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How significant was brown vs the board of education
How significant was brown vs the board of education
How significant was brown vs the board of education
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The movie, Forrest Gump, covers many decades of American history. The eras covered are also very prominent times in American history. They were very formative times in American history. The accuracy will be analyzed in this paper. The historical topics covered include: The Vietnam War, Watergate, the Hippie Movement, the AIDS epidemic, Integration, and communist China and the effect that had on America. The historical accuracy and depth will be critically viewed in this paper. I will take culture into account as well. Did this film accurately describe how American culture truly was during these decades? The best way to follow something historical is to go in chronological order, so that is exactly what this paper will start with.
Integration is the first large historical movement shown in this film. The first big push for integration happened in 1954, after the Brown vs. Board of Education supreme court case, which ruled segregation in schools as unconstitutional. Because of this timing, you can infer that the segregation of Forrest`s college is happening in the late fifties. The film captures integration in the south how it very
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The Vietnam War was a by-product of the Cold War. There are also scenes showing communist China. This is also a prominent theme in the Cold War. The Iron Curtain, communism, “red” countries. A big issue in the Cold War was the fear. Fear of Russia bombing us. Fear of sleeper spies. The Cold War had tension surrounding it on all sides. This was a time of fear and confusion among Americans. My parents have told me about the bomb drills they had to do in school incase Russia dropped a bomb. Forrest Gump does not catch this feeling at all. If you did not know when the Cold War occurred, you may not even realize it happens during this movie. This conflict was such a pivotal issue in American history. It is not accurate at all to fully omit this in a film set in the 1960s and
The escalation period of the Vietnam War, which lasted for a decade (1955-1965) reflected the Cold War conflict in which the US and USSR avoided direct combat and thus avoided the possibility of nuclear war. Instead, the two superpowers battled though puppet forces. While the US backed South Vietnamese government was weak and corrupt, the USSR backed North Vietnamese government was a proud and group of nationalists willing to fight fiercely for Vietnamese unification and against foreign influence. The US faced an enemy that believed deeply in its nationalist as well as communist cause and hated US, and for that matter any foreign intervention.
The events leading up to the Vietnam War included a recently recovered United States from World War II, a booming economy that aided war involvement, nuclear threats and the government’s attempts to contain and abolish communism, while in competition with the world’s other superpower, Russia.
Lewis, J. (2008). American Film: A History. New York, NY. W.W. Norton and Co. Inc. (p. 405,406,502).
The Vietnam War, a counter-insurgency conflict waged between North Vietnamese Communist forces and their South Vietnamese opposition, was one that many of its participants are not like to forget.
According to Elaine Tyler May in her article Security against Democracy: The Legacy of the Cod War at Home, the cold war made an impact on Americans state of mind. During the nuclear arms race, many Americans became paranoid about their own country as well as foreigners . Instead of trying to get rid of this situation and mediating it , America decides to join this race, which only fuels the fire. At the same, American citizens were living their lives in fear everyday. Citizens were preparing themselves in case of an attack, as a result of the government doing nothing to try to protect America. Elaine Tyler May also states that the media back then was only fueling this phobia to grow. For example, the Los Angeles Times showing hypothetical bomb targets if the Soviets were to attack in Los Angeles. Some Americans, who were considering the possibility of a nuclear war, modified their homes into concrete to resist an atomic blast, created backyard bunkers, or even sheltered in their basements. In addition, whether you were for or against the buildup of nuclear weapons, fear would be present.
Have you ever had one of those days that were so bad that you desperately needed a night at the ice cream or candy store? The 1970’s was that really bad day, while the night of self- indulgence was the 1980’s. Americans love to escape from our daily stress, and of all the products that allow us to do so, none is more popular than the movies. Movies are key cultural artifacts that offer a view of American culture and social history. They not only offer a snapshot of hair styles and fashions of the times but they also provide a host of insights into Americans’ ever-changing ideals. Like any cultural artifact, the movies can be approached in a number of ways. Cultural historians have treated movies as a document that records the look and mood of the time that promotes a particular political or moral value or highlights individual or social anxieties and tensions. These cultural documents present a particular image of gender, ethnicity, romance, and violence. Out of the political and economic unrest of the 1970’s that saw the mood and esteem of the country, as reflected in the artistry and messages in the movies, sink to a new low, came a new sense of pride in who we are, not seen since the post-World War II economic boom of the 1950’s. Of this need to change, Oscar Award winner Paul Newman stated,
[1] Within the last few decades, we have generated a great number of “historical” films reaching the American public. With these “historical” films come the question of whether or not the film portrayed history in an accurate manner; if not, why were the facts manipulated the way that they were. Unfortunately, this question is usually answered in the negative, and the audience is left with a fictional account of a factual happening, thereby giving the viewing public mixed messages concerning the issues raised within the film. Film used in this manner can be a dangerous tool in the hands of powerful people with agendas and ulterior motives.
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
...s at that time who have come of age. Perhaps no film in recent history has captured more attention and generated more controversial debate. This film resonates the feeling and question that common people had about the JFK assassination in the 60s. As a result, the debate about the validity of JFK extended much further into the war-torn cultural landscape of America in the 1990s than most observers noted. The JFK was a telling incident demonstrating the larger cultural conflict over values and meaning in America and the competition to define national identity. The whole affair demonstrated how effective a motion picture can be as a transmitter of knowledge, history, and culture. As a result, the debate about the validity of JFK extended much further into the war-torn cultural landscape of America in the 1990s than most observers have noted.
The Hollywood Blacklisting that followed the Red Scare of the 1950’s forced the media to change in order to survive the scrutinizing committees of the HUAC and various congressional committees that pushed for the social “purging” of America in hopes of searching out the “Reds” which they believed were hiding among them. This change in media came at a time when the public had become extremely receptive to such influences due to the spread of the television and the growth of the middle class who had extra money to spend on luxuries such as going to the movie theatres. The constant barrage of conformity and conservatism as well as xenophobia seen in everyday shows and movies shaped the perception of the average American to believe that liberal or radical ideas were not what normal people supported and believed in.
The Vietnam war has been referred to by many names, one of the longest being 'the cornerstone of the free world southeast Asia'. It was called that by John F. Kennedy. He was talking about Vietnam being an essential country in a non-communist world. He believed that if Vietnam became a communist country, all of the surrounding countries would also become communists. This is the main reason America was involved in the Vietnam War.
Sklar, Robert. Movie-made America: A Social History of American Movies. New York: Random House, 1975. Print.
even though these were the only potential military threat to the US. It was always the "political" threat of so-called “Communism" that was the primary concern. Of course, both the US and USSR would have preferred that the other simply disappear. But since this would obviously have involved mutual annihilation, the Cold War was established.
What does this nation’s people remember most about the Cold War? Is it the fear, terror, and the absolute uncertainty of not knowing if tomorrow you might not wake up or worse, wake up to all out nuclear hell? “The most terrifying moment in my life was October 1962, during the Cuban Missile Crisis. I did not know all the facts - we have learned only recently how close we were to war - but I knew enough to make me tremble”-Joseph Rotblat. During those October days of 1962, John F. Kennedy and the United States braced for a nuclear attack that nobody was sure was coming. On the other side Nikita Khrushchev was hungry for power after being dominated by the U.S. for years during the long years of the Cold War. Khrushchev wanted to have the nuclear upper hand in the western hemisphere. With the help of Fidel Castro, Khrushchev could put nuclear weapons in Cuba.
Response to text essay American History X In order for a text to be successful, should the drama one produce be used in a calm and restrained fashion? This certainly isn’t the case for Tony Kaye, whom seemingly takes the opposite approach towards his directorial style in the critically acclaimed American History X. Undoubtedly, it is because of Kaye’s use of drama stemming from a cynical and unrestrained nature that the film is able to resonate so effectively with the targeted demographic. The contradiction of the opening statement is made apparent and becomes the basis of this essay through scenes such as the curb stomp scene, prison rape scene, and Danny’s shooting. The clever use of cinematography throughout these scenes exemplifies that