Many people in life struggle to overcome the demons they encounter in their day to day lives and many never overcome them, however, occasionally they do. Throughout Ernest Hemingway's "The Short Happy Life of Francis Macomber", the author develops the idea of an American couple, Margot, and Francis Macomber, who have reached a roadblock in their marriage. The couple finds themselves on an African safari hunting big game, led by the problematic guide Robert Wilson and his crew. Ernest Hemingway’s “The Short Happy Life of Francis Macomber” explores the problems the Macomber’s face within their marriage along with safari guide Robert Wilson’s unique profession and way of life, but especially highlights Francis Macomber’s journey to become a man. …show more content…
Written from a third person omniscient point of view along with the use of snide dialogue, Hemingway allows the readers to look into and evaluate the Macomber’s troubled marriage. During an unpleasant conversation Francis and Margot exchange a few choice words, “‘Why not let up on the bitchery just a little Margot’ Macomber said…’I suppose I could,’ she said, ‘since you put it so prettily”’ (Hemingway 5). Hemingway uses the dialogue shown above to depict Margot Macomber as a wife who complains often and shows no respect for her husband. Margot learns of her husband’s actions on the lion hunt and becomes disappointed in him, leading her to act condescending towards Macomber. Already displeased by her husband’s behavior Margot makes a snide passive aggressive remark when Macomber asks her to “let up on the bitchery just a little”. The following morning after the second lion hunt Wilson’s thoughts read, “So she woke him when she came in, Wilson thought, looking at them both with his flat, cold eyes. Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault” (Hemingway 14). This internal dialogue from Wilson about Margot Macomber, along with a brief discussion between the Macomber’s last night, allows the reader to put two and two together and realize Margot engaged in an infidelity. The narrator allows us into Wilson’s mind to see his thoughts on the affair and how he plans on dealing with the outcome. K.G. Johnston when discussing Macomber’s actions and why Margot had the affair states, “Heretofore, he has not been man enough to command her fidelity; the kiss she bestows on Wilson after the lion hunt episode and her sharing his double cot that night are tribute to a man of courage”(225). Johnston uses the actions described in the story by the narrator to justify why Margot remains unfaithful to her husband. This reason being Macomber does not obtain the courage needed to keep Margot in check, which leads her to perceive herself as in charge of the situation. Since she interprets the situation this way, she acts recklessly and understands no real consequences will happen. Margot displeased with her marriage becomes unfaithful to her husband and treats him poorly. Margot also perceives herself as the one in control of the relationship, which explains why she does not care that Macomber knows of her multiple affairs. When Macomber tries to assert his dominance Margot makes snide comments to shut him down and to maintain her dominance over him. Robert Wilson’s way of life and unique character is displayed through Hemingway’s use of both indirect and direct characterization. Wilson, a hunter of many years finds excitement in his trade, indirectly characterized by, “Robert Wilson came up then carrying his short, ugly, shockingly big-bored. 505 Gibbs and grinning” (Hemingway 8). As a professional hunter in the African grasslands, Wilson may face difficulties with clients similar to the Macomber’s, but he enjoys the thrill of the hunt. During the buffalo hunts Wilson states, “How does it go? Shakespeare. Damned good. See if I can remember. Oh, damned good. Used to quote it myself at one time. Let's see. ‘By my troth, I care not; a man can die but once; we owe God a death and let it go which way it will, he dies this year us quit for the next,' Damned fine, eh?"' while talking to the Macomber's (Hemingway 20). This indirect characterization provides insight into Wilson's mind and proves in the past he received an education. This quoting of Shakespeare makes Wilson appear to have more depth to him than previously shown throughout the story. George Cheatham notices Hemingway describes Wilson's eyes more than once throughout the story, "‘Hemingway somewhat heavy-handedly insists on the point: ‘extremely cold blue eyes'(542), ‘flat, blue, machine-gunner's eyes'(545), ‘flat, cold eyes'(559), ‘flat, blue eyes'(570)"' (2). Through direct characterization Cheatham points out how Hemingway describes Wilson as having "cold" and "machine-gunner" eyes suggesting Wilson's darker side. This also leads to the fact that maybe having been a hunter for years on end takes a toll on Wilson's soul leading him to grow "cold". Through characterization, Hemingway develops Wilson as an intelligent man who has been greatly affected by his chosen line of work. Macomber faces multiple problems within his marriage and failed hunts due to his cowardly tendencies described in the motif of manhood and masculinity that Hemingway uses throughout the story until the end where we see Macomber prove his manhood.
In the narrator’s description of Macomber it states, “He was dressed in the same sort of safari clothes that Wilson wore except that his were new he was thirty-five years old, kept himself very fit, was good at court games, had a number of big-game fishing records, and had just shown himself very publicly, to be a coward” (Hemingway 2). This marks the beginning of the motif concerning Macomber’s cowardly actions seen throughout the story. Hemingway paints a picture of Macomber as very similar to Wilson until he bolts from the lion he pays to kill on the safari. Easily frightened Macomber does not possess enough faith or courage to remain and finish the job he set out to do, leaving Wilson and his gun bearers to complete the task. After the buffalo hunt, Macomber experiences a new feeling, the feeling of finally becoming a man, "He expected the feeling he had about the lion to come back but it did not. For the first time in his life, he really felt wholly without fear. Instead of fear, he had a feeling of definite elation" (Hemingway 19). Hemingway once again uses the motif of manhood to describe how Macomber for once in his life gains control and has no fear; he has become a man and effectually overcome his demons. Macomber's taken down his big game and now feels prepared for anything else that might come his way. After the buffalo hunt, Margot experiences a revelation and understands she no longer controls the situation causing her panic, which leads her to shoot Macomber in the head. H. H. Bell Jr. states in his article, "Wilson perceives this, and, professional hunter that he is, he treats her the same way he would treat any other wounded lioness. In other words, he applies the code of the professional hunter on a human
level. He approaches her and ‘kills' her by killing her spirit; by breaking down her overbearing pride; shattering her unlimited confidence, and changing her from a woman who is in control of the situation to a woman who is so humbled that she pleads for mercy" (226). Margot grows afraid of Macomber when he reaches manhood and she understands a divorce looms in the near future, so she acts on these fears. This makes Margot the coward because she cannot find the courage to face the problems she created within their lives. Macomber enters the story a coward, afraid and easily pushed around and leaves a whole new man, in control of his life until his tragic murder. Ernest Hemingway’s “The Short Happy Life of Francis Macomber”, explores the problems people face within marriages, work, and the journey to becoming a man. Hemingway does this through the use of snide dialogue, omniscient narration, indirect and direct characterization, and a motif concerning masculinity. It is a thrilling story that keeps the reader engaged all the way up until the last sentence.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
People go through life wanting to achieve their full potential; however, many never take a moment to analyze what may affect how their life turns out. In this essay, I will be identifying and analyzing the three most significant points of comparison shared by the character Harry in Hemingway’s “Snows of Kilimanjaro” and the narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock”. The character Harry in “Snows of Kilimanjaro” has lived a good life and has traveled throughout many countries in Europe. Even though he pursued a career in writing, he is not well accomplished because he is drawn towards living a lazy luxurious life. While in Africa with his wife, he faces a huge conflict, which causes him to be regretful for how he has chosen to live is life. The narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock” enters the dynamic consciousness of its character Alfred Prufrock whose feelings, thoughts, and emotions are displayed in an
The two websites offered, The Penn Museum and PBS, both offer unalike perspectives on how to present information on the Greek Olympics and the Roman Empire. They also act differently as companions to the text, Traditions and Encounters by Bentley and Ziegler. Both of the websites however were interesting. I will elaborate on each websites content, helpfulness, reliability, graphics, and design below.
Ernest Hemingway was an intricate and dedicated writer who devoted a significant portion of his life to writing multiple genres of stories. Throughout his stories, the similarities in his style and technique are easily noted and identified. Two of the short stories he wrote contain themes and motifs that specifically explain the plotline. The first story, “The Snows of Kilimanjaro,” sets its scene in the depths of a desolate area in Africa, where the main characters, Harry and his wife, decide to make their home. After living there for a few years, Harry ventures out and falls into a thorn bush, thus infecting his leg with gangrene. A few weeks later, he finds himself on the brink between life and death, unable to treat such a severe infection. Throughout the whole story, his life is flashing before his eyes as he recalls all of the major events that occurred in his past. By nightfall, Harry is acting unusual, and he begins to feel as if life is not worth living anymore. After he drifts off to sleep that evening, his wife goes to check on him and discovers that her husband has passed away (Hemingway 52-77). The second great work of Hemingway, “The Short, Happy Life of Francis Macomber,” is also set in a deserted section of Africa. Francis and his wife, Margot, are on a safari adventure along with their tour guide named Wilson. The way these three characters interact with each other creates tension and provides an adequate plot for the story. The trip begins with the couple intending on hunting big game. At first they track down a lion that continuously roars throughout the night, and later decide to chase after buffalos. To add to the complications of the trip, Margot has an intimate relationship with their tour guide. The story c...
Earnest Hemingway is one of Americas foremost authors. His many works, their style, themes and parallels to his actual life have been the focus of millions of people as his writing style set him apart from all other authors. Many conclusions and parallels can be derived from Earnest Hemingway's works. In the three stories I review, ?Hills Like White Elephants?, ?Indian Camp? and ?A Clean, Well-lighted Place? we will be covering how Hemingway uses foreigners, the service industry and females as the backbones of these stories. These techniques play such a critical role in the following stories that Hemingway would be unable to move the plot or character development forward without them.
I recently read Earnest Hemingway's "The Short Happy Life of Francis Macomber." This is a story about a thirty-five year old man, Francis Macomber who is on an African safari hunt with his wife, Margot. Led by his guide, Robert Wilson, Macomber tries to display his manhood by killing dangerous creatures. This in fact has the exact opposite effect when he humiliates himself by running from a wounded lion. Samuel Shaw stated in Earnest Hemingway, "…this is about much more than a hunting yarn, although it is that, too. It is a story that examines that elemental bases of the male-female relationship and the sources of human freedom and dependence" (82). The situation is complicated when Margot sleeps with Wilson and Macomber knows about it. Macomber has another chance to prove himself when they go into an island of trees to shoot a wounded buffalo. This time he stands his ground and shoots repeatedly as the buffalo charges forward. Seeing the whole situation from the car Margot shoots at the last instant, and in a brilliant ending by Hemmingway, misses and hits Macomber right in the back of the head, leaving the reader to wonder, "Did she mean to hit him?" Prevalent in this story is Hemmingway's use of the literary conventions conflict and ambiguity.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Francis Macomber is a thirty-five years old man, on an African safari. He is also there with his wife he is feminine as well as a coward. Macomber is considered a coward because when faced with his first lion, he bolted and fled, increasing hatred from his wife. She has been disapproving of him for a while. She is basically a snake in the grass and cheats on Macomber. Macomber decides to have a brave moment in his life for a chance and in the process, is killed. Gender roles and masculinity played a major part in the story; whether, it was Margot or Frances Macomber, and even more.
Hemingway, Ernest. "The Short Happy Life of Francis Macomber." 1936. The First Forty Nine Stories. London: Cape, 1946. 9-43. PDF File.
Hemingway constantly draws parallels to his life with his characters and stories. One blatant connection is with the short story, “Indian Camp,” in which an Indian baby is born and its father dies. As Nick is Hemingway’s central persona, the story revolves around his journey across a lake to an Indian village. In this story, Nick is a teenager watching his father practice as a doctor in an Indian village near their summer home. In one particularly important moment, Hemingway portrays the father as cool and collected, which is a strong contrast to the Native American “squaw’s” husband, who commits suicide during his wife’s difficult caesarian pregnancy. In the story, which reveals Hemingway’s fascination with suicide, Nick asks his father, “Why did he kill himself, daddy?” Nick’s father responds “I don’t kno...
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Hemingway led a difficult life full of martial affairs and misfortune. Some of these experiences have set the foundation for Hemingway's greatest works. This essay will analyze the influence that Hemingway's separation from Pauline and divorce from Hadley had on "Hills like White Elephants." Before authoring "Hills like White Elephants," Hemingway had been residing in Paris with his wife Hadley and son, Bumby. During their stay in Paris, Hadley and Ernest Hemingway met a woman named Pauline Pfeiffer.
Love is a variety of different feelings which can warm or hurt someone’s feeling. Love can fill-full or empty someone’s life; it has the unexpected power to conquer the world or destroy one’s bright future. Love’s infinite meaning has been proven in “The beast in the jungle” by Henry James. This short story describes about the friendship between John Marcher and May Bartram psychologically rather than physically. May has loved Marcher for years and is always by his side while Marcher did not realize or love her back. At the end of his life, Marcher suddenly discovered that he had wasted his life many years by living in fears and had lost his dearly friend like slipping water through his fingertips.
The Cambridge Companion to Ernest Hemingway; edited by Scott Donaldson; Cambridge U. P.; New York, NY; 1996
...g with two of her lovers which were Pedro and Robert. He takes on a role of a female character when he is there for Brett after each affair of hers fails. Even when Robert attacks Jake over Brett he is unable to fight back and stand up for himself which questions his masculinity. Jake still ends up talking to Cohn and compromising his pride when Robert asks for his forgiveness. Although Jake simply replies with “sure”, it is clear that he seems to have lost all sense of self and his masculinity depreciates. Jake feels connected to bull fighting and sees it as the best means to live life. “I can’t stand it to think my life is going so fast and I’m not really living it. Nobody ever lives their life all the way except bull fighters” (Hemmingway 18). The underlying meaning Hemingway is trying to reveal to his readers is that Jake feels envious of the macho lifestyle the