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The roaring 20s: usa 1919-1929
Flapper in the 1920s
Essay on flappers 1920
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When a person hears about the “Roaring Twenties”, flappers are one of the first aspects of the era that first comes to mind. Many flappers embodied similar traits to actress Clara Bow who could be considered the “epitome of flappers”. In several of her films such as Black Oxen and It, Bow flaunts both her flapper style which consisted of bobbed hair, shorter dresses, and showing more skin, but also her “sex appeal” and defiance of being “ladylike” and the typical standards of women at the time. Her personal life was also different from other women as she had several love affairs and revealed her terrible childhood to the public. But why did flappers like Clara Bow have such a huge impact in the 1920s and how do they affect the modern world …show more content…
now?
Flappers in the 1920s were the result of changes in the industrialization and economic culture and consumerism; flappers helped establish new feminine standards that counter against previous standards followed before World War 1 and embodied the current social changes during the 1920s.
The background of the flapper era was the poor economic life preceding the Roaring Twenties. In the journal article “The Crisis of 1920 In the United States: A Quantitative Survey” by economist Warren M. Persons, he mentions how the American industries such as the war and railroad industry and the American government being involved in foreign trade were already struggling with the high demand and people were already predicting the collapse of these industries. But in 1920, there was a crisis in the agriculture industry despite prospering during the recent war. One aspect of this crisis involved bank failures as David C. Wheelock highlights in his article “Regulation and Bank Failures: New Evidence from the Agricultural Collapse of the 1920s”.
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Before the 1920s, agricultural areas like Kansas were flourishing economically because of World War 1 and the high demand for farm goods. Therefore, the farm land had high value which was financed by money loaned from banks, but after a sharp decline of the commodity price of farm goods, many farmers fell into debt and could not pay back their loans. Along with other commodity prices varying significantly with farm products, such as textile and building materials. This difference in commodities comes from “long-time change, which means that a single commodity is becoming cheaper or dearer during a number of years” and “fluctuation accompanying the business cycle, that is, low prices for most commodities in times of depression, and high prices in times of prosperity” (8) according to Persons. The availability of credit at low money rates and the volume of manufacturing output less than current consumption and a fair amount of foreign trade resulted in an increase in business activity and an upward movement of commodity prices in 1922. Another aspect that influenced the flapper phenomenon was the American fascination with business. In the article “Big Ideas From Big Business: Try Them Out for Yourself!” written by pro-business writer Edward Earle Purinton, he implies that business ideals are equivalent to American ideals and that big corporations set the best example for how America should be and that all Americans should be involved in business and become their own boss. There were no limitations for the success one could achieve and could make a name for themselves through their own means. Purinton glorified the idea of business as he describes it as “the finest game”, “the soundest science”, “the truest art”, and much more (144). Purinton also portrayed the businessman as a hero for America, as he states in this passage: “The future work of the businessman is to teach the teacher, preach to the preacher, admonish the parent, advise the doctor, justify the lawyer, superintend the statesman, fructify the farmer, harness the dreamer, and reform the reformer. Do all these needy persons wish to have these many kind things done to them by the businessman? Alas, no. They rather look down upon him, or askance at him, regarding him as a mental and social inferior - unless he has money or fame enough to tilt their glance upward” (145). Businessmen were seen as righteous men and were as popular as current day celebrities. The idea that anyone could become independent carried over to the flappers. Women became less worried about being a good housewife or finding a good husband, and became more concerned with herself and her happiness. Another influencer of the flappers was the automobile industry because of what women were offered by automobiles being produced.
In the article “A Symbol of Modernity: Attitudes Toward the Automobile in Southern Cities in the 1920s” by Blaine A. Brownell, he explains how the automobile was an important aspect of the 1920s culture and dwells upon the relationship with flappers and automobiles. The automobile became one of the most talked about technological innovations of the time as normal citizens could travel farther and faster whether they were from rural areas or urban cities, and many people began to buy automobiles as car ownership grew exponentially from nine million in 1920 to twenty-three million in 1929 (Brownell). It became a staple of the 1920s along with the flapper. The automobile also allowed flappers and other civilians to travel more freely to places like speakeasies and other parties. Women were no longer bound to their homes or restricted by traveling distances, as car ownership became extremely common. There was also some sexual connotations that the flapper associated with automobiles, as Brownwell highlights in this
section: “Moral questions raised about the automobile and other new innovations, especially motion pictures, were for the most part concerned with the interrelated issues of changing sexual mores, the "degeneration" of American youth and the decline of the tightly knit family. The youthful "flapper" of the 1920s was portrayed by the Memphis Commercial-Appeal as a young female "who does not fear to take 'joy rides' with any man who will invite her." The flapper was flamboyant with her sexuality and broke the standard of the traditionally more modest behavior of women before the Roaring Twenties. This behavior is what contributed to the mindset of the era which was heavily based on consumerism and the “mass culture” where all Americans took place in the consumer market such as the automobile industry. Overall, flappers came about due to the industrialization, economic culture and consumerism and helped establish new feminine standards and embodied the current social changes during the 1920s. Flapper culture definitely has stuck in the modern world today, as women’s fashion still has elements of the iconic flapper style such as shorter dresses and short hair. Modern day women are also more sexualized in media and more expressive sexually whereas during the pre-1920s, this type of advertisement would be unheard of. Women today are more independent as well, as more women pursue careers instead of finding a husband right away. Flappers have had a substantial impact on history, and their influences will continue to live on.
Flappers were not just spunky young rebellious woman who tried to defy there mother’s traditions and cause an uproar in society. Her bluntness about sexuality created a new emotional and sexual culture for women. It also created a new foundation for male and female courtship. They showed women around the world that being submissive could only harm the remarkable female. The flappers created a new youth identity.
A Flapper is “a young woman in the 1920s who dressed and behaved in a way that was considered very modern” (Merriam-Webster). There was many opinions on how young women should act in the 1920s, but the ladies listened to the voices in their head. They set an example for the future women to dress and act the way they want, men could no longer tell women how to dress and act. The new era of young women opened many doors for all females.
Historians have debated over what the word “flapper” really meant. Some people thought the word was derived from the concept of a baby bird that is learning to fly for the first time. The word “flapper” came from the way a the baby bird flapped its wings as it flew from the nest. The women during this era were brave in the sense that they dared to step outside of boundaries that no American woman had stepped before. This change in history could be compared to a baby bird in the sense that the first jump from the nest was a symbol for the risks that women were taking during the 1920s. Furthermore, women ultimately benefitted from the popularization of flappers
... fewer children was stressed to the patriarchal, consumerist society. The roaring twenties were a consumerist and capitalist age for America, and the liberalization of women occurred naturally as the younger generation was born into the new age of Freudian sexuality, however the flapper as a symbol for young women is incorrect. Out of proportion, and unfounded the flapper was a consumerist to exploit a rising cultural market. Women gained the right to their bodies, as America gained the right to its profit.
Imagine walking in the streets where all other women and girls are dressed in long dresses, look modest, and have long hair with hats. Then, there is a girl with a short skirt and bobbed hair smoking a cigarette. This girl makes a statement and is critically judged by many people for dressing this way. Women during the 1920s were not to look “boyish” in any way, so when short hair and short skirt were introduced, it was seen as shameful. The girls wearing this new style were known as flappers. Their style was introduced in the early 1910s but did not spark until the 1920s. The style was said to be more comfortable, but was not appealing to the more conservative. Before the change of style, most women were dressed modestly; however, women's
Some women of the 1920s rebelled against being traditional. These women became known as flappers and impacted the post-war society. People in the 1920’s couldn’t make up their minds about flappers. Some were against them and some were with them. Therefore, some people in the 1920’s loved and idolized flappers, I on the other hand, believed that they were a disgrace to society. These women broke many rules leading young women to rebel against their families.
Flappers were women who were characterized by their choice of bobbed hair, short skirts, and their enjoyment of jazz music. Flappers usually had bobbed hair styles, usually wore heavy make-up, loose fitted dresses and to be considered the perfect flapper they usually had a pale skin tone. The roaring 20s was a time of change in which the way society had chosen to view women. This was the beginning of the "flapper". A flapper was a woman who was extremely willing at parties with little to nothing as far as regret went. They’d tend to smoke, drink, dance, drive cars, have casual sex and usually couldn't hold onto a man. Flappers usually feigned to do everything the men would do while attending parties. While thinking of flappers, Chicago would have been a very common place to find them.
In the 1920s, a new woman was born. She smoked, drank, danced, and voted. She cut her hair, wore make-up, and went to petting parties. She was giddy and took risks. She was a flapper.
When many people think of an “It Girl” they think of someone as luxurious, Clara Bow was one of the very first “It Girl” of the 1920’s, yet she was not luxurious at the start. Before, Clara Bow was considered a tomboy with her ragged and dirty clothes, she would always play in the streets with boys, no girls were willing to play around with her. Later, she entered into a contest The Fame and Fortune, winning the contest; she was brought into Hollywood by B.P Schulberg. During her acting career she also developed into a flapper; flappers were 1920’s women who dressed up in short dresses wore makeup and had short hair; they also smoked and drank at night clubs. Her career had to come to an end after
In the 1920's the term flapper referred to a "new breed" of women. They wore short skirts and dresses which were straight and very loose. The arms were left bare and the waistline was dropped to the hips. By 1927 the length of the skirts had rose just below the knee which when they danced would be shown. The chests appeared to look very small and women would tape themselves to look even smaller. Bras were also sold to make them appear very small. Their hairstyles were cut very short and were known as a bob, another popular style that was later introduced was the "Eaton" or "Shingle". These styles had slicked the hair back and covered the ears with curls. Women started wearing "kiss proof" lipstick in shades of red, their eyes were ringed a dark black color, and their skin was powered to look very pale. One of the big things with the flappers were that they smoked cigarettes through long holders and drank alcohol openly in public now. They also started dating freely and danced all night long very provocatively. Jazz music was rising in population and the flappers brought it out even more. Not all women changed into becoming a flapper, yet the little numbers impacted the 1920's in a huge way.
The fashion in the 20’s were also called the flapper era, Women’s fashions in the early 1920's experienced powerful changes
When one thinks of flappers, the first thing that comes to mind is the image of a woman dressed much like Julie Andrews in Thoroughly Modern Millie, bobbed hair, fringed low-waisted dress, flat-chested and highly made up face. This, though a stereotype is close to the truth. In the 20’s after the first world war women’s roles in society began to change, primarily because they started becoming more independent – both in their dress and action. They started to defy what was considered to be appropriate feminine behavior and along with those actions came new fashions. The sleek, boyish look became popular and women began to wear lower waistlines, higher hemlines, sleeveless dresses that showed off their arms, long strands of pearls and rolled down pantyhose to show their knees. Women who had larger breasts even went so far as to bind them down to fit into the flat-chested ideal of beauty. The “in” look now was boyish, much in contrast to the feminine big skirted, shirtwaisted dresses of their mothers’ age. Women began to gain the independence and social liberties that men had always possessed, they wanted to physically display their newly gained freedoms. Short hair, first as a bob, later as a slicked down “shingle” that curled above the ears emphasized the new androgynous look women were trying to obtain. These “modern” women asserted their independence by going out dancing, moving to the city alone, drinking even during prohibition, flirting and having love affairs.
In the 1920’s, the Nineteenth Amendment was passed, which gave women the right to vote. During this decade women became strong and more independent. Women were accomplishing a lot more than they had before. Women started going to college so she could earn her own living. More women started leaving the home and working at a factory or as a secretary. Women were discriminated at the work place. They received lower wages then man did. In the 1920’s, the term flapper was introduced. It was first used in Britain after World War 1. Young women were labeled as flappers who wore makeup shorter skirts. Fl...
Women were modeling their lives after popular icons and their peers, rather than their mothers and grandmothers (Carlisle 21).... ... middle of paper ... ... The Flapper created a new emotional culture for women of all ages and races, as well as a new youth identity for herself.
Women during the 1920's lifestyle, fashion, and morals were very different than women before the 1920's. Flappers became the new big thing after the 19th amendment was passed. Women's morals were loosened, clothing and haircuts got shorter, and fashion had a huge role in these young women.