s own decisions can impact the outcome of their life. In William Shakespeare’s Macbeth, free will plays a very substantial and powerful role. In 11th century Scotland, three witches give a prophecy to Macbeth, a general in King Duncan’s army, that he will one day become King himself. They also give a prophecy to Macbeth’s best friend, Banquo, telling him that his descendants will be Kings. Macbeth and his wife, Lady Macbeth, hatch a plan to commit regicide in order to speed up the process. After their father is found dead, the King’s sons flee to England and Ireland and unknowingly casting the blame upon them. Macbeth is crowned King, and the prophecy has been fulfilled. Macbeth’s reign as King is one of violence and destruction, and he is overcome with guilt. He kills a lord named Macduff’s family because he finds out he has gone to England to help one of the sons. Macduff comes back to Scotland and slays Macbeth, and King Duncan’s eldest son becomes King. Some might argue that Macbeth was a victim of fate and circumstance, but it was of his own free will that he decided to murder King Duncan, and go on a reign of terror as King. Shakespeare’s Macbeth establishes that one’s free will can impact their decision-making abilities, ambition and paranoia. Free will is a concept that not everyone accepts, but something that Macbeth takes head on.
Are the characters governed by fate or free will? Fate means a power that some people believe causes and controls all events, so that you cannot change or control way things will happen. Free will means the ability to decide what to make independently of any outside influence. The different between the two they justify the causes that are in somebody else’s hands or in your own hands. The reason why I picked the background information that supports my hook because life can be influenced by the outcome of what you do regardless of what is in favor. The characters and events in the play were influenced by fate because the path and actions they chose recently reflect what happen later on in the play.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
As the play opens one can almost immediately see that Lear begins to make mistakes that will eventually result in his downfall. (Neher) This is the first and most significant of the many sins that he makes in this play. By abdicating his throne to fuel his ego he is disrupts the great chain of being which states that the King must not challenge the position that God has given him. This undermining of God's authority results in chaos that tears apart Lear's world. (Williams) Leaving him, in the end, with nothing. Following this Lear begins to banish those around him that genuinely care for him as at this stage he cannot see beyond the mask that the evil wear. He banishes Kent, a loyal servant to Lear, and his youngest and previously most loved daughter Cordelia. (Nixon) This results in Lear surrounding himself with people who only wish to use him which leaves him very vulnerable attack. This is precisely what happens and it is through this that he discovers his wrongs and amends them.
Even after his clouded judgement, Gloucester admitted that “the grief hath crazed [his] wits” (III.iv.180). Due to Gloucester being a “credulous father / Whose nature is so far from doing harms / That he suspects none” (I.ii.187-189), he was deceived by the craftiness of his illegitimate son and believed that his good son Edgar was evil, thus proving that retributive justice did not win in this case. Gloucester was loyal to King Lear and wanted to help him despite Regan advising him not to do so. Gloucester, unfortunately was concluded to be a spy for France by Edmund to Cornwall. Instead of being sceptical and making a correct judgement, Cornwall immediately believed him and decided to arrest him. Edmund handed him a letter for further proof, but even without reading it, Cornwall proclaimed, “True or false, it hath made [Edmund] Earl of / Gloucester” (III.vi.18-19), and right after decided to arrest the true Earl. Even without his knowledge, his status was handed over to one who did not deserve it, a situation that Nemesis would never have allowed. Finally, after all of this chaos ensues, Gloucester comes to his own home where he is tied to a chair and was cruelly
Goneril and Regan commit many sins against their father, which in Jacobean times would have been seen as evil or against the natural order. Shakespeare portrays this theme with both outright and subtle actions throughout the play. It is only when Lear returns to himself that the audience sees how wrong his treatment was, with the return of Cordelia, who bears no grudge. Goneril and Regan, as it may be seen, were too spoilt by their father and the Fool's words to Lear summarize what has happened. "For you know, nuncle,
Lear: I’m old with older strengths with the burden of rule, legal ownership of territory and all the duties and commands that are thrown upon you regarding cares of state. Restless i have three times as many daughters as one and i have three pieces of a map. The last one being the largest and given to the blood and flesh which loves this old man more than for himself. So unleash your hearts for your words are future jewels, revenue, soil and marble, fuels of the earth and raiment.
whom the foul fiend hath led through fire and through flame" (3.4.51-52), and reveals his plan "to kill [the] vermin" (3.4.51-52). And by calling Edmund a "foul fiend" who had "course[d] his own shadow for a traitor" (3.4.57-58), he parallels Edmund with a devil, which is trying to make him commit suicide by laying "knives under his pillow" (3.4.54). And because King Lear's madness begins to be revealed after realizing that he'd been fooled by his daughters (2.4.273-286), he asks Edgar if he became mad due to daughters too (3.4.49-50). They both are outcasts of Gloucester Castle.... ...
Following this Lear begins to banish those around him that genuinely care for him as at this stage he cannot see beyond the mask that the evil wear. He banishes Kent, a loyal servant to Lear, and his youngest and previously most loved daughter Cordelia. This results in Lear surrounding himself with people who only wish to use him which leaves him very vulnerable attack.
Fate in King Lear & nbsp; "There's a divinity that shapes our ends, rough hew them how we will. I will be able to do so. " These words from Hamlet are echoed, even more pessimistically, in Shakespeare's play, The Tragedy of King Lear, Gloucester. Like flies to wanton boys, are we to the gods, they kill us for their sport". In Lear, the characters are subjected to the various tragedies of life over and over again. & nbsp; An abundance of cyclic imagery in Lear shows that good people are.
In response, Lear flies into a rage, disowns Cordelia, and divides her share of the kingdom between her two unworthy sisters. Such folly and injustice is encountered by Gloucester in the secondary plot.
Tragedies are dominated by contrasts and conflicts between various entities such as, good and evil, legitimate and illegitimate, appearance and reality and so on. Another contrast is between wisdom and foolishness. If one associates foolishness with madmen and fools one will be surprised to find that in a tragedy such as King Lear this is not the case. Shakespeare portrays, the sane characters such as Kent and Cordelia as fools by virtue of loyalty, love and their willingness to speak the truth. On the otherhand, the Madman, Tom o’Bedlam and the fool are depicted as the true figures of wisdom. Moreover mirroring all this is King Lear’s transition from foolish behaviour through madness achieving wisdom.
Throughout the play, Gloucester is blind to the events transpiring around him and the deceit that Edmund is planning. Gloucester rejects his son Edgar as he is told by Edmund that Edgar is planning to kill him (Shmoop, 2014). Gloucester assumes that Edmund is telling the truth and soon classifies Edgar as a criminal and he is hunted. By ordering his own son to be killed, the audience can see how impulsive Gloucester is and how naïve he is. Gloucester’s lack of attempt to determine the true story shows how easily influenced he is and how his foolishness overtakes his rational thoughts. Much like Lear, Gloucester cannot determine the true intentions of his children and is blinded by impulsive decisions and deception (King Lear, 2012). Gloucester rejects the child who had true love for him and cannot see past the lies he is being told.
...imilar errors in judgement in disinheriting the children who are most loyal to them which leads to disorder not only within each family, but in Lear's case, affects the entire society. Through Gloucester's punishment and Lear`s suffering, which leads to the loss of Lear's sanity, both characters are able to gain new insights. When Lear and Gloucester are faced with torment and agony, Gloucester wants to give up whereas Lear demonstrates great strength, a heroic attribute, and suffers through the storm. Both Lear and Gloucester make errors in judgement which lead to their downfalls, but it is Lear who is seen as the tragic hero for he endures his sufferings and is able to learn through his faults.
Choices made by Hamlet, which ultimately lead to his death, are all guided by his own free will. In mourning his father's death, Hamlet chooses to do so for what others consider to be an excessive amount of time. “But to persever/ In obstinate condolement is a course/ Of impious stubbornness”(I.ii.99-100), according to Claudius. During this period of mourning, Hamlet meets his father’s spirit and promises to avenge his father’s death. However, upon reflection, he questions the validity of the ghost’s message. At this point he carefully goes about choosing a plan of action that will inevitably show that “the king is to blame” (V.ii.340) In following his plan, Hamlet freely chooses to kill Polonius, Rosencrantz and Guildenstern, Ophelia, Laertes, Claudius and himself.