The modern world gets smaller and smaller each passing year with every new invention that is designed in order to make our everyday lives easier . As a result, one might contemplate that this shrinking world would lead to humans feeling a unique sense of closeness and therefore becoming increasingly connected to each other. However, many modern writers and philosophers see the world through an existentialist point of view. Existentialism is the theory in which the people of the modern world suffer from a sense of alienation or disconnection from the other members of their society. Detachment from the surrounding world can be characterized by a strong feeling of the need to keep up appearances, self-loathing, feelings of condemnation, or social …show more content…
For example, Franz Kafka’s character, Gregor, exhibits this action immediately after his transformation into a “monstrous verminous bug” (1). Gregor replies to his family’s concerned questions with “an effort with the most careful articulation and inserted long pauses between the individual words to remove everything remarkable from his voice” (2). In an effort to conceal his metamorphosis, Gregor carefully articulated his response in order to keep up the appearance that everything was fine. Likewise, he consciously made a valiant effort to disguise his voice as to not alert his family to his true form. Another example of this deceit occurs in Eliot’s poem in which the narrator says “There will be time, there will be time / To prepare a face to meet the faces that you meet” (26-27). In this example, the narrator describes keeping up appearances by putting on a false face when meeting other people. Therefore, despite how the narrator may be feeling on the inside, he courageously prepares a face for the world that displays what he thinks society expects from him: happiness, satisfaction, or perfection. Whether it is what one says or how one acts, one will hide behind a facade to conceal his or her feelings of estrangement from the modern
Humans are capable of many expressions of emotion, but holding this ability also allows for many people to hide what they are truly feeling within their own minds. Those who shield their emotions from others around them frequently do so in order to protect either themselves or their loved ones from the pains that may occur in life, both in a society and in a family. In Pamela Painter’s Toasters, Jose Padua’s poem Barbie, Utahna Faith’s short story All Girl Band, and George the Poet’s One Number, the recurring theme of outward appearances not reflecting the mindset of the speakers is illustrated.
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
Judith Guest's novel Ordinary People evinces some main principles of the modernist literary movement, such as the philosophy that modern man is beset by existential angst and alienation. According to Carl Marx, a renowned existentialist, alienation, as a result of the industrial revolution, has made modern man alienated from the product of his own labor, and has made him into a mechanical component in the system. Being a "cog in the wheel" prevents modern man from gaining a sense of internal satisfaction of intellectual and emotional pleasure. Further more, according to Sigmund Freud, there are two pleasures, work and love. Consequently, Freud would say that being disconnected from pleasure from work, half of the potential for psychological fulfillment would be lost. Modern man is suffering from alienation as a result of large institutions, and as individuals, modern man neither feels that they are part of them nor can understand them. Additionally, the existentialists say, man is shut out of history. Modern man no longer has a sense of having roots in a meaningful past nor sees himself as moving toward a meaningful future. The modern man also suffers from alienation in his relationships with other people. Since he lives life not authentically and not knowing who he is, he cannot relate to others authentically. Hence, there are no real relationships at work and there are no real relationships of love. Also, according to Sartre, modern man is absolutely not a victim of his environments, of his childhood, and the circumstances in his life. The events in life are only neutral and since modern man is free, he chooses the meanings of the facts of his life. Modern man lives in a constant state of existential angst, which is dread of the nothingness of human existence and the fact there is no underlying purpose to human existence or set of objective truths or morals by which to navigate life. According to Martin Heideggar, German existentialist philosopher, the unaware person tries to escape the reality of death by not living life to the fullest. However, death can be the most significant moment for the individual, his defining moment of personal potential, if accepted and confronted squarely will free the individual from anxiety of death.
• Facade pg 209; an outward appearance that is maintained to conceal a less pleasant or credible reality
The Metamorphosis Research paper Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family. Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.”
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
In the stories of the Metamorphosis by Franz Kafka and The Elephant Vanishes by Haruki Murakami, there are events of magical realism and marxism that occur. In the Metamorphosis, Gregor had to adapt to his new environment and also deal with the financial crisis from his family. In the Elephant Vanishes, the people in the city, had to deal with the disappearance of the town’s symbol, the elephant.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
house. This way of narrating it is very opened to us, and makes us feel like we
In the novel, The Metamorphosis, Kafka writes about a man who one day transformed into a bug. Kafka’s own feelings of nothingness caused this story to shape into this unique story. Kafka writes, “The dream reveals the reality, which conception lags behind. That is the horror of life – the terror of art” (qtd. In Kennedy and Gioia 299). Kafka said this as a rebuttal to a friend trying to pry information out of him about The Metamorphosis. Kafka meant that the true burden of art is that a person’s experiences will always heavily influence their creations, and that is horrifying. It is clearly shown in his writings that his personal experiences helped shape the story The Metamorphosis. Every little detail about Gregor’s life is a reflection of Kafka’s own life. Gregor’s family, job, and dreams all were influenced by Kafka’s personal experiences. His father was domineering just as Gregor’s father controlled him after he turned into an insect. He had a horrid job just as Gregor did, and he lived at his parent’s house for most of his life. Gregor’s dreams of being free from his job and parents were also Kafka’s dreams. Kafka’s reality is shown in his story, The Metamorphosis, through Gregor’s family and dreams of freedom.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Upon completion of Kafka's Metamorphosis I was immediately drawn away from the conclusion of the novel and back into the second section. It seemed to me that the true essence of the novella resided in the thoughts and observations revealed in this portion of the story. After watching the video adaptation I was once again intrigued by these events. I re-read the second section and found the first strong impressions of the grotesque were evident here.
In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups and communities without ever truly being integrated with them (Simpson).
The Existential Approach stands for respect for the person, for exploring new aspects of human behavior, and for divergent methods of understanding people (Corey, 2013). Existentialists do not focus on instinctive drives or internalized others but on the person's unavoidable confrontation with the givens of the human condition. Yalom (1980) described those givens as death, freedom, isolation, and meaninglessness. (Bauman, & Waldo, 1998).
Hence, people cannot rely on those to guide them in life. This contributes to what Frankl (2010) referred as existential vacuum, which is “a sense of futility and emptiness and a feeling of meaninglessness” (p. 41). Consequently, in such state, people are unable to identify their individual wishes that in turn, lead them to conformity or totalitarianism. Frankl (2010) cautioned his readers that such sense of emptiness and meaninglessness are increasingly experienced by young people in the US.