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Essays on Urbanizations
Paper on urbanization
Essays on Urbanizations
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My static image is on the poem ‘Flower-Fed Buffaloes’ written by Vachel Lindsay. Urbanisation is one of the dominant and important themes, which is supported by the idea of nature and man. Therefore, my static image is based on this theme. Urbanisation is the process associated with the development of civilisation and technology in a rural area, in which is shown in this poem. ‘Flower-Fed Buffaloes’ is about the rapid extinction and disappearance of not only the buffaloes in America, but also Native American tribes, as a result of urbanisation (shown in the poem through objects like locomotives). The verbal techniques used to portray this theme are the quote and the engraving on the last image. Firstly, the quote reads “is swept away by wheat . . . wheels and wheels and wheels spin by”. This quote is used to show how the industry and technology has taken place among the buffaloes. The line “is swept away by wheat” shows how wheat (which is purposely grown by man) is described in no way, showing only the usefulness of it but no pleasure to be found in this, in contrary to the descriptions of nature. The following line “wheels and wheels and wheels spin by” is used, as it reflects the monotonous movement of technology which is the train, and parallels the previous beautiful and graceful movements of nature given, such as grass. This shows the continuing invasion of urbanisation. The second verbal technique is the engraving on the headstone on the last image saying “R.I.P MURDERED BY THE MODERN WORLD”. This was especially used not only to highlight and dramatize the morbid effects of urbanisation (as shown in the image), but also showing the true reason of why the buffaloes became extinct and the Native Americans ‘disappeared’ –... ... middle of paper ... ...n occurred. Hence, this shows when it was the turning point of the poem, so no colour so bright or dark could describe this moment. The format of the whole image is important, as it is set out in the ‘rule of thirds’. This is because as the line “is swept away by wheat” represents the turning point and change in the poem, it is at the top. Therefore, this means that the images representing the change are in the middle to portray the change of urbanisation and the effects. Lastly, the line “wheels and wheels and wheels spin by” is at the bottom, to highlight the takeover of the industry, as shown in the images. Overall, in the poem ‘Flower-Fed Buffaloes’ written by Vachel Hardy, the theme of urbanisation (supported by the idea of the relationship between nature and man) is portrayed in my static image in numerous ways, including both visual and verbal techniques.
The distinctively visual provides a means of which a composer can connect with his or her audience in order to create a clear, distinct visual image of other people and their worlds - conveyed through the use of visual or literary techniques in their media. Composers such as Henry Lawson and Dorothea Mackellar are able to effectively depict an image through an exceptional use of language and techniques that help shape our understanding of the Australian people and their world. In particular, Henry Lawson’s short stories ‘The Drover’s Wife’ and ‘The Loaded Dog’ and the Dorothea Mackellar Poem ‘My Country’ are able to effectively depict the unique environment of the Australian bush landscape.
Building off of the ideas expressed in the first stanza, Matthews’ use of this extended metaphor allows him to depict a bleak and doleful society to the reader. By incorporating such pessimism and desperation into his tone, he can create for the reader a direct scene into how he perceives society. Using this portrayal, the reader can then acknowledge the message that Matthews attempts to convey and begin to understand his purpose for this piece and its moral. Matthew’s use of imagery enables him to build upon his ideas and to leave an indelible mark on the reader, but without this rhetorical strategy, one would become oblivious to the several connections he makes to his overall message. Moreover, Matthews includes imagery not only to connect with the reader but to make correlations to society as a whole. One can identify such an example in the seventh stanza when Matthews states, “All the little ants are marching / They all do it the same way” (Matthews). Upon analysis of this quote, the reader can identify how Matthews depicts society while using the rhetorical strategy of imagery. In this scene, he interprets people as ants, marching all in line, not one different from the group which the reader can then denote them as being similar,
Mile, this summer Chicago was embellished by a new landmark, or landmarks to be more exact. Nearly 300 cows have found a temporary home in the streets of downtown and its buildings. This extensive public art project, organized by the Chicago Public Art Program , commemorates the city’s industrial history, while bringing a sense of community and beauty to Chicago’s citizens and tourists. In this “parade”, every cow is full of meaning as well as artistic value. Although many might argue, I, to the contrary, would like to applaud the City of Chicago for the implementation of this great project.
Throughout Annie Dillard’s Pilgrim at Tinker Creek, the author uses a number of techniques and devices to create images of particular landscapes that are both vivid and unique. Dillard’s language in descriptions of the landscape suggests space and shape, assigns color and likeness, and at times, implies motion and vitality. One particularly striking example of Dillard’s crafting the landscape occurs when she famously “pat[s] the puppy” (79) and becomes completely aware of her present sensory experiences, describing a mountain before her in such terms as these:
Nature and humanity are innately intertwined, and their differences only amplify their connection. Judith Wright’s poems ‘Brothers and Sisters’ and ‘Flame Tree in a Quarry’ unravel the wonder of nature and its correspondence with humanity’s attitudes at various stages of its interaction with the landscape. Meanwhile, the album cover of ‘River of Dreams’ by Billy Joel explores society and the landscape’s common origins, and powerful potential for action that morphs with time, into new values and behaviours. All texts acknowledge the embedded shared values susceptible to resculpting, which continually carve the framework for a closer, more interlinked relationship between humankind and the landscape.
Outside of the Ingram’s house – on one hot and humid Spring evening, late in the season in this Big Apple suburb called Nanuet – the unforcast and oppressive heat of the wilted afternoon had yet to relinquish the atmosphere from its smothering grip: Viciously humid for the human beings attempting to attend to their responsibilities; Viciously humid for the their canine and feline companions relegated to a daytime life out-of-doors; Viciously humid, too, for all of the flighted avian creatures calling home the dwindling woods and forests in this county of Rockland. Once a pleasant balance of woodland and suburban homes, nearly all of the county’s hamlets were now almost exclusively the latter.
From the very beginning of the tale the use of color imagery is very evident, for example; the tale begins at dusk of the day when all things are becoming dark. Evil loves the darkness and hates to be revealed in the light. Therefore this journey had ...
Good morning/afternoon invited teacher and students. The expressive poem ‘Clancy of the Overflow’ written by the prominent poet Andrew Barton Paterson illustrates the country life of a drover as the ideal lifestyle as it is the beauty and nature of mankind. This poem is extremely critical of city life and seems to only convey the negative aspects that are involved. During this analysis various poetic techniques as well as aesthetic features will be used including suggestive language, alliteration, metaphor and imagery are applied to describe the author’s use of poetic devices and to show how effectively the poet conveyed its messages and the link to Australian diversity.
By drawing attention to these aspects, such as lakes, that should be a selling point and turning them into ‘mosquito-infested bogs’. By using exaggeration in describing the suburban sprawl Urban urges the reader to rethink the image that has been put into their heads by the building corporations. This may reinforce the author’s position and arouse emotions such as disgust which could grab their attention. Rod Urban uses an example about ‘young people’ dying on unsafe roads in the country to try and critique the use of money on suburban estate. This example is used in such a way to inform city dwellers of something outside of their knowledge. Urban blames the death of young people on the ‘lack of adequate surfaces’ due to the shortage of funding to those areas. This emotional appeal relates to our values and attitudes and is very different to the attacks towards the suburban estate builders, people will usually take notice of something as tragic as
In the passage, many techniques are used to create and shape the mood and atmosphere. One of the most impacting methods of creating the mood and atmosphere is the usage of imagery. The constant usage of metaphors, similes, and other figurative language helps the reader get an image of the narrator's perspective in the passage. Firstly, in the beginning of the passage, when the narrator describes North Richmond Street, he uses imagery to give the reader an idea of how the atmosphere was and how the mood of the passage was to begin with. The narrator describes the people living on the street as usually having “brown imperturbable faces”. This demonstration of imagery gives the reader an idea of how the people on that street, which seems to have
John Wright sets the scene at another’s farm, lying in a hammock; the poem comes across as being in a conscious dreamlike state. The butterfly is asleep and blowing like a leaf- Wright paints these dreamy images of nature, his mind moving from the butterfly to the empty house to the retreating cowbells, to the horse golden droppings, to the time of day, and to the lone hawk. Each example, each personification blurs the line between human and non human life, the edge of reality. Every line, every image- sight or sound- is held with higher regard, ever building on the last. Each phrase is a critical part of the process, no note should go disregarded. Not the two trees, or the horse droppings beautified, not even the title should go without a pause and a thought.
Today, we are a civilized civilization, with new technologies being invented every day. From the computer, to the iphone our innovations have made our lives easier in many ways. However, what we neglect is our attention and noticement of the natural world. Poets Stephen Boyer and William Carlos Williams both address this theme in their poems “#uploading nature” and “The Red Wheelbarrow.” In both of these poems, the poets displays how the separation between the natural, pure world and the modern, materialistic world, affect our actions.
The reader needs only to look at the cover of Susan Aizenberg’s Quiet City to soak in the mystifying qualities of the book—a muted blue surrounding what appears to be an impressionistic view of a place (of which, with what is presented, we are not certain, but we do get a title: “Untitled No. 124,” by Michael David). The crafting of a poet’s book often affects the reader’s impressions. Though the art is almost just as fun to talk about, the writing is the real meat of the analysis. This is especially true when taking a look at the book as a cohesive unit and considering the arrangement of its poems. In Quiet City, the placement of the poems and particular images within them creates a spirit, a spectral tether that undulates between every line and every page, guiding readers through speakers’ memories and recollections.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
The final device used within this poem is imagery. It is obvious that the setting of this poem is on a beach by a sea. The poem refers to the sea, wind, Proteus, and the triton. The author uses imagery to allow for the reader to visualize where the setting of the poem is located. The imagery helps reinforce the theme by creating a beautiful image of the natural sea. Humans in this present day continue to focus on money and success rather than a magnificent sea. The author uses imagery trying to explain to the reader how incredible nature truly