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Frankenstein and his monster: are they alike
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Are nature and nurture required when creating a person? In the novel Frankenstein by Mary Shelley, the nature vs. nurture discussion is put to the test by the actions of the main character Dr. Frankenstein's creation: a monster. In the novel Dr. Frankenstein is enthralled with the scientific creation of life and creates what he thinks will be a human but actually turns out to have the makings of a monster. Dr. Frankenstein is terrified by his creation and abandons it by running away and leaving it locked up. The monster breaks out of Dr. Frankenstein's confines and goes into the world to explore in his surroundings and hates his creator for not caring for him. By looking at environmental effects on a child's intellectual ability to learn, and a child's inherent sense of direction it is apparent that at birth the human mind is a blank slate.
Children’s intelligence is being shaped everyday by experiences with people objects and events. Frankenstein's monster learned all that he knew from the family he watched after he escaped from the confines of Dr. Frankenstein. “Every conversation of the cottagers now opened new wonders to me” (Shelley 117). Here the monster is shown inquiring about his surroundings and wanting to learn from them. The monster explored the world on his own; he learned language and the nature of the world on his own. He watched human interaction and tried to mimic human behavior. “Men appear to me as monsters thirsting for each other’s blood.” (Shelley 156) The author uses the word monsters to describe ordinary people suggesting that their intentions are the same as the monsters.
Frankenstein had good intentions when he created the monster but the monster wreaked havoc. The monster acting out in a negative way may...
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..., but there was another still paramount to that. My duties towards the beings of my own species had greater claims to my attention because they included a greater proportion of happiness or misery."(Shelley 265) This quote reiterates one of the main points of the novel: Frankenstein's decision turns on the good of humankind. Frankenstein talks about the monster saying “He walks about the world free, and perhaps respected.” (Shelley 220) Frankenstein is condemning human nature and the society and institutions that come from it. Frankenstein doesn’t know if he should hold himself responsible for his creature.
Mary Shelley put a new outlook on nature versus nurture in human development. By making the monster’s being a blank slate, and morphing his personality based on the different events that shape his life, Shelley clearly states her support for the nurture side.
Moreover, the Monster learns history and social systems from Felix’s instructions to Safie, and becomes a rational, deep thinking being. All these actions of the Monster apparently show that nurture outweighs the nature of the Monster. Also, the story of the De Lacey family draws the significance of how nurturing determines one’s personality and characteristics. “The patriarchal lives of my protectors caused these impressions to take a firm hold on my mind; perhaps, if my first introduction to humanity had been made by a young soldier, burning for glory and slaughter, I should have been imbued with different sensations.
“I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am” (Shelley 92). Frankenstein’s Creature presents these lines as it transitions from a being that merely observes its surroundings to something that gains knowledge from the occurrences around it. The Creature learns about humanity from “the perfect forms of [his] cottagers” (90). Mary Shelley’s Frankenstein offers compelling insights into the everlasting nature versus nurture argument. Her husband, Percy Bysshe Shelley wrote, “Treat a person ill, and he will become wicked.” Shelley believes that the nurture of someone, or something, in the Creature’s case, forms them into who they become and what actions they take. While this is true for Frankenstein’s Creature, the same cannot be said about Victor Frankenstein.
The theme of nature vs. nurture is highly debated in the field of psychology and is quite a prevalent topic of the novel Frankenstein. Nature vs. nurture is a psychology term related to whether hereditary genes or the environment
Shelley suggests that children naturally look up to their parents. Frankenstein followed his father (a scientist) and now the creature follows Frankenstein when wishes to create for his own needs. This is another point by Shelley, that a strong parental figure is important when bringing up children.
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
When Mary Shelley's novel Frankenstein is analyzed, critics comes to a conclusion about Victor Frankenstein's creation. The creature invokes the most sympathy from the readers than any other character in the novel. Because he is abandoned by society which manipulates the creature to do evil things despite his good heart. Therefore Shelley's message throughout the novel is that a person is not born evil, they are made evil.
The fact that Frankenstein’s creation turns on him and murders innocent people is never overlooked; it has been the subject of virtually every popularization of the novel. What is not often acknowledged is the fact that Frankenstein himself embodies some of the worst traits of humankind. He is self-centered, with little real love for those who care about him; he is prejudiced, inflexible and cannot forgive, even in death. While some of these traits could be forgivable, to own and flaunt them all should be enough to remind a careful reader that there are two "monsters" in Frankenstein.
A monster can be characterized by an extreme deviation from the normal standards of society including an internal or external wickedness. In the case of Mary Shelley’s Creature, his appearance overwhelms those who lay eyes upon him. A mere glance can send a villager running for the hills. It was not until the Creature caught a glance of his own reflection that he understood why villagers were so afraid of him. The realization of his ghastly appearance began the monster’s journey into hopelessness. In Peter Brooks’ article he writes, “Self recognition as the ‘filthy type’ completes the mirror stage of the Monsters development.” (Brooks 377). Seeing oneself as ugly and slovenly can cast shadows on even the most compassionate of hearts.
...ime, such as reading, speaking, and how to find shelter. More importantly however, he learns something that affects his entirety of his short life: how humans truly are. Frankenstein learns that humans can be kind and moral, but more often are cruel, brutish, unfair, and unsympathetic. He learns that he will never be accepted, and learning this drives him to do rather evil human-ish acts. Even as he does these bad things though, he still experiences regret, longing for companionship, and the drive to do good things and be a good person. This inner conflict is present in all humans, as we struggle to do the right thing and avoid temptations and violence. This struggle is what causes the creature to truly be human, encompassing all of humanity’s aspects, including both the good and bad.
...uter appearance reflects one’s inner self, but only because society reacts accordingly, making beautiful people able to do good and ugly people able to do bad. Thus, in the debate over nature versus nurture, nurture clearly holds an emphasis. Frankenstein mindfully toys with the idea that men, women and monsters are all brought into this world as a blank-slate, slowly shaped according to experiences. Eerily enough, vengeance is what gives the monster a rather twisted purpose for existing. Victor is no Prometheus, and the unfortunate result of his ambition shows that people are rulers of our own destinies.
...ions toward one another. However, Frankenstein’s uncaring, negligent-parent approach to his creation who emotionally resembles a lost child, allows Shelley to establish the conflict between scientific discovery and moral consequence, as well as the greater conflict between right and wrong. She allows the audience to question who the true villain is in the story, and allow each reader to determine for themselves if the “parent” Frankenstein or the “childlike” monster is truly to blame for all the evil deeds that occur. Today, our society should view Frankenstein as a cautionary tale of the possibilities and consequences of scientific discovery mixed with greed.
Sometimes in novels like Frankenstein, the motives of the author are unclear. Mary Shelley presents the humanity of Victor Frankenstein 's creation. Although, she presents evidence in both support and opposition to the creation 's humanity it is apparent that this being is indeed human. The creature’s humanity is not only witnessed in his physical being, but in his intellectual and emotional thoughts as well. From the novel, some people think that Frankenstein’s humanity is argued by the fact that being human does not mean coming from a specific genetic chain and having family to relate to, but to embrace many of the distinct traits that set humans apart from other species in this world. In fact, Frankenstein creation does not support
Education is a tool to advance an individual and a society; however, education can become a means to gain power when knowledge is used to exercise control over another. In Frankenstein, knowledge becomes the downfall of both Victor Frankenstein and the Monster. The novel explores the consequent power struggle between Victor Frankenstein and his creation, the dichotomy of good and evil, and the contrast between intellectual and physical power. Finding themselves in mirroring journeys, Victor Frankenstein and the Monster are locked in a struggle for dominance. Through these two characters, Mary Shelley explores the consequences of an egotistical mindset and of using knowledge to exercise power over others.
Andrew Lustig proposed a great question to the readers of Mary Shelley’s novel Frankenstein, “How far should we go in out efforts to alter nature, including human nature? As stewards of God’s creation what are our responsibilities?” (Lustig 1) This question results in theme of nature vs. nurture in the novel. The nature vs. nurture debate is an important topic in Mary Shelley’s novel Frankenstein. The two central characters, Victor Frankenstein and the creature that he creates; both, characters were raised differently. The nature and the nurture of their upbringing can be a cause of why they are, the way they are. Victor and his creature are subject to very different nurturing styles. Shelley also incorporates the representations of light and fire. This representation is key to the nature vs. nurture discussion in the novel.
Philosophers and scientists alike have debated for centuries whether a person’s character is the result of nature or nurture. In the writings of Thomas Hobbes, it is expressed that humans are endowed with character from birth, and that they are innately evil in nature. John Locke’s response to this theory is that everyone is born with a tabula rasa, or blank slate, and then develops character after a series of formative experiences. The idea that true character is the result of experiences and societal interaction is a theme deeply explored throughout Mary Shelley’s Frankenstein. Through different interactions with the monster, Shelley attempts to express that it is because of Victor’s failings as a parent and creator, because of the monster’s isolation, and because of society’s reaction to the monster that the monster has become evil. The monster’s character is a direct result of how he was nurtured, based on his experiences and circumstances, rather than his being innately evil from “birth.”