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Symbolism in the metamorphosis kafka
The Dehumanization of Gregory in Kafka's Metamorphosis
The use of symbolism in Franz Kafka's Metamorphosis
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Within family there will always be sacrifices each member makes. Sometimes we dread making these sacrifices because they prohibit us from doing things we would rather do with our time or because they simply make us unhappy, but regardless of the resentment, we are able to say that we do things for our family, which gives us a sense of pride. In the novella, “The Metamorphosis” by Franz Kafka, the ability or inability to sacrifice one’s time for work or for the well being of one’s family create a divide between the family members. Through Gregor’s transformation from human to bug Kafka shows the family’s divide via the inevitable need for the family’s changes in roles, indirect implications of Gregor’s human disappearance, and symbols that Gregor …show more content…
Both of these items symbolic of Gregor’s sacrifice of his time for work were the things he valued most in his room. The desk, a symbol of work, and one that he no longer had use for since he no longer had a human body he claimed, “had to stay” and for this desk he was willing to “intervene” and stop his sister and mother from removing it from his room. However, work had been the one thing Gregor mentioned throughout the novella. In the beginning when his chief executive mad a visit to the home in an effort to complain and demand an explanation as to why he had performed poorly as well as missed the train, Gregor verbally defended himself and gave the reader a side of him unknown throughout the rest of the novella. Usually Gregor thinks of the things he will say before saying them and is cautios with his words in order to not hurt others, but in the case of his work, he takes pride in his effort and it is evident. When the executive stormed out, the only thing on Gregor’s mind was to get a hold of him in hopes to make him guarantee he would relay the message to the firm as to why he was unable to attend …show more content…
47). Grete in an attempt to calm her conscience for deciding to get rid of her own brother elevated her and her family’s efforts and disregarded all Gregor had done for them in the past. There could’ve been a solution other than death or expulsion from the family but she chose to get rid of her burden. In Mr. and Mrs. Samsa’s case it is evident when they rapidly switch focus from Gregor and think of finding Grete a husband without her approval. It is undeniable that Gregor and his family all lost a lot. When first reading this novella one is inclined to favor either Gregor or the family because there is a big divide amongst them due to the fact that they cannot communicate with each other. However, in the novella when the reader stops thinking about the noticeable barriers that prohibit the family from communicating and understanding Gregor we are left with what should be presumed as the root of their problems; their roles in the family being on completely opposite ends as well as their ability or inability to supply for the family’s well being as a tool of remorse used against each other. While Gregor lost his life he gained a sense of freedom from having to carry the weight of his family on his shoulders as well as the ability to spend time
Gregor’s life slowly ends due to the betrayal of his his loved ones. He feels bad once his parents betray him and he feels he is an inconvenience. Then his sister is too busy and exhausted for him and he has nobody to help him or bring him food. Lastly, with nobody left Gregor betrays himself by simply allowing himself to die. Betrayal contributes a lot to this book as it is evident in every part of Gregor’s downfall. If Gregor’s family did not betray him, maybe they could have found him help to get better and back to normal. He also could have learned how to cope with his metamorphosis and lived with it everyday, however; Gregor’s family did betray him, and it slowly led him to end his life by starving
...trayed by his family, he is imprisoned in his room; however, he "thought back on his family with deep emotion and love". His affection for his family results in his conviction that he must disappear, so that he can bring them happiness and peace. Gregor sacrifices his life and dies during the night to save his family from hardship. He loves them unconditionally, like Jesus loves his people, and does not criticise them for betraying and mistreating him. Gregor's final sacrifice of his life is the strongest comparison of his Christ-like attributes.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
house. This way of narrating it is very opened to us, and makes us feel like we
He didn’t feel that he was wanted in or around work, his family, his friends, or anyone/place that he ever associated with. Gregor, in the first chapter, had been confronted by his boss to see if he was going to be in for work. He was fired after his boss learned that he won’t be and that his condition keeps him from working. His father had treated Gregor as an enemy. His sister was the only one that cared for him for the majority of the novela. He had been feared by most of his family. Even when his sister was playing the violin, Gregor had wanted to come out and see her. He did come out and was greeted with screaming and disgust. His own father went on a rampage and threw apples at Gregor. One stuck in the back of his shell for the rest of the book. Gregor had been shunned by his community, he had lost his position in his family as a human, a provider, a brother, and a son. Now, he is now an unwanted pet. His sense of belonging had been crushed, and he feels that others don’t desire his
In the novel “The Metamorphosis” Frank Kafka conveys the theme of universal truth that humans are pessimistic, by nature. After the transformation of Gregor into “monstrous vermin” the family also undergoes transformation leading the family members to have a pessimistic attitude towards Gregor.
Throughout the novel Gregor mainly feels guilty about being a burden to his own family. Once Gregor underwent his metamorphosis he was no longer able to provide for his family, thus causing his father to return to being the main source of income. Likewise, as the novel progresses Grete must also begin to work due to the fact that the family needs more money to continually support themselves along with Gregor. However, Gregor begins to feel even more guilty when he overhears his family discuss plans to move out of the apartment. Gregor’s family upon realizing they can no longer support themselves in the current apartment seeks moving to a cheaper location; however, the sole problem with leaving the apartment becomes Gregor. The family refuses to leave Gregor, and has no means to transport him out of the apartment, thus like Gregor his family is stuck within the apartment. This predicament ends with the family taking in three tenants, causing Gregor to remain hidden within his own house and room in order to help his family survive, increasing his own guilt. Guilt causes Gregor to fall into a deep depression, for he believes he is nothing more than a burden to his own family, and to society. Guilt is the driving force in The Metamorphosis for it establishes the main conflict for Gregor, himself. Furthermore, guilt causes Gregor to become a recluse to his own room, refusing to eat, constantly wishing for death to take him. The climax of the guilt in the novel strikes when Grete refers to Gregor as a pest that must be taken care of, thus Gregor overrun with guilt returns to his lair, where he ultimately dies. Gregor is finally free of the burden of living, the burden of finding out he is nothing more than a burden to his own family; thus, death symbolizes peace and sanctuary for Gregor, a state that would not have been achieved without the main theme of guilt throughout the
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
...lude the fact that even in his new form, Gregor still makes sacrifices in that he secludes himself from his family so as not to cause even more grief by inconveniencing them, despite desperately yearning for affection and sympathy himself; or the fact that he is racked by guilt every time that the family mentions money or that he thinks about the pain that he has inflicted on them by losing the ability to support them by no fault of his. Hence, his family worries about the affects of his metamorphosis on them personally, as suppose to what it means for Gregor. Thus, as this diary illustrates, it was Gregor’s father, mother, and sister whose metamorphosis was the most profound because they demonstrated how easily one’s beliefs, values, and basic treatment of others can be compromised because of a failure to adapt to change.
“He stayed there [under the sofa] all night...partly in worrying and sketching vague hopes, which all led to the same conclusion, that he must lie low for the present and, by exercising patience and the utmost consideration, help the family to bear the inconvenience he was bound to cause them in his present condition.” (25) This quotation is useful in gaining an insight into Gregor’s character at this point in the book. He is thoughtful, patient, considerate, and above all wants to support his family. All qualities that are supported in his view on work and his place in the family.
Since he has failed to come into work the manager decides to fire Gregor. This results in Gregor dashing out of his room, allowing everyone to see his new state. Terrified, Gregors father ushers him harshly back inside his room. As the story progresses the family begins to care about Gregor's well being less and less. They see him as a monsters creature and not as their son.
Throughout The Metamorphosis, Franz Kafka’s protagonist, Gregor, is not able to assert any power within his life. Instead, Gregor makes myriad sacrifices for his family, to the point of his own detriment. The extent of Gregor’s sacrifice is fateful: he works hard at a job he dislikes to provide his family an income to repay their debt, even though none of his family members work. Gregor has no social life and very little comfort or happiness. But, it is proven through Gregor's transformation that the rest of the family is perfectly capable of work and self-sufficiency; as a matter of fact, the family prospers despite Gregor's infirmity.