Reflection #1: Big Night Big Night has a very impactful message of what it means to affirm our humanity and creatively shows how we go about embracing this can be either good or bad for those around us. I do not believe that it is accurate to classify the term “humanity” as morally good actions done to help our fellow mankind, but rather believe that “affirming our humanity” refers to exemplifying what makes us truly human. This includes a wide spectrum of morality and ethics which must be embraced in order for us to fully understand ourselves. I believe Big Night is a film that boldly illustrates the wide range of things that make us human, whether they be good or bad. Applying a literary lens to our mind while watching Big Night allows the viewer to see how some of the plot styles used in this film, particularly comedy, tragedy and rebirth, relate to this idea of affirming our humanity albeit in drastically different ways. Using a scriptural lens, we can reveal other aspects such as corruption and redemption story arcs and how they relate to affirming what it …show more content…
It reveals that Big Night is also story of redemption. This redemption story arc also reaffirms humanities ability to overcome darkness and embrace one’s moral goodness. The final scene of the movie is critical to showing the redemption aspect of this film. By the simple act of sharing a meal in silence and putting each other’s arm around the other, Secondo and Primo rescue their relationship from the pitfalls of embracing their life’s work too intensely and rather they appear to come to the realization that they must first and foremost embrace their duty to be good and loyal brothers to one another. The redeeming acts of the brothers are similar to redeeming acts in the Bible, therefore both preach similar messages about humanities ability to find salvation and redemption despite previous actions or
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
Beyond the Lights, is a romantic drama film Directed by Gina Prince-Blythewood. The film premiered in September 2014 at an international film festival held in Toronto, and this followed by its release on November 14th, 2014 in the United States. The film is one of the strangest music industry romance based films, alternating between the entertainment business, wisdom and heartfelt flourishes. Yet, Gina Prince-Blythewood manages to show all the elements of her play into an irrefutably entertaining package.
The novel Night demonstrates that the human spirit can be affected by the power of false hope, by religion, and that one will do whatever it will take to survive for oneself and family.
Between the covers of the book Night is the story of a boy who had to endure the constant threat of death. He had to watch as other perished, family, friends, strangers, everyone. Yet his God had done nothing. He remained unmoved and silent. How could a God he was taught to look upon when anguished allow such savagery to
Charles Darwin, the famous evolutionist, once wrote: "In the struggle for survival, the fittest win out at the expense of their rivals because they succeed in adapting themselves best to their environment.” It was this message that Elie Wiesel learned during his captivity in World War II and incorporated into his novel, ‘Night’. It was also this message that William Golding tried to express through the scenario of his magnum opus, ‘Lord of the Flies’. Though, in both their novels, there was another message, an idea first realized by the great psychologist and philosopher Sigmund Freud. The idea was that when man is taken away from civilization, his instincts (the id) will overpower his conscience (super-ego) and man will return to their original, primitive style of thinking. In common society, there is a word to describe the acts and feelings of a man in his primitive state, a word that takes on many different meanings depending on one’s belief, this word is evil. Both lord of the flies and Night portrays the nature of evil as something that naturally exists in the human soul which is only prevented from release by the chains of civilization. Though, once the structure of civilization is removed from the lives of men; ‘evil’ is unleashed and humans would return to their natural thinking process of the survival of the fittest. By analyzing the main characters in both novels and their experiences throughout the novels, it is proven that evil in its nature is nothing more than the acts and desires of a man in his primitive state of thinking.
One theme in Night is that inhumanity can cause loss in religious faith, for this reason.
The film, Out in the Night documents a 2006 case in which a group of young African American lesbians were accused of gang assault and attempted murder. The film portrays how unconscious bias, institutional discrimination and racism contributed to the convictions of seven African American lesbian women. Three of the women pleaded guilty to avoid going to trial, but four did not. Renata Hill, Patreese Johnson, Venice Brown, and Terrain Dandridge maintained their innocence and each were charged with several years in prison. I cried through out the documentary because it dawned on me that it’s not safe for women, especially gay women of color. The four-minute incident occurred in Greenwich Village where Dwayne Buckle sexually and physically harassed
Lorie Myers begins the film Halloween as a normal, happy teenager and everything in life is fine. Michael is the brother of Lorie and he is locked up in an insane asylum for murdering his older sister Edith. He eventually escapes and decides he wants to murder his sister Lorie. Lorie is unaware that she has an older brother because she is adopted by another family when she was an infant. On Halloween night, Lorie is babysitting and her friends are being murdered. Lorie losses everything and she had done nothing wrong. Michael blames Lorie for the situation because of her relationship to him. Lorie is traumatized from Michael terrorizing her, but she makes it out alive. As the Halloween series progressed, Lorie becomes successful, but the fear
6. "Deterrence is the art of producing, in the mind of the enemy, the fear to attack." -Dr. Strangelove. Deterrence in the film was the fear of the consequences of the nuclear attacks. It's significant because it encompasses idea of the Cold War.
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
There exist so many different societies and cultures in this world. Some like to discover and learn about new people and their ways of living but others can not seem to understand how a certain group of people can live in a different way from how they are living themselves. They simply do not want to accept other societies or cultures which can create clashes. This is something that was created socially, mainly by how people perceive ideas and other faces they are not quite used to. What are the causes of somebody looking at different cultures negatively? What issues can this type of thinking cause and what can we do to minimize it in today’s society? We will try to answer these questions by analyzing the movie “American History X.”
It shows the need for people to conform to societal expectations to survive and thrive in society. It also shows the consequences of going against those expectations to purse matters of the heart, whether that is helping a condemned man or trying to keep your family from being taken away. Fighting these societal expectations puts a target on these people’s backs, which is why so many people decide to just succumb to these expectations, which is much easier on these
...ch open up the readers mind. Joseph Conrad's "Heart of Darkness", raises many questions about society and the human potential for evil.
Both Conrad’s, “Heart of Darkness”, and Coppola’s, “Apocalypse Now”, profoundly illustrate the journey of man into their inner self and man’s encounters with their insanity, fears and demise. The novella and film are comprised of numerous pivotal themes that facilitate the understanding of the deeper meaning of both works. Fundamentally, theme is an extensive message or idea expressed by an author and is a crucial element of literature since it sheds light on universal concepts. The most striking parallels that can be formulated when comparing themes in both the novella and the film are associated with human nature. Specifically, Conrad and Coppola incorporate theme of hypocrisy in order to portray man’s incredible potential for evil.