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One of the most debated topics in recent history questions if Casablanca is the best film of all time. The film was originally released in New York in late 1942, and then nationally in early 1943. Given the time period and the plot, many found this film to be controversial, yet informative, as the movie follows the story of a group of refugees during World War II. With any discussion, criteria must be set to determine this answer. In this particular review, I will discuss why I believe Casablanca is the greatest film of all time and why. Specifically, I will be comparing the following factors; Plot, music, and casting. To begin with, I will first discuss the significance of the film’s plot. Casablanca was rushed into production in December …show more content…
As this film takes place in December 1941, the plot revolves around many refugees attempting to reach The United States, which was still neutral during that time of the war. A specific key to the plot is the “Letters of Transit”, a document that allows those who bear them unquestioned travel through German-controlled Europe. Although this document is completely fictional in our reality, they are significant to the plot of the movie. These papers are a necessity for the refugees attempting to escape to safety. Considering their significance, it is evident that people went to great lengths to obtain the documents; the character Urgarte killed two German couriers to get his hands on the papers. When Rick’s past love, Isla shows up in his nightclub, desperate for The Letters of Transit for herself and her fugitive husband (a leader of the resistance), he must make a decision that contradicts his once neutral political mindset. By the end of the film, Rick ends up giving Isla and Victor the documents so they can escape to America and continue his work. With a basic plot and summary of the film, it is clear that there are underlying themes such as propaganda and romance. …show more content…
Considering the main setting takes place in Rick’s nightclub, there is constant sound of music being played in the background. One of the most memorable parts of Casablanca is the original song, “As Time Goes By”. As the song is played various times throughout the film, it is evident that the meaning of the piece changes over time. In Paris flashbacks, when the song is playing, it represents the love between Isla and Rick. After Isla left Rick, he refused to listen to the song, as it turned into a song that represented her, their relationship, and memories he didn’t want to think about. When Isla and Rick are reunited, they both ask Sam to play the song, turning this into a new meaning for the song; a possible new beginning for their relationship. While Rick and Isla do not end up together, “As Time Goes By” is still a significant factor to their relationship. Moving on, the French national anthem, “La Marseillaise” is another important musical piece in the film. At one point in the movie, when in Rick’s cafe, a group of Nazi’s began singing the Nazi anthem, which greatly upset Victor Laszlo. To counter this, he asked the band to play “La Marseillaise”, which everyone begins to sing along to. This may be one of the biggest turning points of the film, specifically with Rick’s character development. This is because Rick
The film Sunset Boulevard, presented in 1950 is a black and white film. The film is about Norma Desmond an old actress, who has issues accepting that she is becoming old. The main actor in the film is Gloria Swanson, who plays Norma Desmond, an older woman who believes she is still young. Desmond is not content with the fact that Hollywood has replaced her with younger actresses. The next actor Nancy Olson, plays Betty Schaffer who falls in love with Gillis despite being engaged to his friend. The third actor is William Holden who plays as Joe Gillis, who has financial problems and decides to turn himself into a gigolo to earn money. The dilemma with Joe is he does not want Betty to know about his job because he knows he might lose Betty as
Casablanca was directed in an era almost entirely dedicated to propaganda, as far as the film industry is concerned. The movie promoted America and the Allies similar to most films of the time, but it did so in a much different manner. The story told in Casablanca follows the main character, Rick, through his personal affairs and love tango with another lead character, Ilsa Lund. The film begins with Rick alone running his saloon based in Casablanca, in which he seems very indifferent to other people’s affairs, and comes off as very exclusive. He is delivered letters of transit by a man named Ugarte, which are nearly priceless to any refugee desiring to flee to the United States or another unoccupied country. Rick continues to act disinterested, reluctantly agreeing to hide the documents. He holds onto them even after Ugarte is killed for having stolen the letters, although there did not seem to be an...
It is 1957 and the Algerian war is at its prime as the FLN fight against an elite troop of ruthless French paratroopers. The Battle of Algiers is a portion of the Algerian war which was fought in order for Algeria to gain independence from France. The film starts off with the torturing of an old man to gain information on where the last of the freedom fighters, Ali Pointe is hiding. A large segment of the film is shot in flashbacks focusing on the past of Ali Pointe. Pointe was a ruffian with theft and drugs on his record; he joined the militants to assist in getting rid of the problems in Algeria associated with the French. With the flashbacks the film tells the struggles of the insurgents and the persistence of the French to end the war. It shows the transformation of the insurgency into a full out revolution. When the flashbacks ends and it is now present time Ali Pointe, along with the rest of the FLN leaders captured are beheaded. Through this, the FLN reciprocate and the insurgency becomes a full on national revolution with growth in numbers and support. The film ends with Algeria gaining the independence it strived for in 1962. The film is important in understanding asymmetric conflicts because despite being the weaker side, Algeria had proved itself to be much stronger than the French and had its newfound independence to show for it.
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
Since its release in 1966, Gillo Pontecorvo's The Battle of Algiers has divided critical opinion. The film which depicts the Algerian struggle for independence, was awarded the Lion d'Or at the 1966 Venice Film Festival and nominated a year later for an Oscar as Best Foreign Film. Despite this acclaim, the inherently controversial film was banned in France until 1971 due to its graphic portrayal of torture and repression during the war. Heavily influenced by the distinctive film style Neorealism, the politically engaged director sought to make a film which was produced and shot within a 'dictatorship of truth.' These neorealist aesthetics (hand-held camera, non professional actors) rendered such an extraordinarily accurate reflection of social reality that the film's original U.S. distributor inserted the disclaimer: "Not one foot of newsreel or documentary film has been used."
The film Casablanca, indeed, involves problems that Rick faced and he finally solved that problem, ending in a satisfying way. Risk’s equilibrium is disrupted when he is going to leave Paris with his girl friend Ilsa because Ilsa doesn’t showed up at last. Risk becomes a boss of a cafe in Casablanca but he never imagines that he would encounter Ilsa again. Ilsa walks into Risk’s life again by accident when she is planing to get a letter of transit in Casablanca in order to escape to America with her husband. At the same time, Nazi Major Strasser arrives in Casablanca and tries to stop Ilsa’s husband from leaving Casablanca. Risk’s equlibrium is disrupted again. Risk still loves and hates Ilsa, and moreover, he gets the letter of transit. Even though Risk wanted to stay with Ilsa and let her husband go to America alone, Risk finally let Ilsa and her husband go and killed the Nazi Major Strasser. That is a satisfying ending.
Throughout history, the film industry has seen many directing styles and techniques. The early part of the 20th century saw a factory style of film production, but as the years went by, director's began to employ new and untried techniques in their pictures. One such technique which these director's implemented was a new approach to the use of the camera and camera angles. "Casablanca," an Academy Award winning film of 1942 saw director Michael Curtiz manipulate the camera in ways others had not. He uses the close-up, point-of- view, and creative shot motivation methods in his film starring Humphrey Bogart and Ingrid Bergman, to create an American cinema classic.
If Casablanca's audience had to choose between Rick and Laszlo, they would choose Rick because everything in the film has prepared them to choose him, who represents the rejection of America's involvement in world politics. Instead, the film relieves the audience of the necessity of choice by displacing the film's political conflict into melodrama, where familiar emotions overwhelm ideas. Although Victor Laszlo is always in Rick's shadow, he stands for the values of the father and the prevailing American belief in 1942 that freedom is worth fighting and dying for, which is the definition of the official hero. By censoring the theme of American reluctance to give up its autonomy, the film spares the audience the agony of siding against the values of the father, condensing the oedipal resolution to another shared experience between Rick and the viewer.
...o survive and flee the inevitable evil. With World War II raging, viewers in the United States could feel the fear and anxieties as well as compassion for the characters. Although some movies can be rewritten to obtain a better effect over the viewers, Casablanca cannot be redone. The mere fact that the evil of the day was a reality of the time prevents this movie from ever having the same effect on the audience.
...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.
Casablanca debuted in 1942, shortly following the bombing of Pearl Harbor and the United States' entrance into World War Two, although there was plenty of anti-Nazism sentiment, the movie fueled these feelings. There is pro-Allied forces propaganda to support the war, from the scene with La Marseillaise, to the characters of Renault and Rick, and to the last scene. Although the majority of the French patriots were elated to sing their national anthem, it created tension with the German soldiers who imposed their patriotic songs on the crowd, representing the imposition of Germany on France during the war. Captain Louis Renault, who tries to placate who he believes will be the winning side, seems flimsy when compared to Rick, the firm patriot who believes in freedom at all costs. The phrase, "Louis, I think this is the beginning of a beautiful friendship" represents the new strong bond between France and the United States once Nazi-Germany has fallen. Although the film is propaganda against the Nazis, the political language in the movie does not glorify American courage and valor, nor is it militaristic. The movie presents the facts while emphasizing the poor qualities of the Nazis.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
Classic film noir originated after World War II. This is the time where post World War II pessimism, anxiety, and suspicion was taking the world by storm. Many films that were released in the U.S. Between 1939s and 1940s were considered propaganda films that were designed for entertainment during the Depression and World War II. During the 1930s many German and Europeans immigrated to the U.S. and helped the American film industry with powerf...
He is handsome (like how no other forty year old can be), selfish, secretive and a scoundrel—for lack of a better description, he’s a quieter Han Solo but sporting much more unpredictable elements. You know that his love with Ingrid Bergman’s Ilsa is forbidden, yet you root for them. Their chemistry as both enemies and lovers whose past goes back for years feels so real and unique, probably due to their lack of interaction on set. But while Bogart and Bergman obviously control the screen, it is the memorable “As Time Goes By” song that makes the film. When the song is introduced as the once-lovers’ theme, Curtiz chooses to focus on Bergman’s bittersweet gaze, and that’s more than enough to make it feel like it is our song as
Film noir is a type of movie that contains dim lighting, crime, grimy city streets, voiceover narration, and Deadpool. Wait, Deadpool? Yes, that is correct. While the movie Deadpool (Miller, 2016) may be considered a science fiction movie, it also contains elements of film noir.