Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Frankenstein character analysis thesis
Essay on victor frankenstein's character
Essays on gothic literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The 1931 Frankenstein film by director, James Whale, and the Frankenstein novel by author, Mary Shelley, have an abundance of similarities such as the mood and tone, general plotline, Frankenstein’s desire to kill his creation, and main characters. There are also differences such as characteristics of the monster, the process of its creation, the death of the monster, and supporting characters. Mostly, the movie does not stay true to Mary Shelley’s novel. The 1931 film by Whale has the same eerie, gothic, and dark mood and tone as the novel by Shelley. For example, both works contain stormy weather as a constant throughout which further sets the dark and terrifying mood. The stormy and dark weather also foreshadows and represents the evil coming. The general plotline stays consistent throughout both …show more content…
This being that Frankenstein creates a monster from dead body parts and Frankenstein is so terrified of his ugly creation that he abandons his creation; the monster then kills many people, especially those that Frankenstein loves. Frankenstein has a burning desire to destroy his creation for all the harm and damage it has caused to his life. The main characters in the film and the novel are consistent with the movie. There are many differences between Whale’s film and Shelley’s novel. The monster’s features in the film do not stay true to how Shelley described it. In the novel, the monster is described as an 8 foot tall creature, yellow due to jaundice, has long black hair, black lips, and sharp white teeth. In the movie, the monster is portrayed with bolts in his neck, green, and short hair. The monster’s actions do not match up either. In the novel, the monster is capable of learning, speaking, and being literate. He has morals and does not become malicious until he experiences so much hatred and declares war on mankind. In the film, he is illiterate and not capable of learning; he is not even able to speak
Since the original novel Frankenstein by Mary Shelley, to the multiple movie adaptations, the monster is almost always predicted as the monster of the story. It may be his physical appearance, from his tall, broad frame, to the signature screws in his neck. It may also be his unnatural upbringing and interpreted evil characteristics. We have grown to fear the monster, which ultimately, has masked the true monster, Dr. Frankenstein. With each coming movie, the good side of the monster is brought to light, while the real monster shows his true colors.
Both “Frankenstein” (1931) and “Bride of Frankenstein” (1935) portrayed characters and events differently than Shelley would have desired. Her novel had many deeper implications than the movie portrayed. James Whale and the many adapters/screenwriters involved in both films leeched onto the inhumanity of the monster and the terror he could create. The monster could not speak at all in “Frankenstein” but did learn to speak poorly in “Bride of Frankenstein.” However, when he is finally given the ability to speak, the monster is portrayed as a shallow character that indulges in simple pleasures.
Frankenstein is a fictional story written by Mary Shelly. It was later adapted into a movie version directed by James Whales. There are more differences than similarities between the book and the movie. This is because, the movie is mainly based on the 1920’s play, other than the original Mary Shelly’s book Frankenstein. A text has to be altered in one way or the other while making a movie due to a number of obvious factors. A lot of details from the book were missing in the movie, but the changes made by Whales were effective as they made the movie interesting, and successful.
The most recent film which reflects the novel, was directed by Kenneth Branagh in 1994, Mary Shelley’s Frankenstein. The character remains one of most recognized icons in horror fiction today. Written almost 200 years ago about a man obsessed with creating artificial life continues to be a topic in the 21st century. Such as today’s controversy in stem cell research or human cloning which reflects the basic theme of Mary Shelley’s novel.
James Whale's adaptation of the story of Frankenstein, while it is clearly and deservedly a horror classic, is tremendously less than it could have and SHOULD have been. There are unexplainable deviations from the novel, such as the fact that Dr. Frankenstein's name was, for some reason, changed from Victor in the novel to Henry in the film, and the film itself really only covers about a quarter to a third of one chapter in the book - that's how much has been left out. There was probably only about 5% or 6% of the full story included in this film, and I am willing to guess that the sheer magnitude of ignored material in the original story is at least as much of a reason that there were so many subsequent Frankenstein films (and Re-Animators and whatnot) as was the film's commercial success. This may, in fact, be one of those rare cases where the imitators may have just wanted to do it right, or at least tell the REST of the story.
Frankenstein has become a symbol in contemporary society. Upon hearing the name, one might imagine a tall, muscular green man with short black hair, a flat head, and two bolts pierced on both sides of his neck. Although that is the Frankenstein present now, the modern Frankenstein is only an adaptation of Mary Shelley’s original creature. Shelley’s Frankenstein, 1818, is a gothic novel in which she tells the tale of a man creating life. This creation of Victor Frankenstein’s monster eventually hurt the people he held dear. Following the popularity of the book, James Whale directed Frankenstein, in 1931, which started the movement of Frankenstein’s contemporary image. While in comparison to the novel’s questionable identity of the monster, Whale’s adaptation addresses the creation as the true monster. Whale is able to accomplish his reanimated version of the original creation through a series of drastically different aspects involving both personality and appearance in his cinematic production. Whale’s monster lacks the human appeal of Shelley’s creation through his motivation of his transgressions, lack of speech and physical appearance.
Frankenstein by Mary Shelley became widely known as one of the best horror novels of her time and the basis for films that branched out of Shelley’s novel. Frankenstein was heavily inspired by the Industrial Revolution and the Romanticism. Therefore, Frankenstein’s monster appears to be Shelley’s representation of the Industrial Revolution and the society’s fears and anxieties regarding the rapid growth of science and technology.
How can we think of Frankenstein and ignore the film classic of 1931? Yet the celebrated film does not follow the novel by Mary Shelley. Although the scene of a futuristic laboratory entrances movie audiences with the mad Dr. Frankenstein and his faithful assistant Igor, the scene is derived from twentieth century imaginations and interests, not the novel itself.
Mary W. Shelly’s classic book, Frankenstein, was written in the early nineteenth century. The setting that is taken place within the story has multiple locations. Amongst these multiple locations are Switzerland, Geneva, the home of Dr. Frankenstein, unknown villages/cottages, and the North Pole which was the exposition of the story to begin with. The style of the classic, Frankenstein, has a different style of writing due to not being written in the proper chronological nature. When Frankenstein, is adapted to motion picture film, the film focuses on the horror of Frankenstein’s monster, however the book is really about romanticism. Stephen Gould intertwines his opinion on the book Frankenstein. His opinion is
Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
These movies show how the original image of Dr. Frankenstein’s creation has changed over time, and how he can be altered into many different forms. Contrary to popular belief, Frankenstein’s creation is not a huge, green, evil monster with neck bolts. The monster is a very enduring character, and his different qualities are shown in Frankenweenie and Edward Scissorhands. Both of the following films dab in the Gothic style, and portray the different qualities from the novel Frankenstein. From dogs to humans with scissor hands, Frankenstein’s monster appears in so many things in pop culture today.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Mary Shelley’s Frankenstein, a truly famous novel that has been revisited by many, as well as revised by the author in the many years since its original publication. Within this novel Shelley conveys the tragic fictional story of Victor Frankenstein and his monster that he thoughtlessly brought to life, as well as the lives of those affected by his hideous creation. Throughout the novel it is made quite apparent that the monster was not inherently evil, in fact the monster was quite benign, however through its interactions with society the monster is slowly shaped into a being that can truly be called just that, a monster. All of the aforementioned change to the monster are brought about in part by the societal standards of the time period
If someone were to ask people who Frankenstein is they would probably describe a tall, hideous monster with bolts sticking out of its neck. But long before movies reinvented their version of the monster, there was a novel by Mary Shelley entitled Frankenstein. In her novel, the monster is shown as child-like and uneducated. But what really makes someone a monster? Who is the true monster of Mary Shelley’s novel? Victor and the Creature present similarities and differences in their action and character throughout the novel.