The "The Princess Bride" film, directed by Rob Reiner, intricately weaves together various language features to construct its central themes. One prominent theme in the movie is the power of storytelling and its ability to travel beyond time and reality. Through the clever use of dialogue, narration, and humor, the film effectively conveys this theme to the audience. Dialogue plays a crucial role in developing the theme of storytelling in "The Princess Bride." Characters like Grandpa and the Grandson engage in a meta-narrative that frames the main story. Their conversations not only provide context for the tale, but also highlight the importance of passing down stories from one generation to the next. The witty banter between characters adds
The film The Princess Bride, directed by Rob Reiner, is describe as “Thrilling, exciting, very funny and absolute magic”. No wonder the film has entertained audiences since its release in 1987. While its entertainment value in generally agreed upon, The princess Bride is not precisely inventive, nor original. Westley, the hero, fits closely the profile of the Classic Hero. Similar, the film’s plot mirrors the path followed by the classic hero, across thresholds and into a fantastic adventure. And, like the Classic Hero, Westley must undergo a series of ordeals before he can achieve his goal, to rescue “Buttercup”, and prove true love can overcome all obstacles. The Princess Bride, like most contemporary fantasies, is a retelling of the Heroic
“As you wish,” said by the Farm boy,westley, a main character who ties the story of love,romance,and action together. The book The Princess Bride by William Goldman is a story of two lovers, Buttercup and Westley. After Westley dies on a boat by The Dread Pirate Roberts, the King of Florin, Prince Humperdinck, started searching for love. After a visit from the count and countess they decide that Buttercup is worthy of being the queen. Even though Buttercup says she will never love The Prince, she still agrees to the marriage. Soon after Buttercup is introduced to Florin she gets kidnapped by the Turk, the Sicilian, and the Spaniard. They all figure out that they are being followed by the man in black, which leads to the adventure part of the story. In The Princess Bride, William Goldman uses many different archetypes like the damsel in distress, the task, and the magic weapon which are archetypes that have been used for centuries and renders them new to make the story flow together and more interesting.
The Hero Journey undergoes different points in someone’s life. In 1949 a man named Joseph Campbell shared Mythic and Archetypal principals with the world. Christopher Vogler fulfilled all of the Hero Journey steps. In the Princess Bride film directed by Robert Reiner is based on the book written by William Goldman. In the film Westley the farm boy leaves the farm, and goes on an adventure to provide for his true love. Westley is a Campbellion a Hero because the story has Mythic and Archetypal principals and follows most of the twelve stages of the Hero Journey.Westley begins his Hero Journey with a call to adventure out of his ordinary world.Westley is a farm boy, who works for a beautiful girl named Buttercup. The farm is filled with animals, and orders from Buttercup. The only wodds Westley says is “As you wish” (Princess Bride). Westley shows that he loves Buttercup but does not want to live on the farm anymore so that he can get a better life for the both of them. When Buttercup realizes she truly loves Westley, and wants to spend the rest of her life with him. Buttercup would tell Westley to do things just so he could say the magic words. “ Farm boy fetch me that pitcher” ( Princess Bride). This shows that Butercup loved Westley even though she did not show it, and this would send him on his adventure. Tom Hutchsion expressed in his article that “ There is a call to a new experience. This might appear like good news or bad news” (Hutchsion, Tom). Westley does not refuse the call because he wants to provide a better life for Buttercup. Westley entered his special world by getting on the ship, and starting his new life. While on the ship Dread Pirate Roberts keeps Westley on the ship as a passenger, and trains him, and he becom...
It can be argued that Westley of William Goldman’s The Princess Bride is the hero of the story. While he does not portray one in the beginning, depicted as a seemingly incompetent farm boy, he manages to prove himself as one in the end.
Film analysis with a critical eye can give the viewer how animation giant Disney uses literary element to relay key messages to the audience. Walt Disney’s “The Princess and the Frog” is a perfect example how different literary theories like ‘the Marxist theory’ and ‘Archetypal theory’ can be embedded in the simplest of the fairy tales. The different literary elements in the movie, shows a person how characters like ‘the banker’ and the setting of the houses helps to portray the socio-economic differences in New Orleans at that time. Applying ‘the Marxist theory’ and ‘the Archetypal theory’ to the plot, characters and the setting, shows how movies can be a medium to confront social issues and to prove that all fairy tales are of the same base.
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.
“The effect of the narrator's telling of this story upon the reader, as well as of the mariner's telling of his tale upon the wedding-guest, make narration itself fundamental (as it is in Frankenstein)” (Dr. Michael Rossington) Therefore, this essay will talk about the different narrators found in both literary works and its narrative structure.
A set of practices concerning the narrative structure compose the classical Hollywood Paradigm. These conventions create a plot centering around a character who undergoes a journey in an attempt to achieve some type of goal (). By giving the central character more time on screen, the film helps the audience to not only understand the character’s motivation but also empathize with his/her emotional state. Additionally, some antagonistic force creates conflict with the main character, preventing immediate success(). Finally, after confronting the antagonist, the main character achieves his or her goal along with growing emotionally(). This proven structure creates a linear and relatively easily followed series of events encompassing the leading character and a goal.
Satire with a funny twist. In the novel The Princess Bride, William Goldman satirizes both fairy tales and the standard literary process through his characters and their actions. Westley, a poor farmer, falls in love with the far from perfect maiden, Buttercup, but has to sail away in order to find his fortunes. Years later, Buttercup, thinking that Westley abandoned her, is forcibly engaged to Prince Humperdinck, a cruel and calculating man. Vizzini, Fezzik, and Inigo, three mysterious kidnappers, abduct the princess in hopes of causing war between the great nations of Guilder and Florin. These events and characters mirror those in a common fairy tale, but with many twists to them. The author, William Goldman, uses both his role as the editor and writer to bring the fairy tale to new light, in order to ridicule the traditional literary structure. He is not actually editing his own novel, in fact he is intentionally including annotations that perhaps would normally be part of an editing process, but are included in The Princess Bride to mock tropes of other fairy tales and the literary process as a whole. Through the portrayal of his characters as archetypes and their flaws, in addition to his unorthodox writing style which allows his to annotate directly in the novel, Goldman satirizes both the literary process and the standard fairy tale.
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
In this analysis, the film Lord of the Rings: The Fellowship of the Ring (2001) directed by Peter Jackson will be used as a case study to demonstrate these specific conventions. It was concluded that in Classical Hollywood Cinema the narrative followed a clear and discernable structure with a distinct beginning, middle and end. Although this type of narrative did have some restrictions, it still encompassed the psychology of characters and their objectives, and the inevitable conflict meant to hold the attention of the audience.... ... middle of paper ...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...