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Narrative techniques
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In her short story, Revelation, author Flannery O'Connor explores the human mind along with the naivety that sometimes comes with it. She develops this by writing from a point of view that not only shows what the protagonist says and does, but what she restrains herself from saying every time she speaks. O'Connor's purpose is to invite the readers to take a look at themselves to see if they are truly who they think they are. The author is able to use several different devices in order to illustrate the several themes that protrude throughout the story. She appeals to the emotions of the audience by making the protagonist begin to seem like an enemy to an ordinary reader. O'Connor is able to extend her own credibility by mastering the jargon …show more content…
She is able to take the protagonist, Mrs. Turpin, and make her someone that is not very likeable. O'Connor shows the very slanted views that Turpin has toward her counter parts, and reveals the superiority that she feels. This causes the audience to gravitate toward the acne-faced girl, who seems to be able to sense the superiority that Mrs. Turpin feels. To cause this, the author writes, " If Jesus had said to her before he made her, "There's only two places available for you. You can either be a nigger or white trash," what would she have said? "Please, Jesus, please," she would have said, "Just let me wait until there's another place available," and he would have said, "No, you have to go right now", and I have only those two places so make up your mind." She would have wiggled and squirmed and begged and pleaded but it would have been no use and finally she would have said, "All right, make me a nigger then-but that don't mean a trashy one." And he would have made her a near clean respectable Negro woman, herself but black." This is a great example of the phrases used by the author to show the irony of the situation. A woman who claims to be an innocent, church going woman is really a narcissistic person who thinks terribly of anyone who does things different than she does. The behavior that is shown, such as judging people by their stereotypical shows, …show more content…
The logical appeals include all of the quotes and conversations that the characters had were made logical in order for the story to flow. However, the author didn’t use any facts in the story nor statistics, so the reader was not as exposed to logical appeals as they sometimes are with non-fiction novels. Racism is something that is very evident in this story and was very real at the time the story was written. The author uses this to strengthen the irony in the story. It is very interesting that the protagonist sees no flaws in any of her personality, however she is constantly making racist remarks and exclaiming that people are below her socially. To any reader this is very illogical because it would seem as though someone who has nothing wrong with their personality would never judge someone based on their social class. When the protagonist does this the author writes, "Sometimes Mrs. Turpin occupied herself at night naming the classes of people. On the bottom of the heap were most colored people, not the kind she would have been if she had been one, but most of them; then next to them -- not above, just away from -- were the white-trash..," this proves that she was not the woman that she wanted people to think that she was. Mrs. Turpin was a truly judgmental racist
One of the most interesting characteristics of Flannery O’Conners writing is her penchant for creating characters with physical or mental disabilities. Though critics sometimes unkindly labeled her a maker of grotesques, this talent for creating flawed characters served her well. In fact, though termed grotesque, O’Conners use of vivid visual imagery when describing people and their shortcomings is the technique that makes her work most realistic. O’Conner herself once remarked that “anything that comes out of the South is going to be called grotesque by the Northern reader, unless it is grotesque, in which case it will be called realistic.”
By far Flannery O’Conner story “Revelation” will be one of the most cherish Efictions shorts stories that shows peoples way of thinking of the 19th century. Ms.turpin, Claud , and ugly girl , seem unordinary people that stand out of the book and are common people we seem every day. For instance Ms.turpin was a two face women that will treat people differently just so they could have work harder. “When you got something “she said “you got to look after it.” (701). Not only is she not treating them like humans, she has this code of conduct if she shows them human manners they will believe they are equal. Ms. Turpin was still a nicer women then the others in book.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
O’Connor powerfully made the reader realize that having an epiphany opens up our mind to a clearer insight, and this was seen with the grandmother in “A Good Man is Hard to Find” and Mrs. Turpin in “Revelation.” Nonetheless, O’Connor also created characters that obtained a certain type of violence deep within their personality to show the importance of real life experiences within our society. These two short stories show a great amount of emotion and life lessons towards the reader, and O’Connor successfully conveyed her point while using her powerful Southern gothic writing technique.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
Scott, Nathan A., Jr. "Flannery O'Connor's Testimony." The Added Dimension: The Art and Mind of Flannery O'Connor. Ed. Melvin J. Friedman and Lewis A. Lawson. New York: Fordham UP, 1966. 138-56.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
The author distinguishes white people as privileged and respectful compare to mulattos and blacks. In the racial society, white people have the right to get any high-class position in job or live any places. In the story, all white characters are noble such as Judge Straight lawyer, Doctor Green, business-man George, and former slaveholder Mrs. Tryon. Moreover, the author also states the racial distinction of whites on mulattos. For example, when Dr. Green talks to Tryon, “‘The niggers,’…, ‘are getting mighty trifling since they’ve been freed. Before the war, that boy would have been around there and back before you could say Jack Robinson; now, the lazy rascal takes his time just like a white man.’ ” (73) Additionally, in the old society, most white people often disdained and looked down on mulattos. Even though there were some whites respected colored people friendly, there were no way for colored people to stand parallel with whites’ high class positions. The story has demonstrations that Judge Straight accepted John as his assistant, Mrs. Tryon honor interviewed Rena, and George finally changed and decided to marry Rena; however, the discrimination is inevitable. For example, when Mrs. Tryon heard Rena was colored, she was disappointed. “The lady, who had been studying her as closely as good manners would permit, sighed regretfully.” (161) There, Mrs. Tryon might have a good plan for Rena, but the racial society would not accept; since Rena was a mulatto, Mrs. Tryon could not do anything to help Rena in white social life. The racial circumstance does not only apply on mulattos, but it also expresses the suffering of black people.
One of the best short story writers of her day, Mary Flannery O’Connor was a brilliant writer, and still is, highly acclaimed. Her unique style of writing has a large part in her continued popularity. Ann Garbett states,”…O’Connor combined religious themes from her Roman Catholic vision with a comically realist character from the rural Protestant south to create a fiction that is simultaneously serious and comic” (1910). Mary O’Connor Flannery was an extremely talented young author who experienced hardships throughout her short life’ However, she used these experiences, her Roman Catholic faith, and the writings of William Faulkner and Nathanael West to develop highly praised short stories and novels such as “A Good Man Is Hard To Find” and Wise Blood.
Stereotyping is when a person believes someone has a certain characteristic based on their race. Toni Morrison purposefully does not tell the readers the race of Twyla and Roberta in the story because she wants the reader to recognize how they stereotype others based on how she describes the girls. The only way we know the girls are not the same race is because Twyla says, “So for the moment it didn’t matter that we looked like salt and pepper standing there and that’s what the other kids called us sometimes,” (Morrison 239). Twyla and Roberta are friends in a time period where African Americans and white people were learning how to co-exist with each other so it was a step in the right direction for them to develop a friendship despite their differences. When Twyla first meets Roberta she stereotypes her and says, “And Mary, that’s my mother, she was right. Every now and then she would stop dancing long enough to tell me something important and one of the things she said was that they never washed their hair and they smelled funny,” (Morrison 239). Twyla knew nothing about Roberta when she made this comment but she judged her based on what her mother has told her about people of the opposite race. Twyla and Roberta were both young girls when they first met so the only thing they knew about race was what their mothers or other people told them and during this time period they was a lot of stereotyping and biased
The story of Revelation by Flannery O’Conner is about a woman named of Ruby Turpin. Mrs. Turpin is a judgmental woman who experiences a self-realization when she has a violent act with a college student by the name of Mary Grace in a doctor’s office. Mrs. Turpin is bothered by what Mary Grace has done with her words and actions. Mrs. Turpin learns the symbolism of Mary Grace. The true meaning of faith and the value of humanity.
Ann Perkins, Jones’ character, is supposed to be an ethnically ambiguous person and in reality, Rashida is biracial (Glamour). Leslie Knope, the white protagonist of the series, frequently uses words like ‘exotic’, ‘tropical’, and ‘ethnically ambiguous’ when complimenting Ann. The ‘compliments’ also act as the only instances where race is spoken about in reference to Ann’s character. One would believe that Leslie’s constant complimenting of Ann is beneficial to viewers with a biracial identity, but there are some serious problems with Leslie’s behavior. There has been an historical and recent fascination with ‘mixed’ children. This fascination has crossed over into fetishizatoin of biracial or mixed children and people. Biracial people are seen less as people and more as a kind of spice that bell hooks mentions in her work “Eating the Other: Desire and Resistance” (21). They are something that helps liven up the blandness of the pervasive white culture. Another harmful aspect of Ann’s depiction relates to her class. In Edison’s work, she notes that “biracial individuals living in a middle- and upper-class environments are more likely to be perceived as biracial (rather than black) than those living in working- and lower-class environments” and that “‘color blind’ portrayals of middle- and upper-class Black and biracial characters support the notion that race no longer matters (at least for middle- and upper-class people)” (Edison, 302; 304). Ann’s character is a successful college-educated nurse which is not problematic until one realizes that her race is never truly discussed. This feeds into the stereotype that race does not matter and that all people in the U.S. have the same opportunities. Again, the lack of racial representation leaves one character the duty of depicting a whole group of
Mrs. Turpin is an overbearing and a commanding being with her husband. She portrays herself as this woman who is better than everyone, especially those who are of lesser status than her. I despise her arrogance and judgmental outlook about African Americans and “white trash” individuals (O’Connor, 434-436). I was pondering endlessly on how she says she is an upmost Christian, tenderhearted, and charitable person, but she voices, describes, believes, and critics people so terribly. Mrs. Turpin is a hypocrite. How can you state, believe, and preach one thing and do the opposite under the same breath? She may not realize it due to her upbringing and the time-period, but she is blatantly a racist and ignorant human being. Also, I loathe that she positions herself on a pedestal because she is not “nasty”, a “nigger”, “white trash”, or an “ungrateful” person. Additionally, she is delusional to believe that any “nigger” would want to “improve their color” (O’Connor, 436). However, even though Mrs. Turpin has many actions, thoughts, and beliefs, I do not agree with, I do respect her belief in helping individuals in need; as well as, her being grateful for what she has in life (O’Connor, 431- 444).
A common human behavior due to illusory superiority is to overestimate skill, capability or perception of oneself in comparison to others or underestimate it. Alice Walker, a black woman herself, and a partaker of feminist and anti-racist activism creates a scenario that nearly every person from any cultural background can identify with. Miss Millie in The Color Purple has internalized racism and refuses to acknowledge it, maintaining that she is “less racist” than the “other white people”. While viewing herself as superior among blacks and whites, Miss Millie remains in denial about her subtle racism. She is unaware of the fact that her comments are insults rather than the compliments she assumes them to be. This disconnect fuels Sofia’s response,
Alice Walker’s novel, The Color Purple, is about the severity of discrimination and its effect on an individual. This illustrates the idea that discrimination and prejudice can ultimately curve someone's view of the world around them. Through motifs in the novel, the point of view of the characters, and the foils seen in the characters, we can see this theme take effect through the main characters in the novel.