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Citizen Kane scene analysis
Citizen Kane scene analysis
Citizen kane film analysis essay
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The most important is a film that is consistent , that is like a spiral that lead the viewer to the unique and specific center that is related. Citizen Kane is one of the best films achieved in the history of cinema. But not only that characterizes this masterpiece, as it is also the riskiest film is conceived within a film , the film that broke with the classical language and inaugurated modernity in film communication. Today you can see still shots that mimic those made by the great Filmmaker Orson Welles and even do it as a tribute , but as something that comes from deep within the story itself that account since Citizen Kane is a classic film modern cinema.
This form of storytelling remains today , worthy of praise , since many useless dialogues are worth something to make us believe . Welles convinces us without saying anything . Why Citizen Kane is considered one of the movies that live in the pantheon of cinema. For all that Citizen Kane is a consistent work in all its terms , and therefore will remain the most influential work in the film world . So what I did was to actualiz...
In cinema, lighting, blocking and panning drastically influence what an audience will notice and take away from a scene. Orson Welles’s 1941 Citizen Kane has numerous examples of effectively using these aspects within mise-en-scène, cinematography and editing to portray the importance of specific events and items in the film. The scene where Kane writes and then publishes his “Declaration of Principles” (37:42-39:42) in the New York Daily Inquirer after buying them focuses on important elements of the film, aiding the audience by combining lighting, blocking and panning to define significant roles and objects that further the movie as a whole.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Citizen Kane is a valued text because it explores the challenging ideas of power and vulnerability.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
Since the beginning of the American Dream, Americans have idealized the journey towards happiness. One thing people do not realize, however, is that the journey requires hard work and honesty. Charles Foster Kane (Orson Welles), the main character of Citizen Kane (1941), directed by Orson Welles, was unable to learn this through the humble happiness of childhood in relative poverty. As he grows up in a very privileged atmosphere, he views everyone as forces that are easily controllable, and the journey towards happiness as easy. This view irretrievably cost him his opportunity for lifelong contentment. Both the storyline and the film techniques used by Welles show the futility of striving for complete control. Welles also uses this movie as an allegory to the careless luxury of the 1920s and consequential fall into the Great Depression in the 1930s.
In your view, how does Welles’ portrayal of the complex nature of happiness contribute to the enduring value of Citizen Kane?
The enduring power of Orson Welles’ 1941 film Citizen Kane arises from its profound exploration into ideas each deeply embedded within the heart of the human experience. A multitude of perspectives and contradictions shape and shroud our insight into protagonist Charles Kane’s enigmatic existence. Specifically, Welles explores the corrupting nature of excessive power, the significance of childhood to affect his ability to maintain adult relationships, and the complexity of human nature.
	While, some critics say that Welles could never top "Citizen Kane", such movies as "The Trial", "Touch of Evil", and "The Lady from Shanghai" are considered classics and monumental feats in cinema production. However, movies like "The Stranger", "Chimes at Midnights", and "Mr. Arkadin" were criticized as being "One-Man Band" shows where Welles glorified and engrandized himself.
The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
After finishing up Citizen Kane, Welles’ search for a second film to fulfill his contract with the Hollywood studio RKO radio pictures was a hard one. He first wanted to make The Pickwick Papers with W.C. Fields, but someone else was already under contract to make the film with another studio. He also considered trying Joseph Conrad’s Heart of Darkness but RKO considered the project too experimental, and he finally decided to write a script based on Booth Tarkington’s novel, which had won a Pulitzer Prize in 1919 (McBride 53). It had been film...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...