Hamartia in Oedipus the King
According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them.
Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness.
Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492)
If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his identity, among them Tiresias, the shepherd, and even Jocasta. Even after Oedipus thinks he has received a reprieve from the fate he fears when he hears that Polybus is dead, he does not have the sense to keep still. "So! Jocasta, why, why look to the Prophet’s hearth . . . all those prophesies I feared . . . they’re nothing, worthless," he says. (ll.1053-1054, 1062, 1064) To the shepherd, Oedipus certainly has no respect for the man’s age when he tortures him. Oedipus’ cruelty indeed literally squeezes his own demise out of the shepherd: "You’re a dead man if I have to ask again . . . I’m at the edge of hearing horrors, yes, but I must hear!" (ll. 1281, 1285)
After his recognition and reversal, Oedipus exclaims "The hand that struck my eyes was mine, . . . I did it all myself!" (ll. 1469, 1471) He is not only referring to his self-inflicted mayhem, but also the chain of events that led to his demise.
Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
At one time in our lives there is a moment that we may think of ourselves as better than someone or something else. There may also be a point when making a decision leads to a great error in judgment. In the play Oedipus Rex, written by Sophocles, both of these characteristics can be seen in the main character. These characteristics are known as tragic flaws. These flaws are known as hubris meaning excess pride, leading to overconfidence, and hamartia meaning errors and weakness in judgment. Both of these characteristics are the main reason of destruction and downfall in mankind and the tragic hero in this play. The tragic hero is unable to escape his misfortune that is destined to happen. There are many more tragic flaws other than these two that also contribute to the falling of the hero. The destruction and downfall can be seen as fate. Even though the hero chooses his own actions, the resulting consequences that come about are ones that are unable to be changed. As seen, no one is able to outrun his or her own fate.
Throughout the ages, many scholars and future-scholars have offered an explanation for the meaning of structures from the ancient years, either by their placement or construction. None has fascinated or pushed scholars for reasons than structures and art of the ancient Romans, more specifically those constructed in the years of the Pax Romana and Crisis and Decline of the Roman Empire (27 BC to 284 AD).
However, that one trait did not alone take away his position of high authority. Oedipus displayed anger throughout the whole story, which did not help him at all. During the story, we learn of Oedipus' anger as he knocked a passerby at the meeting of the three highways; "I struck him in my rage". Later, this passerby whom he angrily and quickly killed, was revealed to be Laios, Oedipus' father. Oedipus' anger also quickly shifted his judgment of Teiresias. "We are in your [Teiresias] hands. There is no fairer duty", Oedipus' respect for Teiresias quickly changed as Teiresias refused to tell of what was the trouble's cause. Oedipus began claiming that "Creon has brought this decrepit fortune teller" to mean that Teiresias was thought of as a traitor in Oedipus' thinking. Oedipus' anger is also shown as he begins to insult Teiresias by calling him a "wicked old man". Oedipus' anger throughout the beginning of the play hindered himself.
Six Nations Geo Systems (1999). National Aboriginal Document Database. Retrieved February 23, 2009 from http://epe.lac-bac.gc.ca/100/205/301/ic/cdc/aboriginaldocs/m-treaty.htm
As a conclusion summary to the ideas that were represented in this essay, the aboriginals in Canada were and are still are to certain degree victims of a predigest government.
...dn't know what destiny lied in front of him. Due to his stubbornness, Oedipus ignored the fact that he is human just like everyone else, and paid the price for thinking like this.
Today the Roman arch is one of the most innovative tools that we have borrowed and perfected from the Romans. “During construction, arches are often supported by a wooden frame. When the frame is removed, both sides of the arch press against the keystone and thereby support the arch.” The Greeks and Romans started using aqueducts, which is where we got the idea of pipelines to distribute water. Aqueducts were constructed by building large bridge like structure that sloped slightly towards the destination it was going to. We borrowed that idea and now use pipes that are pressurized and push the water towards where it is
The downfall of Oedipus transpired due to the tragic flaw of his character. Oedipus was very temperamental and became easily angered. He was a prideful individual who desired to be a hero and avenge the death of Laius. His devout need to know the truth, and have the proof that it indeed was the truth also led to his ruin.
These arches were reliefs and inscriptions telling the story of the history at the time.
A solitary triumphal arch can hardly give aesthetic satisfaction unless its proportions are in tune with its surroundings, and the Romans do not seem to have given much thought to that aspect. The true triumphal arches are thus those which support the bridges and aqueducts that have survived (n.d. para. 6).
Oedipus’ epiphany is truthful in his current state, but his decision in failing to recognize his sin before his realization ultimately makes his epiphany invalid, and its sole purpose is to only assist him in receiving sympathy from the citizens of Thebes. Sophocles uses the phrase “this evil is mine” to suggest how Oedipus has matured through the course of his life, taking responsibility for his own sinful actions and behaviors. Certainly, Oedipus is filled with regret, and Sophocles even uses repetition on the word “guilt” to symbolize how this emotion has devoured his entire life into despair, where “sorrow” and “guilt” intertwine by force. Truly, as Sophocles comments, the ramification of making a sinful decision prompts an act of retribution from the gods in deciding the miserable fate of an individual through his rebellion towards evil against the supernatural. Thus, in the tale of Oedipus and his jinxed fate, Sophocles expresses Oedipus’ prideful attitude that is rooted towards hubris and the overconfidence it buys to illustrate the vicious cycle of the sinful decisions we make and the sudden awareness of how our own tragic flaw would lead us into impending trouble and overwhelming
To begin, Oedipus had a fatal flaw that Sophocles made clear throughout the play. This flaw is hubris, which means excessive pride. His over inflated pride makes people less fond of him. People such as Tiresias tried to help him by telling him the truth, but he refused to listen. He turned a deaf ea...
The impetus for the downfall of Oedipus, "Known far and wide by name" (Sophocles, 1), is his anger. Enraged he slew King Laius and in anger he hastily pursued his own ruination. From the aforementioned recriminations of Tiresias to the conflict with his brother-in-law Creon (his ill temper again displayed - "Tempers such as yours most grievous to their own selves to bear,... .(Sophocles, 25); through the revealing exchanges with his wife/mother Jocasta and her slave (whose pity saved the infant Oedipus), damming insight grows in a logical sequence, all the while fueled by the Oedipal rage. Realizing the heinous nature of his actions, Oedipus blinds himself in a fit of anger and remorse - now, as Tiresias, he can see.
The primary characteristics of Roman Architecture are typically the Columns and the Arches. The Romans moreover initiated constructing using concrete and cement to substitute for rocks. Prior to the Romans the most widely employed construction technique was post and lintel. The Romans pilfered from the Greeks and Etruscans and in addition developed an architectural model which was exclusively their own.