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Confession and punishment
The Christian Doctrine of Sin
Humor as a Literary Tool
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Confession is the admission of one’s sins. In the Christian religion, it is done within a confessional booth before a priest, who will then give the confessor a penance in accordance with his or her crimes. Confession of one’s mortal sins is required in order regain God’s grace, and the priest is believed to have been given the authority to grant forgiveness and absolution. Most of the time, confession is a solemn affair. However, some authors have written stories that focus on the subject of confession and have even managed to add an element of humor into it. One example is “First Confession” by Frank O’Connor. Through the use of narrative viewpoint, tone and mood, contrast, and characterization, the author of the short story “First Confession” evokes humor in the readers.
The narrative viewpoint of this story, a detached autobiography, helps to arouse the feeling of humor. There are many experiences in life when things may seem frightening or frustrating while they are happening, but when we think about them later, we realize that they could have been comical. In a detached autobiography, the narrator reflects on and writes about something that has happened in the past. Usually, he has matured from the time the events in the story took place and is now in a different frame of mind, so he is able to write about them with an outsider’s detachment. In this case, Jackie is writing about his first confession, which probably happened many years ago. Thus, he can now talk about it while highlighting the funny side of the story. For instance, Jackie’s reactions to Mrs. Ryan’s and Nora’s attempts to scare him reveal the gullibility of a typical seven-year-old and how it can be amusing. Likewise, he portrays sibling rivalry in a humorou...
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...out the characters, as well as to add humor to the story.
Frank O’Connor, the author of the short story “First Confession” makes the story humorous by effectively using literary devices like the narrative viewpoint, tone and mood, contrast, and characterization. He has created a light and entertaining mood by having a main character who the reader can understand, plus amusing supporting characters. Altogether, O’Connor has succeeded in making humor the single effect of a story whose main subject is confession – a fairly serious practice where Christians confess their sins to a priest in the hope of gaining forgiveness from God. Only the most skilled can give their stories an underlying feeling opposite to what it is about, and he is one of the few writers who have mastered their craft enough to make their readers laugh at something that is usually considered dreary.
She had been in New York for quite some time, doing well in school and with a brand new best friend. When she returned to her grandparents, she nurtured her grandpa in his last moments, and when he had taken his last breath a little bit of Jacqueline had slipped away as well. It isn’t that she hadn’t cherished the time with her grandfather, but as if his death was too sudden, and when she had started to really find her way in New York and South Carolina began to fade into a memory, the news was a wake up call.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
Augustine’s interpretation of the human memory serves as an answer to the mystery that surrounds the concept and provides his readers somewhat of a “peace of mind” after reading his analyses in Book 10. Confessions is a powerful piece of philosophical literature that has helped shape modern Christianity as we read and practice.
Such as sins we do, no matter how young or old you are, you will eventually make bad decisions. We aren’t perfect but no matter how bad our sin is; we shouldn’t take pleasure of it because this can worsen us. This bad bodily habit can result for continuous confessions. This confession is one long prayer and must confess all of your sin’s to God. This will guide you to a stronger belief in God. Like Saint Augustine all his sins made him praise to God who mercifully directed his path and brought him out of misery and error. Overall, he wants his audience to believe that God is the creator of everything and most importantly the savior in all of us. However, times have changed and that the confession was written a long time ago. Nowadays many people don’t have a religion because people are more open with their feelings. For instance, exposing their sexuality. Many churches still don’t accept same-sex marriage and that the bible is somewhat unfair. Yet sins are constant, but religion can change over time. I personally think that everyone has their own savior, not just relating to a God or any type of religion. It could be yourself, your significant other, family, friends, etc. In the end, religion does not matter, just know the basic principles in life and that is: don’t hurt others and always be
In the commencement of the story, the narrator is shocked and in disbelief about the news of his brother’s incarceration, “It was not to be believed” (83). It had been over a year since he had seen his brother, but all he had was memories of him, “This would always be at a moment when I was remembering some specific thing Sonny had once said or done” (83). The narrator’s thoughts about Sonny triggered his anxiety that very day. It was difficult to bear the news of what his brother had become, yet at some point he could relate to Sonny on a personal level, “I hear my brother. And myself” (84). After the news had spurred, the narrator experienced extreme anxiety to the point of sweating. Jus...
In the Confessions, by Saint Augustine, Augustine addressed himself articulately and passionately to the persistent questions that stirred the minds and hearts of men since time began. The Confessions tells a story in the form of a long conversion with God. Through this conversion to Catholic Christianity, Augustine encounters many aspects of love. These forms of love help guide him towards an ultimate relationship with God. His restless heart finally finds peace and rest in God at the end of The Confessions.
Being a devout Catholic, O’Connor’s “faith consciously informed her fiction. The difficulty of her work, she explained…is that many of her readers do not understand the redemptive quality of ‘grace,’ and, she added, ‘don’t recognize it when they see it. All my stories are...
He uses the same diction, with different variations of the word "shame" to indicate his unwillingness to reveal his disgraceful actions, emphasizing indignity and ignominy. Seven times O'Brien reiterates different variations of shame; for example, "To go into it, I've always thought, would only cause embarrassment for all of us, a sudden need to be elsewhere, which is the natural response to a confession." O'Brien's uneasiness about revealing his story highlights the difficulty most individuals have with confessions. The usage of embarrassment is an indication of his fear to come to terms with past actions; in this particular case, O'Brien wants to squirm and hide, highlighting his nervousness and discomfort. The use of repeated words such as confession highlights the process that one must face guilt and humiliation with a confession. O'Brien uses embarrassment and shame in this sentence to highlight the fact that he lacked the courage to disclose his story. As O'Brien continues, he employs the use of another word related to shame; for example, "For more than twenty years I've had to live with it, feeling the shame, trying to push it way, and so by this act of remembrance, by putting the facts down on paper, I'm hoping to relieve at least some of the pressure on my dreams." O'Brien implies that one must come to terms
In the books of the Confessions, Augustine praises God and confesses his sins while telling the story of his journey. The first half of the Confessions describe his journey away from himself, which include giving into his personal pleasure. The fifth book is when he has a revelation, and the rest of the Confessions gives the account of the process of getting back to himself, or being fully human. It is a path that took a large part of his life, but it in the end, he accepts his vocation of “being”.
Although “The Pardoner’s Tale” and Selling Salvation” come from two different genres they both share similarities and differences.AlthoughAlothough these two texts from very different genres, “The Pardoner’s Tale” and “Selling Salvation,” still have many similarities and differences. While “The Pardoner’s Tale” is an imaginary tale, “Selling Salvation” is a non-fiction text article. Still, through characteristics, author’s purpose, and author’s craft, these two texts resemble each other in some way, while still having their own unique differences.
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Augustine. “Confessions”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 1113-41. Print.
‘Atonement’ features unpalatable truths about the multifaceted human condition, which we develop an awareness of as we make mistakes and confront obstacles in life. However, atoning for the mistakes can sometimes be difficult, or impossible. Briony omitted to telling her parents the truth
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.