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The importance of nature in Frankenstein
The importance of nature in Frankenstein
The importance of nature in Frankenstein
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Given the deep ties to nature that Mary Shelley explores within Frankenstein, the principles and methodology of ecocriticism can be applied in many different ways. The interaction of humanity and nature is a concept explored throughout the novel, relating directly to a core tenet of ecocriticism, "directly relat[ing] who we are as human beings to the environment" (Bressler 231). Being as there is no "single, dominant methodology" (235) within ecocriticism, the extent to which we can use ecocriticism to interact with Frankenstein contains considerable depth. However, I will look to a few main methodologies of ecocriticism to look at Frankenstein in detail to uncover how the novel deals with the changing attitudes of humanity and nature in early 19th century England. Beginning with first wave ecocriticism, the focus on 19th century literature positions Frankenstein right in the radar of the early period of American "nature writing" as well as British writers dealing with humanity and nature as an effect of Romanticism, such as William Wordsworth, John Keats, Samuel Taylor Coleridge among others. Mary Shelley directly quotes Wordsworth and Coleridge through the voice of what could be considered the most "human" of the main characters within Frankenstein, Victor. While lamenting over the loss of his friend Clerval, Victor refers to a passage from Wordsworth's "Tintern Abbey" to express the high value he holds for his departed friend, highlighting important interactions between human interests and nature. Many of the images of beauty expressed through Wordsworth's lines shows the appreciation for nature and its importance over human concerns, and an examination of the deep connections between humanity and nature that ideally should b... ... middle of paper ... ... may result in the imbalance of that which sustains us and our subsequent destruction. While Victor can control nature and bend it to his will in unnatural ways, once confronted with the natural elements, none of his science and ingenuity can save him. Throughout the novel Victor goes to nature for solace, expecting nothing but return, and expects the same throughout the novel, right to his own demise. This lesson is not only applicable to when Frankenstein was written, at an explosively progressive period during the Industrial Revolution, but also to all generations and their relationship with human progression and nature preservation. Works Cited Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print. Shelley, Mary. Frankenstein. Ed. Paul Hunter. 2nd ed. New York: Norton, 2011. Print.
Nature is a dominant theme throughout the romanticism period, which was at its peak between the 1800s and 1850. The novel Frankenstein, which was written by Mary Shelly was written in 1818, and the poem A Cottage in Grasmere Vale written by Dorothy Wordsworth was written in 1805, both the novel and the poem were written during the peak of the romanticism era, which would enlighten the clear evidence of nature throughout both pieces. Dorothy was William Wordsworth’s sister, who was always close with her brother. Nature is described as ‘the phenomena of the physical world collectively, including plants, animals, the landscape, and other features and products of the earth, as opposed to humans or human creations’ In this essay I will discuss the key elements of nature and the natural world in Frankenstein and A Cottage in Grasmere Vale. Dorothy lived in Grasmere in the
Although the texts show a difference in societal values, both explore similar aspects of humanity to show that human nature is perpetual regardless of context. In Frankenstein, Mary Shelley scrutinizes the Enlightenment era’s pursuit for progress and knowledge as it is seen as morally chaotic for overstepping the natural order idealised by the Romantics. Victor F’Stein’s ambition to overpower the boundaries of nature by attempting to take up God’s role as the creator is enunciated in the metaphor “many excellent natures should owe their being to me”. Victor’s hubris and ambition reflects aspects of the Enlightenment – Shelley criticises the attempts of the age to control and empower natural processes, embodied in Galvani’s experimentation with animal electricity. Victor F’Stein represents humanity’s hubristic ambitions and fondness for knowledge.
Throughout Frankenstein, nature is considered to be a healing remedy in the process of Victor Frankenstein’s recovery.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
To begin our analysis, I will look to how Mary Shelley positions Victor Frankenstein's motivations to create life against natural laws within the ideas of individualism, as Victor can correlate directly to the educated human at the center of Enlightenment, Industrialism, and Romanticism values. With the burgeoning interest in scientific discovery during the Industrial Revolution "transform[ing] British culture" and "changing the world"(Lipking 2065), many concepts of society were also changed, which Shelley looked to explore through Victor's actions. Rooted in the scientifically curious spirit of Industrial England, Victor's attempt to create life can show many examples of how an importance of the individual acquisition of knowledge and accomplishment can disrupt society. Victor's...
Works Cited for: Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. a. a. a. a. a J. Paul Hunter. New York: W. W. Norton, 1996.
Frankenstein, like other English Romantics, placed great emphasis on the power of nature. The Arve Ravine, and the Valley of Chamounix exemplify the harmony and beautiful serenity of nature, and add to the romantic quality of the novel while sharply contrasting with the chaos of Victor's troubled mind. The Romantic movement can be seen as a protest against the rapid industrialization that was occurring in England at the time of Frankenstein's publication. While many interpretations are plausible, the novel depicts the fear that technology (and the human obsession with technology) would ultimately prove disastrous. The characters of Walton and Frankenstein are shaped by Romantic idealism, as manifested in their ...
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Bressler, Charles E. Literary Criticism. (3rd ed.) Upper Saddle River New Jersey: Pearson Education, Inc. 2003
Victor Frankenstein and his creation are alike in several ways, one of them being their appreciation of nature. Victor embraces the nature for the quick moment that he escapes the creature as it “filled me with a sublime ecstasy that gave wings to the soul and allowed it to soar from the obscure world to light and joy” (Shelley 84). Vict...
By attempting to create life and messing with the natural order of the world, Victor loses his connection to the earth and eventually ends up as a shell of what he once was. No matter how hard he tried to redeem himself, he could no longer be one with nature. The creature that Victor creates by using the malicious techniques of science actually starts out to nature than Victor himself. The Creature recognizes the wonders of nature and finds temporary happiness in his closeness to the world. He turns away the peace given to him by nature just to satisfy his desire for revenge, and becomes a broken being. Mary Shelley demonstrates in Frankenstein what happens if someone strays too far from nature. Shelley purposely shows the destructive nature of science in her novel to highlight the strife that her society was going through. Her society, disillusioned by war and the devastation that new technologies caused, wanted to go back to their roots in nature, and her novel pushes at that idea. Shelley’s example of Victor’s and the Creature’s downfall warns us of the dangers and temptations of science. Even now, people are constantly enraptured by the possibilities that science and technology offer, while neglecting their duties towards nature and the
Nature is a key element in romanticism as the early romantics stressed the divine beauty they saw in nature. Mary Shelley uses the elements of nature to further the emotions of her characters and create a safe place for them to think. She also goes into the aspects of science and nature, "[Scientists] penetrate into the recesses of nature and show how she works in her hiding-places” (Shelley 33). In Frankenstein, Mary Shelley creates a novel based around science overreaching to boundaries. Many scientific experiments of the early 1800s make an excellent base in history for Frankenstein. Trials such as biomedical trials that began during along with the continuing studies into human anatomy and the natural world. Weather is an important element of nature which is commonly used to reflect and supplement human emotions. After William’s death, whilst Victor is returning to Geneva to talk to his father “the heavens were clouded, and [soon] the rain was coming slowly in large drops” (Shelley 62). Therefore, the storm reflects Victor’s mournful attitude and as the storm p...
Scientists always tell us that interfering with the environment too much can lead to dangerous consequences. This type of sentiment is perfectly echoed in Frankenstein by Mary Shelley, which goes into the moral ethics of bringing back creatures from the dead. Mary Shelley uses the setting of nature to ground Victor into reality and help him cope with his guilt of the creature’s murders and spreads the message that nature is beautiful on its own and should not be tampered with.
Mary Shelley’s Frankenstein was published in 1818 during the Romanticism era. Romanticism describes the period of time from the late 18th century to the mid 19th century. This period was seen as a response to the Enlightenment; overall there was an increase in the desire to understand the world in an objective matter (lecture). Though Romanticism is commonly viewed as a literary and artistic movement, Mary Shelley gives evidence on the development of Europe in a historical sense through her novel, Frankenstein. Through the motifs and personal experiences of her characters, Mary Shelley’s Frankenstein gives insight on scientific development, emerging roles of women, and how the individual is viewed the
Walter Scott’s critique in the 1818, Blackwood's Edinburgh Magazine Review of Frankenstein, is that Frankenstein is a novel of romantic fiction depicting a peculiar nature that narrates the real laws of nature and family values. This review explains that Mary Shelley manages the style of composition, and gives her characters an indirect importance to the reader as the laws of nature takes course in the novel. In addition, Walter Scott appreciates the numerous theme...