Empathy was induced through the emotions from particular events of the first person narration First They Killed My Father while making a connection to Cambodia’s history
Tan Yann Zhao, 9G
First They Killed My Father, a memoir, was written by survivor of the Cambodian genocide, Loung Ung. The text was narrated in first person by the main character Loung Ung who was going through the process of maturing and attempting to survive. The text gave the readers insight into the character’s mind with an intriguing plot, packed with emotions which induce empathy and allowed the readers to establish a connection with Cambodia’s history. The strong emotions induced in the beginning of the text allowed the readers to understand what situation the character was in. Through the tone of the character spoke in, the readers understood that Loung was frustrated when she took on the seven day walk. The written techniques used when the author wrote about Pa’s death hooked the readers and allowed the
…show more content…
When Loung was told that she had to leave the village, Ma’s ‘words [stabbed Loung’s] heart like a thousand daggers,” (Loung Ung, page 160) realising that she was to leave the whole family and be alone. The readers got the message that despite the years of bond established throughout the years, Loung must leave Ma and there was nothing that can be done. The readers was able to dictate that Loung’s fate was certain and the chances of seeing Ma again was unlikely. As Ma drove Loung away, Ma ‘[gave Loung] a hard swat on the butt’ (Loung Ung, page 161) and pushed her away making her mad at Ma. During the journey, Loung’s ‘blood [boiled] with resentment towards [Ma]’ (Loung Ung, page 161) as walked away from the village. This made the readers feel uneasy to witness the hatred Loung had for Ma and wonder where their relationship
The main problem for the Liang family was that they had been scattered. Father and Mother divorced, Liang off at college, and the two girls (although they later lived near Liang Shan) were off for a long time in the country. This separation made hard times even harder.
To Live is both controversial and impactful in a cultural sense and the character development respectively. The author thoughtfully addresses the motif death throughout the novel and demonstrates how the motif affects the protagonist, Fugui’s character development. The moment when Long Er is executed in his presence changes his character and allows him to realize how fortunate he is to be alive, changes his outlook in life, and impacts the way he sees life at the end of the novel in contrast to the beginning of the novel.
The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consist of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1 his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his families politics were always questioned, the mistake mad...
The bitter cold bit against the starved girl’s skeletal body. She was tired. Her parents discussed ways to get to good lands. They told her the only way to have a better life was to sell her into slavery. The girl, only ten years old was silent. She dreamed of fine clothing and good food. The girl went to the House of Hwang. She was too ugly to be in sight; she was kept in the scullery. All dreams of any kind were lashed out of her young mind. Mistreated, beaten, and underestimated, young O-lan learned to work hard and became resigned to her fate. One day, the Old Mistress summoned her and told her that she was to be married to a poor farmer. The other slaves scoffed, but O-lan was grateful for a chance to be free - they married. O-lan vowed to return to the great house one day in fine clothing with a son. Her resolve was strong; no one could say otherwise. Her years of abuse as a slave had made O-lan wise, stoic, and bitter; whether the events of her life strengthened or weakened her is the question.
Life is a complicated process. It’s filled with many things that keep it interesting but at the same time, very dull. Life’s what you make it and for many, it’s something we all strive for. In the story, The Space Between, the author takes full advantage of the premise as there’s rarely a dull moment- as in life. The book is filled with many literary devices that work nicely with the plot and dialogue. These include; metaphors, similes, irony, personification, and many more. We follow a young man who is finding his way in the world. He has only a week to change his life for the better. But he will face many obstacles on the way that brings the readers into a startling and fun journey.
Have you ever had one person who you have absolutely nothing in common with, but for some bizarre reason you “click” with them? It is astounding that two completely different people with two divergent personalities, morals, goals or lifestyles can compliment each other. In Loung Ung’s, First They Killed My Father, the dynamic duo, Loung and Chou are so completely different, yet their relationship works. At the start of the novel, Loung is the striking age of five years old and Chou is eight years old. Loung is very outgoing, loud, and obnoxious, while Chou is reserved, calm, and level headed. Both manage to survive the horrible genocide that struck their country in 1975 when Pol Pot, the communist leader of the Angker, turned their world upside down. The girls use two completely different ways of coping and accepting what happened. Through the use of symbolism and point of view, Loung and her sister Chou, although best friends, are complete antitheses in every way possible.
Yang makes her topic of the treacherous history of the Hmong people an appealing one with the story of her parents. She brings emotion into her writing that makes her readers feel as if they are there in the jungle, experiencing the fear and love these two lovers felt. Yang makes us aware of how hard it was for a young Hmong couple to survive in this trying time. Fate and destruction brought Yang’s parents together, and like other Hmong people, love kept them moving forward.
The setting of the novel, the killing fields of Cambodia, thoroughly exhibits the protagonist’s awareness to suffering. Exposed to sorrow at the tender age of 11, Arn Chorn Pond is highly cognisant of his surroundings. When remembering his displaced family, Arn often repeats an analogy
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
Wang Lung needs a wife so saves up the little money he has and buys a woman who is a slave named O-lan. O-lan is sold to Wang Lung so she can take care of the home, cooking and bear children. Wang Lung is disappointed when he first sees O-lan because she does not have bound feet which was a desirable quality at that time but he does enjoy when O-lan has the food ready when he comes in a night from the land. Wang Lung is very proud when O-lan makes cakes that no one else in the village knows how to makes and when his family comes to feast for the new year at their house.
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
The theme of this book is that the human capacity to adapt to and find happiness in the most difficult circumstances. Each character in the novel shows this in their way. For instance, their family is randomly taken from their home and forced to work but they still remain a close nit family. In addition, they even manage to stick together after being separated for one of their own. These show how even in the darkest time they still manage to find a glimmer of hope and they pursued on.
June-May receives a letter from her twin sisters shortly after her mother’s death. However, her sisters do not know their mother is dead and have been searching for her for years. June-May takes the letter to Auntie Lindo who writes back pretending to be their mother and says that they are coming to visit. June-May protests saying “They’ll think I’m responsible, that she died because I didn’t appreciate her,” (Tan 149). She believes that her sisters will hate her when she shows up without their mother and has to announce her death. As a result, Auntie Lindo writes back announcing the passing of the mother and announces that instead their sister, June-May, will be coming. It is during this trip that June-May fulfills her mother’s dream, “carrying with me her dreams of coming home. I am going to China,” (Tan 147). By doing this she gains another part of her mother. However, it is when June-May reunites with her sisters that she fully becomes one wi...
In fact, Kim Thúy demonstrates a thematic binary relation in all that she went through, nevertheless, when it comes to writing her story, she drops and undermines all these dualities to opt for a fragmented work of literature that does not serve any party or elevate it over the other. Hence, rather than maintaining this binary relation between these parallel elements such as past and present, the author is writing her story in a manner that does not leave room for anything but harmony and reconciliation. This reading can offer us an interesting interpretation of the text given its positive aspect that is notably promoting peace and understanding rather than discontent and revenge. As a matter of fact, this work intends to examine Ru as an autobiographical text that shows how the author undermines all the dualities that shape her story when she writes it on paper in order to arrive to an understanding of her relocated
In Mariama Bâ’s book, “So Long a Letter”, the readers experience these injustices first hand through the main characters. Years after their marriages fall apart through polygamy and feelings of betrayal, when Modou experiences an unexpected heart attack and is unable to be saved, Ramatoulaye decides to write letters to Aissatou who is now in the United States with her four sons. In these letters, she talks about their memories together before they were separated from one another as well as providing Aissatou with news about her current life. She first writes about Modou’s death and the forty-day funeral of her late husband, but soon moves on to their lives as married women. Keeping the main idea of the story in mind, Bâ has her talk about their marriage, starting with Aissatou.