For some people, it seems that the Holocaust was just a rumor, but for others it is a nightmare that will never be forgotten. The film, The Pianist, directed by Roman Polanski, is based on a true story about a Polish Jew pianist named Wladyslaw Szpilman who struggled to survive the destructions of World War II in Warsaw. Szpilman and his family suffered from strict restrictions under the Nazi occupation that forced out of their homes and into ghettos and concentration camps. Eventually, Szpilman escaped and hid in various parts of the city until the war was over. The director uses a mixture of cinematic and theatrical elements in order to show the hardships, dehumanization, and degradation of the Jewish people who suffered through the Holocaust. …show more content…
While Wladyslaw and his family were eating dinner, they heard a truck pull over outside the building. Everyone started to turn their lights off which created low key lights. This represents that the family is afraid of the soldiers. It also created suspense because the family was wondering why they were here (scene 20). In scene 21, Wladyslaw is playing the piano in a restaurant in order to make money. The director uses front/back lighting which gave an innocent look on Wladyslaw. Playing the piano is the only thing Wladyslaw has to let his mind escape the dangers in the city. In scene 29, Wladyslaw, his family, and many others were put in a camp. This scene consisted of bottom/side lighting which represents that something evil or dangerous is going to happen. The soldiers told the people to get out of the camp and line up. They picked a few people to step forward and killed them.
Polanski also uses theatrical elements in order to bring the struggles of the Holocaust to life. An example of these elements is the setting. The beginning of the film shows that the film took place in Warsaw during World War II. Another example of a setting is scene 30 which is the ghetto that the Jews were put in. This is also the place where they were forced onto a train to a different
The Holocaust was one of the most devastating events to happen to us a world. On an ordinary day 1,000 people would be plucked from their everyday lives in ghettos. Over 30,000 Jewish people were arrested on Kristallnacht and taken to concentration camps. According to one source, “Over eleven million people were killed and about six million of them happened to be Jews” (“11 Facts”). Producing movies based around the Holocaust is a very controversial topic. There is the ever prominent argument on wheatear or not Holocaust based films can help us understand the different aspects of its reality.
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
Schindler's list premiered mere months after the inauguration of the United States Holocaust Memorial Museum, leading to a capitalising success on the American peoples cultural focus on historical voyeurism. The critical reception of Schindler's List is a intellectual discussion on the moral nature of a film through the ability to dramatize what was deemed impossible; critically selectively received with a social conscious, and a division on Spielberg's stylistic representation of the subject matter. The scholarship on Schindler's List only reaches one shared thesis that of its transitional nature in his cinematic career into a more self-styled seriousness with arching the blockbuster with sober artistic work (Grainge, Jancovich, & Monteith, 2012). Critical reception of Spielberg's work comments on the true nature of its testimony in memorial to the Holocaust with appropriate restraint or typical emotional manipulation, combined with arguments of the nature of film is artistic or entertaining. Temporal and spatial variations don't seem to affect the critics review, it appears to be more the view of Spielberg as an auteur and also their comfort in exploring such a sensitive historical memory. Deconstruction of the reception will discuss the stylistic nature of the film with a controversial documented cinematography, alongside Schindler's List's place among other works in regards to the subject of the Holocaust and Spielberg's handling of the digestible.
Schindler's List, by Steven Spielberg is an award-winning masterpiece - a movie which portrays the shocking and nightmarish holocaust in a three-hour long epic. The documentary touch re-creates a dark, frightening period during World War II, when Jews in Nazi-occupied Krakow were first deprived off , of their businesses and homes, then placed in ghettos and were then forced to labor for no consideration in camps in Plaszow, and finally they were resettled in concentration camps for execution. The violence and brutality of Nazi’s treatment towards Jews is a series of horrific incidents that are brilliantly showcased.
Citizen Kane, Orson Welles’ cinematic classic, is a film that centers on a group of reporter’s investigation into the meaning of Charles Foster Kane’s last uttered word, “Rosebud.” Citizen Kane ' brings into light many social problems between countries, relationships, and also between competing newspaper companies. It brings into light how a newspaper should react and also brings the corruption of politics. War was breaking out in Europe and throughout the entire film Kane states there will be no war. He ignores the fact people are being killed, tortured, and rounded up like livestock.
The film, Out in the Night documents a 2006 case in which a group of young African American lesbians were accused of gang assault and attempted murder. The film portrays how unconscious bias, institutional discrimination and racism contributed to the convictions of seven African American lesbian women. Three of the women pleaded guilty to avoid going to trial, but four did not. Renata Hill, Patreese Johnson, Venice Brown, and Terrain Dandridge maintained their innocence and each were charged with several years in prison. I cried through out the documentary because it dawned on me that it’s not safe for women, especially gay women of color. The four-minute incident occurred in Greenwich Village where Dwayne Buckle sexually and physically harassed
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
In the second half of the film, it is now March 13th, 1943, and the liquidation of the ghetto is taking place. Many Jews are unjustly killed as they are pulled from their houses or did not co-operate. Those who tried to hide are found and kill...
Since the birth of movies, Hollywood has strived to delve into the human experience and present certain aspects of life to the general population. Mental disorders are just one of many topics that are often explored for use in the media. The film A Beautiful Mind focuses specifically on paranoid schizophrenia, and follows protagonist John Nash’s life as he lives with the disorder. The film details Nash’s presymptomatic life at Princeton University, follows him through the early stages of the disorder, and continues as the symptoms begin to overrun his life. Luckily for Nash, his disorder is eventually clinically diagnosed and he is treated. The movie not only shares the tale of Nash’s life, but also shares with audiences a lesson about the
How can someone fully understand a tragedy such as the Holocaust? Many say the event ineffable to anyone who wasn’t there to begin with, but people are still striving to achieve complete or near complete comprehension. In order to do this people have used multiple media like books and recordings but the one that gives “the greatest illusion of authenticity” is movies. The purpose of Holocaust-filmmaking is to help people get a grasp on what it felt like to be in the middle of such a horrific thing as the Holocaust. If this isn’t done, then the true emotions won’t influence the audience who won’t find a way to preserve the history of the Holocaust and memories that took place in those awful times will be lost forever. Many films of the Holocaust
The story of Charles Foster Kane was truly one that could go on as timeless. Born in poverty Kane was given away with the promise of having a better life. In a material point of view Kane lived a very fulfilling life filled with anything he ever wanted. Although throughout the movie, Kane despised the situation in which he was brought up in. Being placed under the care of his mother’s banker really influenced the way he viewed the world. He considered himself a people’s person a sort of hero for those in worse situations than his own. The mass appeal for this character along with the truly original storyline and plenty other factors led many people everywhere to gain a huge appreciation of this movie. Despise its early failure following its
The film I have chosen to explore the micro features on is The Pianist (2002) which is directed by Roman Polanski. Polanski assures that the audience gets a sense of belonging to that period of history and gets to explore the theme of discrimination through the characters life risking challenges that they face throughout the film. This micro essay will explore the following features, framing and camera movement in a 5 minute sequence.
The most important is a film that is consistent , that is like a spiral that lead the viewer to the unique and specific center that is related. Citizen Kane is one of the best films achieved in the history of cinema. But not only that characterizes this masterpiece, as it is also the riskiest film is conceived within a film , the film that broke with the classical language and inaugurated modernity in film communication. Today you can see still shots that mimic those made by the great Filmmaker Orson Welles and even do it as a tribute , but as something that comes from deep within the story itself that account since Citizen Kane is a classic film modern cinema.
Racism, persecution, and finally extermination; these were the terrible things that Gypsies, Russians, Jehovah’s Witnesses, Homosexuals and Jews had to face during World War II. Hitler took power in January 30, 1933 becoming the prime minister of Germany (Judy L. Hasday p. 12). By 1945, Germans, or the Nazis, had killed nearly two out of every three European Jews as part of the "Final Solution," the Nazi policy to murder the Jews of Europe (U.S. Memorial Museum). More than six million Jewish men, women, and children had been annihilated (Judy L. Hasday p. 12). German authorities were exterminating Jews and many others that were considered inferior to the Aryans. Hitler believed any one that was not an Aryan was inferior to their pure race. He believed in a race that included fair skin, blond hair, and blue eyes a pure German blood. The ones who did not meet these standards were considered a menace to the world. The Holocaust was their “Final Solution” (Gerald Reitlinger 1953). In the movie The Pianist, Wladyslaw Szpilman and all Jews were segregated from everything they had to share with Germans, this included restaurants, bars, and simple things like sidewalks. When Hitler had gotten to power he ordered to boycott all Jewish stores. This made it harder for Jews to survive. Then the authorities took everything the Jews had away, even their coins were worth less than a regular piece of metal. But why would anyone stay in the place where they are not wanted? The Pianist is a film that is historically correct because it portrays the cruelty that took place during the holocaust; it showed how much families struggled together to survive in the concentration camps.
Therefore, it is possible to notice how the cinematography, the mise-en-scene and the editing are used to resemble the peculiarities of the space in which the actions are taking place. For instance, the first part is characterized by long pan or tilt shots, the camera is steady but still manages to follow the characters actions. The editing points to the linear occurring of the events. Also, the characters and the objects are usually methodically placed in the scene. All of the elements are used to convey the rigid organization, efficiency and control typical of the military environment. On the other hand, in the second part, there are usually shorter shots and steadicam shots. The camera is free to investigate the space of action. Here, the editing is used to create a dynamic perception of the events. In this way Kubrick is able to bring in the spectators’ minds the chaotic reality of the war. Moreover, colors become another tool to communicate to the audience this sort of split within the film. In fact, after Pyle’s death the viewer can notice how those metallic and cold colors, that are present at the beginning of the film, shift into wormer colors. It is actually through Pyle’s suicide that the the spectator gets this switch. In that scene the dark red blood stains, and ideologically violates, the cold white tiles of the bathroom. This film is also different on