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Elizabeth Barrett Browning's Sonnet 43 In Sonnet 43, Elizabeth Barrett Browning declares her pure, spiritual love for her man. The phrase "I love thee" appears in eight of the fourteen lines. She measures by depth and breadth and height in line two. In the Bible, God gives Moses the measurements for the new temple in the same manner. Browning is likening the love in her soul to the love of the ancient Israelites for their God. This is reinforced in line three, where she declares her love even "when feeling out of sight." The Israelites could not see their God, yet they built the temple and worshipped Him in it. In line four, she mentions "the ends of Being and ideal Grace". This is also a reference to divine love, indicated by the capitalization of Being and Grace. Lines five through ten give her reasons to love freely, purely and with passion. It was a first marriage for both of them and neither seemed to carry any baggage from the past to get in the way of their happiness. She was free to love him, in spite of her father's wishes, and let him know it. Lines eleven and twelve seem to allude to her mother, "I love thee with a love I seemed to lose/ With my lost Saints-" Browning's mother died in 1828, and afterwards her father forbid his children to marry. Lines thirteen and fourteen, ending the sonnet, declare Browning's faith in God, and she plans on loving her man in heaven, "better after death." It is important to realize the biographical context of this poem. Browning had been forbidden to marry. She went against her father's wishes, which caused him to never speak to her again. She gave up her father for this man. Her love is not merely printed on the page, but is a true emotion she believed enough in to leave her home and family over. She believes in God, and believes her love for Robert is true, pure, and spiritual.
Thirdly, poetry is a powerful way to explore the endurance and strength of pure love and the poem provides imagery to metaphorically see how lasting and enduring love is. Sonnet 116 suggests that love is an “ever fixed mark” which could be, metaphorically, a fixed point at the docks or in the village near the sea. But, in this context it would be a church with a large tower since churches are hundreds of years old and do not move or change compared to other buildings and landscapes. A church symbolises love and faith, due to religion, but the religion could be their soul mate. If it is a church which is an “ever-fixed mark” the poem suggests that love doesn’t move or change even after centuries; it will always be there.
Elizabeth Barrett Browning’s poem, Sonnets from the Portuguese: “XIII” considers the traditional gender roles in poetry at the time, where the woman is portrayed as a silent and pure figure to admire and long for by the man and reverses it. In “XIII”, Browning writes about the love which the female speaker feels towards the man, but is unable to express. Interestingly throughout the poem, Browning uses archaic terms such as “Thou” and “Wilt” which would not have been in widespread usage at the time. This could be an allusion to Shakespeare and his writings, when many of those words had high usage, symbolising that she is continuing the tradition of writing love poetry, which has been done for centuries in a male dominated scene. Browning could have also used these words for dramatic effect in the poem.
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The title of the poem leads the reader to believe that the speaker and the woman have been in a relationship for some time. It evokes the image of a woman secretly visiting her lover. Then, the speaker tells the reader that Porphyria “glides” into his house and “kneel’d and make the cheerless grate/Blaze up, and all the cottage warm” (6-9). Only someone who had visited the man’s home many times before would feel comfortable enough to “glide” in and start a fire. This confirms that this relationship has been ongoing and that this is not the first time the two have met. Throughout the poem, “love” is described in terms of a struggle for power, suggesting that the balance of power, dominance, and control in the relationship between this man and woman will never be equal; that one will always be vying for agency over the other and the relationship. In the beginning, Porphyria is “murmuring how she loved [the speaker]” (21). Women of the Victorian era were supposed to stifle their sexuality and ignore it altogether. The woman in this poem makes it clear that Browning did not agree with this view. Although Porphyria has not been able to fully repress her desires, as evident in the fact that she even went to the man’s house, she is attempting to practice some restraint. Instead of shouting or even simply saying at a normal volume that she loves him, she only murmurs. T...
	If one were to ever receive a love poem, Shakespeare’s Sonnet 43 would be and excellent poem to receive. The sonnet is addressed to the beloved of the speaker. The speaker talks about how the best thing he sees is upon the closing of his eyes, when he then pictures the beloved. The speaker talks about how the rest of the world is unworthy to look upon compared to the beloved. The speaker talks about how sleep is the best time, because that is when he can see the beloved in his dreams. Day is like night, dreary with waiting for the night to come, in order to see the beloved again. This sonnet is pretty much straight forward with what it says, but there are some examples of some literary techniques incorporated within the poem.
His 64th sonnet is a fine example of well used symbolism, where his love is compared to a ripe and blooming garden, resplendent with glorious scents and flowers. More importantly, perhaps, the sonnet also draws from a powerful Biblical background, drawing from the Song of Solomon (4.10-14).
The poem, How do I love thee, by Elizabeth Barrett Browning, is about how she loves her beloved and tries to list the different ways in which she loves him. Her love seems to be eternal and to exist everywhere, and she intends to continue loving him after her own death, if God lets her. The Author Ms. Browning, was one of the most famous poets of the Victorian Era, with her poems being popular in both England and United States during her lifetime. She was born on March 6, 1806, in Coxhoe Hall, between the villages of Coxhoe and Kelloe in County Durham, England. She was raised in a religious family, which contributed and influenced her to write poetry that revolve around religion.
In 1825 Browning’s second published poem “The Rose and Zephyr” appeared in a local newspaper. After this time Elizabeth became increasingly ill. Throughout her teenage years she learned several languages. In 1826 Elizabeth published her own translation of Prometheus Bound. During this time many changes were taking place in the Browning household. Elizabeth’s father began to treat the family as if he was tyrant. Elizabeth was not allowed to go outside or wonder off the family’s estate without her father by her side. After a harsh punishment from her father a doctor diagnosed Elizabeth with a lung ailment and a spinal injury. Even though Elizabeth was plagued with many diseases she continued writing (3-1)
The poem expresses Elizabeth 's intense love for her soon-to-be husband, Robert Browning. The opening of the poem is said to be" burrowed into our national subconscious while the rest of the poem has somehow wandered away, gotten itself lost "(Kelly p1) The critic is saying that people are fascinated with the thoughts of love of the poet, but not what she lists about Robert Browning. In the first octave, Elizabeth describes her love for Browning as being spiritual, aspiring towards God. She then describes her love as earthly, a love that enriches life. The uses repetition saying How Do I Love Thee but she measures every part of her love using words such as " "depth," "breadth" and "height"--but it is a measure of the self, of who the woman-poet is and will be, and how can be valued." (Reynolds p 31) Although, love cannot be measured in numbers, Elizabeth uses it to express the depth her love for Robert. It seems as if Elizabeth is finding it hard to put a measurement or barrier on the capacity of her love for her husband, due to having to keep it all in for years. She believes in true love having no limits. The sonnets she has written "may not have been designed as a public statement" but it is said "here she escapes an old regime where she was enjoined to silence or riddles, and she transforms herself into a speaking subject who can take her own story to market".
In the first line of the poem it says “how do I love thee? Let me count the ways. “This sets the stage for the poem. The big question is how she loves the man in her life, or in this case Robert Browning. The second half of the first line is telling the reader that she is going to count the ways she loves him.
In fact, Browning uses an emotional language whose ideologies are individualistic and provides an unbound human involvement that emphasizes an ideal love experience that is free of social control. Mysteriously, the persona transcends ordinary earthly limitation in the poem by claiming that she would love her husband much better at death, which is contrary to the general belief that love end with death of a persona. Equally, James, Lawall, and Lee assert that immortality is an element common in romanticism poetry, and Browning used it to idealize her feminine ability to express deep human feeling that go beyond the bounds of nature and overcome any social control. Symbolizing love with nature help the poet to express emotions without any
... casually talking about their loves. Then as the poems begin to unravel, so do the speakers. “Robert Browning was born to be a great poet, from early childhood he had a knack for poetry, his works are prime examples of what at dramatic monologue should be” (Kukathas 159). Browning’s works are not about what is written or said. His works came down to what the narrators are feeling, and it is up to the readers to pick up on clues given to them by Browning in his dramatic monologues.
I find that being a female poet does influence the themes of their poems; that female poets most likely write about love, and real love. Comparing to male poets who write about love, but more in a male dominant, females are the stereotypical lady-like way. As Elizabeth writes about mutual love and more about the emotional and spiritual connection between two spouses instead of the physical and mental being of one another. Between the Sonnet poems and “A Musical Instrument” the theme of love is taken in a positive and negative way; they show the true beauty and meaning over love but also argues the troubles and difficulties about love. Arguing the troubles about love is shown throughout “A musical Instrument” (The Broadview Anthology of Poetry), following the myth, because of the nymph not falling in love with Pan because of his looks; it describes that most ‘love’ is seen externally. As Love is popular in the Victorian era, death was also quite common. Though Browning did not talk so much about death in most of her poems excluding “A dead rose”, it was more of a mention of death and the ends of a few poems in her” Sonnets From the Portuguese”. For example in Sonnet 22 (Sonnets from the Portuguese) “A place to stand and love in for a day,/With darkness and the death-hour rounding it.” (13/14), the
Robert Browning, one of the greatest poets of his literary period, was born on May 7, 1812, in Camberwell, London. He was the first child of Robert and Sarah Anna Browning ("Robert Browning's Bibliography" 1). His father was a clerk at the Bank of England and his mother was a zealous Evangelist. By 1846, Browning got married to Elizabeth Barrett. From this marriage his wife conceived a son, Robert Barrett-Browning. At about the same time, he began to discover that his real talents lay in taking a single character and allowing him to discover himself to us by revealing more of himself in his speeches than he suspects In doing so, he wrote a great dramatic monologue called "My Last Duchess" (Everett 1).
Browning believes that poetry or any form of art is closely related to life and its problems. He has no faith in the theory of ‘Art for Art’s sake’. For him art is for life’s sake and his poems on art, philosophy and religion indicate his stand that poetry and art should be intimately in touch with reality and life.