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Factors affecting the teaching of literature
Social medias effect on literacy skills
The use of literature in teaching
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Recommended: Factors affecting the teaching of literature
Subject The main idea of this essay is how literature is not being taught in a format that will allow students to fully understand how to correctly read and comprehend literature. The subtopics are the books used repeatedly, the methods used to teach the literature, education system/curriculum and teacher motivation,
Occasion The occasion that caused the creation of this essay is the rise of apathy among high school students towards reading that may have increased due to the rise of technological advancements throughout that time period such as free email and faster internet.
Audience The intended audiences are parents, young to middle aged adults, school organizations, and teachers.
Purpose This essay’s purpose is to inform the reader
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We have tried what is humanly possible to take care of it and to be patient. I believe that no one can criticize us in the slightest.’ ‘She is right in a thousand ways,’ said the father to himself. The mother, who was still incapable of breathing properly, began to cough numbly with her hand up over her mouth. (84-85) The purpose of this passage is to signal the turning point of the family’s hope for Gregor to return. His whole family has no faith that the cockroach living in their dwelling is even their beloved family member. Kafka’s diction when Grete referred to Gregor as an “it” displays her loss of hope. She no longer can make herself believe that Gregor is her Gregor. She makes a small speech about how he is a nuisance and should be rid of. Grete’s words persuade her father to dispose of him as soon as they can. He is convince that Gregor is just a negative object in their lives. Meanwhile the mother is having a terribly hard time dealing with this. She tries to cling on to the hope that Gregor would return but having her son in this type of condition has caused her to have breathing problems and become ill. Her negative condition only proves Grete’s point of Gregor has become a pest to them. The family has no way of knowing if Gregor is still himself mentally, since he has lost his ability to talk. Without his speech the family has even more trouble …show more content…
The personification of when her parents glances communicated that she should be married off, aids in explaining the transformation that Grete went through of her going from a young girl to an adult. Her parents are planning to find her husband, which signifies that Grete has become an adult, both physically and mentally. When she started to care for Gregor, she was just a young girl without any duties or responsibilities, but when she took on the job as his caretaker she started to mature mentally because for the first time in her life she had responsibility. Furthermore at the end of the passage when Grete had “lifted herself up and stretched her young body” hints at imagery of a butterfly freeing itself from its cocoon after its transformation, which also signals her change from girl to woman. Therefore Grete’s metamorphosis differed vastly from Gregor’s as her change will positively affect her life while Gregor’s did
Also, the short sentence structure shows their curtness and distaste for Gregor when he is the subject of the conversation. Additionally, dialogue helps show the reader that change causes rejection. Grete’s dialogue towards Gregor changes throughout his metamorphosis. Eventually in the book Gete “In front of this monstrous creature, refuses to pronounce [her] brother’s name…” (Kafka 47). She used to have a very good relationship with her brother, Gregor, but now her dialogue indicates otherwise. She can not even bare to say his name, showing that she is rejecting him as a friend and brother. His change also leads to Grete calling him a monstrous creature which is a rejection of his physical self. The Caretaker is in a similar situation as she used to talk to Gregor by name and after he changed she rejected him and did the same as Grete. Moreover, symbolism is used with the apple to emphasize the point that Gregor has become rejected by his family. It is mentioned that “no one dared to remove the apple, it remained in his flesh as a visible reminder.” (Kafka 38). No one was willing to even touch or help him overcome an injury they
Grete at the beginning of Gregor’s transformation turned into the primary caregiver; however by doing this her inexperience ended up hurting Gregor. A decision was made to remove Gregor’s possessions by Grete despite quarrel from her mother, “Into a room in which Gregor ruled the bare walls all alone, no human being beside Grete was ever likely to set foot.” (Kafka 32). This was understandable considering she was the only one that was helping Gregor, but Grete let too much power go to her head. Unlike this unintentional pain she caused Gregor, she purposely began to abandon him and chose to give up hope.
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
He overheard his father speaking to his mother and sister about their financial status. As well as, how his father has been using the money he had saved from his business. Like any caring child, Gregor did not ask or question his father, just aided with no remarks. Even after his family started changing towards him, he only worried about cooperating financially in order to avoid any stress or family destruction. He slowly came to the conclusion that he will always be a bug, and because of that he isolates himself.
...haracter, Gregor, transforms into a cockroach in the beginning. Throughout the story, Gregor is portrayed as a “helpless bug” and is treated unfairly and poorly by his own family. His parents are more astonished than pitiful when they first see Gregor. Later on, his mother faints at the sight of him. His father throws apples at him because his mother fainted from the way he looks. Grete, in the beginning of the transformation, is nice and takes care of him. Later, she changes her mind about Gregor, quits taking care of him, and comes up with the idea to get rid of it. ‘If it was Gregor, he would have long ago seen that it’s impossible for human beings to live together with an animal like that,’ (139). Kafka, throughout the story, tries to get the reader to feel sympathy towards Gregor in many scenes, and it works because his family doesn’t show sympathy towards him.
...increase her figure in the eyes of her parents. It was basically Grete who looked up to Gregor, but now it is flipped around. Lastly Grete states "It will be the death of you two, I can see it coming." Grete continues to insist that Gregor is no longer part of the family. In fact, according to her, Gregor is contributing to the disintegration of the family and must be killed to help save the family. Grete was the concerned one and now she refuses to call him her brother, and insists that he has to be disposed of just like any old household pest.
Gregor Samsa’s mother, whose name is never revealed, is a physically and constitutionally weak woman. She cares dearly for Gregor which is first shown by her distress as Gregor does not wake up at his usual time. It is evident that Gregor’s mother has the hardest time coping with his transformation. She can not bear to lay eyes upon Gregor. Though she has trouble adjusting, she doesn’t stop loving her only son. As Gregor’s mother and sister begin to move furniture out of his room, his mother stops to contemplate whether this is the right course of action. As Sheldon Goldfarb states in his critical essay, “When his mother and sister start removing his furniture, his mother's second thoughts provoke him to resist: he does not want to give up his human past and the possibility of returning to it” (Goldfarb). On the outside, Gregor’s mother reacts with repulsion at the sight of the bug, but on the inside still cares deeply about her son underneath. Gregor is able to see this and it gives him new hope.
Relying on Gregor to support their lifestyle for years, Gregor’s mother, father and sister, Grete, no longer have any use for him once he is transformed into a bug. The transformation is more of an inconvenience to them than a tragedy. Now, the must go out and get jobs, and instead of Gregor taking care of them, they now are responsible for taking care of Gregor. Grete uses her brothers new outer casing as a way to gain respect and power in the family by becoming his caregiver (1093).Grete continues to gain power in the family, as Gregor begins to descend to the bottom of the family hierarchy. His entire family is disgusted by his new form and terrified of his next move. They resent Gregor and consider him to be a burden, taking care of him slowly begins to ruin their lives. Gregor’s family only seem to care about themselves and ignore the blatant issues that Gregor must be going through
To his surprise it takes him much longer to get up from his bed, and so he starts worrying and overthinking about his job as a salesman and how he is going to finish paying off his parents debt if he gets fired from his job. Gregor is now overwhelmed with thoughts that keep protruding out like how, “he thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister’s” ( Kafka 51). The cruelty involves Gregor having to get out of bed on his own with nobody caring to help him, and, to top it off, he does not worry about being late as much as not getting to work, which could lead to him getting fired, and, therefore, he will not be able to pay off his parents’ debt. When Gregor reveals himself to his parents, his mother faints, and his father, on the other
At first, Victor views his monster as a beautiful creation but later when he first lays eyes on the monster he starts to fear and rejects the monster and no longer took interest in the monster. Frankenstein pays no attention to the Monster what so ever, and the Monster becomes jealous and angry at his creator. The Monster starts to take action and starts to go crazy/ berserk and later on in the novel begins to kill Victor’s family. The Monster kills Victor’s little brother William out of jealousy and confusion. The quote on page 58 states,” William is dead!
Despite his situation Gregor still feels that he can go to work. However he proves unable to do this when he encounters so much trouble when trying get out of bed and open the door. Gregors manager comes to his home, wondering why he didn’t show up for work. The manager gets irritable and tells Gregor in the presence of his family that he wanted a real explanation as to why he would not come out of his room. Gregor finally has enough strength to open the door with his mouth but by that time his manager had already left. He is now saddened and in fear that he lost his job, because he knows that he is the financial “backbone” of the family. When his family finally sees that he is an insect they are immediately disgusted. His mother faints, and his father forbids his mother and daughter to see him. Grete, Gregors ...
Gregor’s denial takes place when he prepares for work, ignoring his transformation, “First of all he wanted to get up quietly, […] get dressed, […] have breakfast, and only then think about what to do next” (Kafka 6). By characterizing Gregor as determined, Kafka shows his protagonist’s resolve to remain firm in ignoring his transformation for his family’s sake. Typically, such a metamorphosis would warrant panic, but Gregor is so selfless that he denies his own emotions to be useful for his family. Through the sequential syntax employed in this quoate, Kafka shows that Gregor does not want to stray from his usual routine. This attribute, along with his physical transformation, separates Gregor from humanity.
Grete is a character who appears to have the most tolerance for Gregor shortly after his metamorphosis. Gregor was apparently rather fond of his sister and had hoped to finance her education in a conservatory. He was also rather mesmerized with her violin playing. His inability to follow through with these planned acts of kindness may have led to a faster deterioration of Grete’s maintenance of Gregor’s room. Although she could never get used to Gregor’s new freakish appearance, she was his sole provider throughout his life after the metamorphosis:
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).
When Grete comes to bring food to Gregor, Gregor notices how she can not bear the sight of him and is always scared by his appearance. This causes Gregor to carry “a sheet on his back on the sofa...and arrange it there in such a way as to hid[e] him completely” (Kafka 99). Even though this course of action is taken, there’s still the choice of Grete to uncover the sheet if she wished to. However, Grete never did, which further alienates Gregor in his house. With less thought on Gregor’s past human self, all they can remember is this unclean vermin who dwells in their house. Later on his family doesn’t even refer to him as a person, but rather a thing. According to Tonkin, it was especially prominent when “Grete...bursts out to their father that “we must get rid of it You just have to put from your mind any thought that it's Gregor”.”. Instead of saying Gregor or brother, she calls him a creature. This really dehumanizes Gregor as a character. Both Kafka and Tonkin suggest the gradual change in the family’s perspective towards Gregor and how they eventually don’t even see him as a human being anymore. It is rather inhumane to say “get rid of it”. By spending more time in isolation, Gregor is losing communication with his family, and, in turn, causes his family to view him as a creature and a pest to get rid of, rather than their child or brother. This signals