Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Psychoanalytical view on frankenstein
Frankenstein and personal perception
Psychological analysis of Frankenstein
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Psychoanalytical view on frankenstein
“Monster”
It seems commonplace to recognize the importance of the environment when ruminating on the shaping of one’s nature of time. As a daughter of two rebels, Mary Shelley contributed her interest in writing to her big-named parents. When an independent spirit nearly identical to her mother’s, Shelley ran off with her lover at the age of sixteen, resulting in alienation as society and, even her father, reject her. This estrangement was a driving force in the creation of her novel, Frankenstein. Shelley borrowed a line from John Milton’s Paradise Lost when the monster from her novel states, “I was born benevolent; misery made me a fiend.”
The initial perception of the monster may certainly be one of horror and perfidy, but it is clearly seen that this daemon initially has truly pure intentions. For instance, the monster is confident that he will “win the love” of the gentle family he has been observing and learning from for so long—so much so that the thought of this newfound love makes him euphoric. “’My spirits were elevated by the enchanting appearance of nature; the past was blotted from my memory, the present was tranquil, and the future gilded by bright rays of hope and anticipations of joy,’” (Shelly, Frankenstein, 96). Furthermore, the monster is aware of his deceptive mien. He is mindful that it can and will cloud one’s judgment, but he insures that he is a kind-hearted being with magnanimous intentions. “’I have good dispositions, my life has been hitherto harmless and in some degree beneficial; but a fatal prejudice clouds their eyes, and where they ought to see a feeling and kind friend, they behold only a detestable monster,’” (114). Because of the being’s countenance, the barrier to happiness forever stands. ...
... middle of paper ...
...uter appearance reflects one’s inner self, but only because society reacts accordingly, making beautiful people able to do good and ugly people able to do bad. Thus, in the debate over nature versus nurture, nurture clearly holds an emphasis. Frankenstein mindfully toys with the idea that men, women and monsters are all brought into this world as a blank-slate, slowly shaped according to experiences. Eerily enough, vengeance is what gives the monster a rather twisted purpose for existing. Victor is no Prometheus, and the unfortunate result of his ambition shows that people are rulers of our own destinies.
Works Cited
Milton, John. Paradise Lost, Book I. The Norton Anthology of English Literature, Third Ed. Smith, Hallot. W.W. Norton & Co. Inc. New York, New York. 1974. 1359.
Shelly, Mary. Frankenstein. Bantam Books. New York, New York. 1981. 1-213.
“I now hasten to the more moving part of my story. I shall relate events that impressed me with feelings which, from what I was, have made me what I am” (Shelley 92). Frankenstein’s Creature presents these lines as it transitions from a being that merely observes its surroundings to something that gains knowledge from the occurrences around it. The Creature learns about humanity from “the perfect forms of [his] cottagers” (90). Mary Shelley’s Frankenstein offers compelling insights into the everlasting nature versus nurture argument. Her husband, Percy Bysshe Shelley wrote, “Treat a person ill, and he will become wicked.” Shelley believes that the nurture of someone, or something, in the Creature’s case, forms them into who they become and what actions they take. While this is true for Frankenstein’s Creature, the same cannot be said about Victor Frankenstein.
The idea of duality permeates the literary world. Certain contradictory commonplace themes exist throughout great works, creation versus destruction, light versus dark, love versus lust, to name a few, and this trend continues in Frankenstein by Mary Shelley. The pivotal pair in this text however, is monotony versus individuality. The opposing entities of this pairing greatly contrast against each other in Frankenstein, but individuality proves more dominant of the two in this book.
It is scientifically proven, that people prefer attractive people. Appearances help millions of good-looking men and women across the country advance in their careers, get free drinks, and receive more opportunities. But, Mary Shelley juxtaposes the physical deterioration of Victor as her novel, Frankenstein, progresses and the creature’s ugly physical appearance and the motif of clouds juxtapose with birds to argue that appearances may be deceptive. She argues through the juxtaposition of Victor and the creation’s death that ultimately it is through death, one of nature’s devices, that allows us to see the character of a person. Shelley juxtaposes the physical deterioration of Victor with the ugly appearance of the creation to prove that time will reveal a person’s character.
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
After learning about the life of Mary Shelley, I have grown to appreciate the novel, Frankenstein, even more since the first time I read it. She led a life nearly, as tragic as the monster she created through her writing. Mary seems to pull some of her own life experiences in Victor’s background, as in both mothers died during or after childbirth. Learning about Mary’s personal losses, I have gained a better appreciation of her as an author and a woman of the 17th century. She had association with some the most influential minds of that
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
Milton, J. Paradise Lost. Ed. S. Elledge. New York: W.W. Norton & Company Inc, 1993.
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
Milton, John. Paradise Lost. The Norton Anthology of English Literature. 8th ed. Vol. A. gen
... may result in the imbalance of that which sustains us and our subsequent destruction. While Victor can control nature and bend it to his will in unnatural ways, once confronted with the natural elements, none of his science and ingenuity can save him. Throughout the novel Victor goes to nature for solace, expecting nothing but return, and expects the same throughout the novel, right to his own demise. This lesson is not only applicable to when Frankenstein was written, at an explosively progressive period during the Industrial Revolution, but also to all generations and their relationship with human progression and nature preservation.
...t, Stephen, gen. ed. “Paradise Lost.” The Norton Anthology of English Literature. 9th ed. Vol. 1. New York: Norton, 2012. Print. 36-39.
Loewenstein, David A Student Guide: Milton-Paradise Lost, 2nd Edition Cambridge University Press, 1993, Second Edition 2004.
The. “Paradise Lost.” The Norton Anthology of English Literature. Ed. Stephen Greenblatt, M.H. Abrams.
Milton. New York: Norton, 1957. Elledge, Scott, ed., pp. 113-117. Paradise Lost: An Authoritative Text, Backgrounds and Sources.
Reichert, John. Milton's Wisdom: Nature and Scripture in Paradise Lost. Ann Arbor, The University of Michigan Press. 1992