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The movie, The Mission (1986), depicts events in South America, likely in what is now the state of Rio Grande do Sul. In the movie, a slave trader named Rodrigo Mendoza, played by Robert De Niro, makes his living by capturing slaves and bringing them to the Spanish Governor’s plantation. There, he catches his fiancée sleeping with his younger half-brother, which causes him, in a rage, to kill his younger brother. Due to this, he eventually joins a Jesuit mission. After coming into contact with a group of natives, and being accepted by them, he formally takes the vows to become a Jesuit priest. When the land their mission is on switches hands from the Spanish to the Portuguese, however, the safety of their mission is put into question, due the Portuguese affinity for native slaves, as well as Pombal’s dislike of the Jesuits. Seeing that the Portuguese would take over the mission, Mendoza forsakes his vows, and prepares the natives for what would become the fight of their lives. The Portuguese, however, soon overwhelm the priests and the natives, killing Mendoza, as well as the other priests in the mission, notably Father Gabriel (Jeremy Irons) and Father Fielding (Liam Neeson), who had been instrumental in Mendoza’s path to the priesthood. Some of the natives escape, and move further inward toward the center of South America.
The movie, if nothing else, presented the scenario in a perspective that differs from what we learned about in class, showing the events from the perspective of an eventual Jesuit priest, rather than through the lens of Pombaline reform. The movie holds what is now a very noteworthy cast, with Robert De Niro, Liam Neeson, and Jeremy Irons, as well as Aidan Quinn in a minor role. The story of Mendoza’s redempt...
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...isions must be made, and that the impact of our decisions can be catastrophic. This is shown when, after the Cardinal decides to side with the Portuguese, after struggling to come to a decision, the mission is wiped out, leaving a small band of survivors to continue the traditions of their people. Another portrayal of this lesson is Mendoza giving up his vows in order to defend the mission and the natives. The story is shown from the perspective of Mendoza, whose past as a slave trader and his role as a priest paint the picture in a way that understands both sides. Overall, the movie shows us that man can make mistakes, and get past them, but there are always consequences. While hard to fully enjoy, the film does offer an interesting, albeit flawed at times, historical perspective. Additionally, the lesson taught by the story is one that remains true even in 2014.
A debutante’s life came at a price; for the 16 year-old Dolores it was an arranged, loveless marriage to lawyer Jaime Del Rio. Jaime was 18 years her senior, his family one of the oldest and most influential in Mexico. Their wealth allowed for a European honeymoon, where they were invited to dine with the Spanish Royal family. The honeymoon morphed into a three year romp, with Dolores delighting in voice and dance lessons at stately Madrid and Paris schools. In 1921, the couple returned to Mexico City, Jaime intent on advancing his career whil...
The first perspective to be noted would be that of Rodrigo Mendoza. His character is played by Robert De Niro. Rodrigo Mendoza ultimately decides to fight for the people. He believes this is the best way to accomplish God's purpose, by fighting with and for the people. In the beginning, Mendoza would capture the Guarani Indians and sell them into plantation slavery. After killing his brother Felipe, his penance is to work in the Jesuit missions in South America. He becomes a Jesuit priest. While working there, he befriends the Guarani people, the same people he once captured. Father Altamirano representing the Vatican was sent to South America to close down the missions. On learning this new information, Rodrigo Mendoza becomes angry and decides to renounce his vows as a priest to Father Gabriel. Father Gabriel encourages him that violence was not the answer but it was ultimately...
The main characters in the film include Sebastian and Costa, who happen to be lifelong friends. Sebastian is a compulsive visionary who strives to direct controversial a film about one of history’s most influential figures, Christopher Columbus. He is determined to escalate the “myth” that western civilization's arrival in the Americas was a force for good. Instead, his story is about what Columbus set in motion; the hunt for gold, captivity of, and penal violence to those Indians who fought back. His story is counteracted by the radical priests Bartolome de las Casas and Antonio de Montesinos, the first people to ra...
...eam, as Romero showcases the fact that the flaws shown within the characters end up turning their situation into something far worse than it had been in the beginning. It shows just how depraved, violent and absolutely terrifying humans can easily become when put into situations without consequences. Romero’s film is dredged in cynicism towards the modern American Dream, the way he deals with symbolism towards how “just” the American system is during battles and war, and how incredibly messed up our generalized view on racism and the ever ongoing struggle for certain ethnic groups to survive is. “The negativity of the characters extends, in fact, into every facet of their lives; indeed, the film implies the deepest denial of the goodness of effectiveness of every facet of human life in general. Every kind of human relationship is ridiculed or negated in the film.” 4
This demonstrates to us that no matter how much your legal or moral laws are violated, what matters is how you as an individual react to the situation, justly or unjustly. This movie is centered around the notion that if you are a person of ethnic background, that alone is reason for others to forsake your rights, although in the long run justice will prevail
There are too many strands in the film which lead to no-where. At one point Cinque makes an interesting point of international law that might help the case. While the legal minds are inspired by his insight and initiative, the idea is quickly dismissed as unworkable and he plays almost no role in designing the case which might lead to his freedom. The events on the slave ship are even more scattered. Cinque is involved in a brief eye-contact relationship with a young woman but there is no development to give it emotional power. The women's ensuing death is as shocking as it is unexpected and while it works as a good visual, her undeveloped role as a real person results in the loss of any deeper meaning. Furthermore, the Amistad case is portrayed as a spark that helped ignite the Civil War, but the movie does not go into greater detail. It simply flashes ahead and shows that the Civil War had begun.
Near the end of the movie, the Spanish do try to break the faith of the
The entire book was leading up to the murder of the notorious Mirabal sisters which also put into perspective how oppressed these people were. Not only did this book give the reader an insight on the life of a citizen of the Dominican Republic between the years of 1930 and 1960 but, it showed how an oppressive government could affect the people in both negative and positive ways, using the sisters as examples. Obviously, negative aspects included citizens being jailed and killed by their own government. In a situation such as this, fear was in every person, whether they were brave enough to join the resistance or not. Families were torn apart, as shown in the book. Minerva, Maria Teresa, and their husbands, along with Patria’s husband, were taken from their children, home, church and family to be jailed for going against the government. Alvarez vividly describes the hurt that came to the families when they were broken apart. In jail, the sisters and husbands were also physically ill. They were being starved and being diagnosed with pneumonia which was not unheard
Probably the most important issue in the novel, and certainly the one which has received the most attention on our campus, is the question of whether, in the final analysis, Rodrigues did the "right thing" in choosing to apostatize. I will leave this question for later, however, as I believe that its significance is such that it can only be done justice once all the surrou...
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
Religion takes a huge role in this novel; but it could also be considered a negative role in some ways. The town revolves around the community values set years before, and it also lacks strength to overcome the community values set to adjust to the present day values set by society. Furthermore, this is shown by the characters in the novel only watching what happens in the book, not trying to stop or help. The characters thought that the Vicario brothers would never actually come through with the plan, especially because the bishop was in town, so they didn’t listen to the threats made to Santiago Nasar.
Love/hatred, redemption/forgiveness, power/faith are only examples of what the film represents. It shows that religion and politics definitely do not mix what so ever. Both can either empower or bring doom to a country and its people. The film kept me on my toes for which the Portuguese and the Spanish viewed the natives as “animals” and as slaves while the Jesuits didn’t. The Jesuits viewed the natives for what they are, humans. Since both views of both parties did not correlate, there was a lot of tension that kept me intrigued with the film. Another aspect that made the film interesting is the fact that the Jesuits live for love and peace while the Portuguese live for power and wealth no matter the cost. Even in our own current time, nothing has changed when it comes to that. I’m very glad to have had the chance to watch the film and get a glimpse into
The story was compelling since it showed the perspective from both sides being told from the soccer players, the fans, coaches, sports writers, and anyone who could add any historical perspective. Despite the film being about soccer, the meaning is much deeper in a sense that it actually sends a message to the audience about the history between the two cultures from the Monroe Doctrine to the Mexican-American War and finally to where Mexico is now with the United States. Furthermore, not only can this film relate to Mexico, but it can also relate to other countries in Latin America because throughout the years, North and South America have always been intertwined in all aspects of political, economic, and social
His search for his lost and apostate teacher, Ferreira, takes him to a few villages where he serves as priest, witnessing the struggles of Christian peasants. He is eventually captured and kept in prison in an attempt to make him apostatise.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?