The Princess Bride is a 1987 film directed by Rob Reiner, and based on the novel of the same title by William Goldman. The movie focuses around a story of true love, and what must be done to protect it. It has remained a significant and remembered film over the years, but for what reasons? Three main characters can be selected as those who stood out the most. Buttercup, a princess led by her heart. Westley, a man only driven by finding his true love again. As well as Inigo Montoya, led by a urge of revenge for his deceased father. Princess Buttercup remains very naive throughout the tale, but that may be expected by such a simple character as a princess. She doesn’t act very much on her own, her mind only guiding her when it comes down to anything desperate; this shown when she threatens to commit suicide rather than marry a prince. The princess is far from being a strong female character, and falls into the stereotype of being weak, as many female characters do. She attempts a poor usage of bargaining, frequently and senselessly involving the lives of others with her deals. The sense of desperation leads to a …show more content…
more believable personality, however. Instead of being all over the place, a category where many love-interest characters fall, she holds morals to the very thin. Although outsmarted, Buttercup is believable in her sense of loyalty to her true love of Westley. Westley was introduced in the beginning of the film as a simple farmhand with the personality of a rock.
His only dialogue consisted of repetitions of, “As you wish,” in response to Buttercup. It was appreciated as he returned in a new-and-improved fashion, now flaunting traits of a believable character, as well as a dashing black mask. Before he was revealed as himself, this masked man carried rather interesting traits. His boastful words were an appreciated flaw, although nothing ever came back to bite him as the plot parted around Buttercup and Westley in the name of love. Once the mask was off, he became a clean-cut good guy, without many of the significant flaws that characters should have. His every action seems to be done for Buttercup in an blindly intense loyalty of love. No one is perfect, unless they are Westley. I preferred him with the mask
on. I found the character of Inigo Montoya to be refreshing among the clean-cut and bland others. He had clear morals, and a drive that kept him acting. Revenge for his deceased father was what Inigo aimed to achieve, and did in the end. As a viewer, however, I wasn’t able to distinguish this character’s true personality through his constant words of, “You killed my father, prepare to die.” Inigo had more potential to be developed compared to the other characters, but the potential was unfortunately never fulfilled by the end of the film. Although an original and captivating tale, The Princess Bride barely passes in the ability of creating believable characters. Each one had their morals, something that the movie receives credit for. In the end, however, the characters are simply not memorable by themselves. They don’t leave an imprint as movie personalities should.
Provenance: The Princess Bride was written in 1973 by William Goldman and later adapted into a film in 1987.
The ways in which Bridesmaids rejects patriarchal structures while simultaneously supporting them establishes a unique ideology: in order to meet the cultural comedic conception, these female characters reject particular standards of patriarchy, but the ways in which they do so successfully are due to their adherence to masculine norms and symbolic reversal (Buckley 19). Thus, Bridesmaids resists the male gaze and gives women empowerment to take the an active role in comedy, liberating them in the sense that it equates their humor to that of men’s, to embody new forms of feminine desire for women in cinema. In response to the men at the beginning of this essay who would say Bridesmaids doesn’t deliver this, Tina Fey has some words for them, “We don’t fucking care if you like it” (Moss).
Westley’s dedication to Buttercup motivated him throughout the story. He admitted the following to her: "I have taught myself languages because of you. I have made my body strong because
Even when she believes that Wesley is dead, she is set on loving only him for the rest of her life. Humperdinck’s proposal obviously comes with an unspoken threat of death, for there would be no other reason for Buttercup to accept the idea so readily. The light pink and gold shade of the dress we see her in at the marriage announcement hints at her close relationship with the royal family. While still keeping her innocence in some ways, the lighter shade of what is really just red, bonds her with the people standing at the tower above the crowd. The iconic red tunic dress that Buttercup wears for a lot of the story is the exact same shade the prince is wearing in the story before. This allows the audience to make the connection when they see the panning shot of her making her way outside of the main city. As the wedding between Buttercup and Humperdinck gets closer to happening, Buttercup’s clothing changes drastically. Alone, she wears her flowing tunic dress, that while red, allows her room to move. Once she is back in the castle, she wears lots of cooler shades. Blues and creams make up a majority of her wardrobe, right up until we see her in the final dress; her wedding dress. Constantly mixing together the royal shades with whites and creams symbolises her innocence despite being pulled into the world of the evil royal family. While wearing the red dress she is the object of desire for all of the men
Buttercup after also defies the stereotypes. She stands up to Humperdinck, and also recognized the one time when he was lying that he let it show in his eyes. She stood up for herself, which isn’t what stereotypical females do. Stereotypical females are generally weak, whiny, and dumb. Buttercup is strong, smart, and has courage. She doesn’t care what other gossipy women say,
The scene where Robby went on a double date. The social structure of class was express through the social construction of posing bonds. Glenn says Robby should look into the bond market business because that is where the money is. Robby shows his income by having a saving bonds worth $25.00 in 1993. The social structure of Masculinity is express through body, when talking Robby and Glenn are talking about the women’s butt as a piece of meat.
My Big Fat Greek Wedding is a film made in 2004 directed by Joel Zwick that evidently portrays several sociological concepts throughout the film. This film highly demonstrates the sociological topics of gender and culture all through the movie. The roles of gender, gender stratification as well as gender stereotyping are exemplified during the film. As for culture, the film displays subculture, counterculture, ethnocentrism, cultural relativism and cultural diffusion. My Big Fat Greek Wedding focuses on a single 30-year-old Greek woman, Toula Portokalos, who works at her family’s restaurant. Toula’s life takes a turn when she unexpectedly falls in love with a man who is not Greek. The film revolves around Toula’s family as well as her boyfriend,
...tisfy Westley and his needs in order to impress and be good enough for him. However, in the beginning, Buttercup is less susceptible; not concerning herself with Westley at all. Finding out that she loves Westley changes her life. Her transformation from tom-boy to an elegant lady only happens because of Westley; her change has only one purpose and that is to meet up to Westley’s standards. In conclusion, it is clear that The Princess Bride displays a lot of the same issues and conflicts. Whether the characters deal with themselves, others, or the general public, they all grow and develop because of these struggles. Beyond this, the readers of this novel can easily learn a few lessons from the characters of the book. Learning from these lessons, and learning to deal with conflict is a skill that will make a better person out of anybody willing to take the action.
Satire criticises and makes fun of the norms of human society. It adds an intellectual humour along with the archetypes that is present in the story. In The Princess Bride, by William Goldman, satire is in a wide variety of parts in the story from the communication between others to the character themselves including the Spaniard, Inigo Montoya. The author portrays Inigo as a Spaniard who becomes a fencer to seek revenge on the six-fingered man for the murder of his father, Domingo Montoya and he becomes a henchman to the criminal Vizzini. He is a very caring man to people he cares about, but he can only act on vengeance since he truly loves his father. With his attention only on reprisal, it can blind him from achieving the results he wants and that can significantly affect his personality as he is driven by it. When he finds the six-fingered man, he prepares after many years of training with famous fencers and even has a saying that he plants in his brain so that it is the driven force of vengeance. He is the ‘evil figure with an ultimately good heart’ archetype as he is a part of Vizzini’s group with Fezzik, but he has a change in heart that he needs Westley’s help to storm the castle. Although Inigo is a prestigious fencer who only cares about revenge, the author plays with satirical devices that portray the faults and weaknesses of his characteristics while maintaining his status as the best swordsman in his generation.
The Wedding Singer was put on by the Ole Miss Theatre Department on November 11, 2016. It took place in Fulton Chapel on the Ole Miss campus and featured a very talented cast of Ole Miss students. Rene Pulliam was the director and Kate Prendergast was the choreographer for this musical. The play was dynamic and engaging. From the acting, to the set, to the energy of the cast, The Wedding Singer was a lively musical that left the viewer feeling excited and spirited.
In the movie, at the beginning, Westley (known as farmboy) has a secret love for Buttercup. They never end up confessing and he leaves and it had been said that he was killed by the Dread Pirate Roberts. As the story goes on he finds Buttercup kidnapped by three men and fights to save her from an awful marriage to a prince. They notice a man in black following behind them, so they try to fight him off thinking he is the bad guy. From this point he looks like the bad guy, but is really the hero that saves Buttercup. Just like in other love moves we can see the villain turning nice slowly and trying to fight to do the right thing. When he and Vizzini are sitting across from each other with the drinks, one is poison and the other isn't. Buttercup is there and Westley has to go play the hero and save her. “You’re trying to kidnap what I’ve rightfully stolen.”(The Princess Bride, Vizzini to Westley) The only way to save her is to win the game, so he tricks Vizzini and the man ends up dying. That’s when he really plays hero and takes Buttercup, they ...
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
In The princess Diaries 2, Princess Mia graduates from college, and moves to Genovia to live in a palace with her grandmother in order to take her place as queen. On Mia’s twenty-first birthday, she is obligated to dance with all the eligible bachelors, and at her birthday “ball”, she meets Nicholas. Mia and Nicholas have an encounter where they seem the “fall in love at first sight”. After her birthday, Mia learns about a law that is enforced in Genovia that requires her to get married before she can take her place as queen, and at the same time she finds out that Nicholas is trying to steal the crown from her. Mia finds a man named Andrew that she wants to marry, but when it comes time to get married Mia backs out and makes a motion to veto the law that forces her to get married. In the end, Mia becomes queen without having to marry, and her grandmother ends up marrying the love she always wanted.
“The Vow” is a movie that encases the turmoil and hardship associated with retrograde amnesia and the classic symptoms and steps associated with recovering and potentially regaining lost memory. Taking into account the information gained through multiple sources; such as, lecture of Mental Health, medical databases, and the personal experiences of Krickett Carpenter, the Vow provides both an accurate and inaccurate depiction of retrograde amnesia.
For my second media critique, I chose to focus on the 2011 film Bridesmaids. Bridesmaids is a comedy written by Kristen Wiig and Annie Mumolo, directed by Paul Feig. With grossing almost $300 million worldwide, 44 nominations, and 11 awards won, Bridesmaids has been a relevant film in popular culture over the last three years (“Bridesmaids”).