Edgar Allen Poe, an American writer who was born in Boston, in the year 1809. Edgar Allen Poe was very detailed oriented in his writings simply because he believed that the reader should calculate every sentiment and idea present in his stories. In The Cask of Amontillado written by Poe. The first person narrator of the story uses manipulative, as well as rhetorical language. Edgar Allen Poe does this to paint an imaginary picture in the reader’s mind to portray the story in an appeasing way.
Even better Poe uses these figurative elements, animating and manipulative aspects by using characters in the story to use these methods. Montresor is number one of the two main characters in the short story The Cask of Amontillado. In the story
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Poe’s Montresor is a unique character, because of his constructive ability to use monstrous figurative language to get what he wants done in the story. A manipulatively sufficient way to work. However there is no doubt in this writer’s mind that it was not just a mere coincidence that the character of Poe’s Montresor, has been the subject metaphysical philosophy for centuries. From the works of Plato in the early years of the 430’s and Aristotle in the late 380’s up to Kant in the 1720’s. “Montresor, represents the kind of 'constructive' subject that has been the main object of study in metaphysical philosophy “(Karadas 2). Poe uses Montresor to manipulate the imaginations of the readers. A philosopher named Ernest Cassirer once said, "Consciousness is a symbolizing, form-giving activity" (Cassirer 61). Montresor plays on the reader’s consciousness while reading, giving form to the imagination!
Montresor uses situational irony in the beginning, as the two fellows begin on their trudge to the Amontillado. In line 31 of the story. Montresor inquires his friend about his persistent cough. Saying “My poor friend found it impossible to reply for many minuets.” (Poe, 33) Montresor urges Fortunato to let him walk Fortunato back. To prevent his illness to worsen from the poor conditions of the Catacombs. “The cough is a mere nothing; it will not kill me. I shall not die of a cough.” “Enough.” (Poe, 36). Montresor is satisfied with the validity
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This is apparent through Montresor pushing his own agenda, lobbing to the reader to conform to Montresor and see eye to eye his hatred for Fortunato. Finally the gothic tale concludes with Montresor succeeding in his manipulative ways. Montresor sees the determination of his goal to take down Fortunato has been accomplished. “Since wit and fancy finds easier entertainment in the world than dry truth and real knowledge, figurative speeches and allusions in language will hardly be admitted as an imperfection or abuse of it ... But yet, if we would speak of things as they are ... all the artificial and figurative application of words eloquence hath invented, are for nothing else but to insinuate wrong ideas, move the passions, and thereby mislead the judgment, and so indeed are perfect cheat...Eloquence, like the fair sex, has too prevailing beauties in it to suffer itself ever to be spoken against (in De Man 13, Locke). Locke’s philosophy on figurative speech has sense been disproven, and no longer is defendable by current philosophers. However, the most interesting point is Locke’s warning of figurative language in the hands of a distressed character like
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
Poe, Edgar Allan. “ The Cask Of Amontillado.” Heritage Of American Literature .Ed. james E. Miller.Vol.2.Austin:Harcourt Brace Jovanovich,1991.20.Print.
One of the most horrifying lines in the story is given by Montresor after Fortunato says, “I will not die of a cough” (Baym ). Montresor says, “True— true....” (Baym ). It seems that Montresor 's murder plot became subconsciously manifest in those two words. Dramatic irony is irony that is inherent in speeches or a situation of a drama and is understood by the audience but not grasped by the characters in the story (“dramatic-irony”) and Poe uses this effectively in this story. For example, Montresor expresses concern about Fortunato and says, "Come, I said, with decision, we will go back; your health is
In the story “The Cask of Amontillado”, the author uses lots of verbal irony to emphasize the evil intentions of Montresor.One of the examples of verbal irony in the story that he uses is “The cough’s a mere nothing; it will not kill me. I shall not die of a cough.” and “true--true, I replied.” The effect of this irony is it that Montresor already knows how Fortunato will die.Another example of verbal irony used in the story was when they did a toast to each other. “I drink”, he said, to the buried that repose around us.”
Dramatic irony is used when we know, or draw a conclusion of, what will happen to Fortunato, although he continues his descent into the catacombs in pursuit of the Amontillado. The sense of revenge reaches its highest peak when Poe uses irony for Montresor to inform us that he will smile in Fortunato's face while using his wine to lure him into the catacombs to taste his imaginary Amontillado. During this scene like a fool in his costume while Montresor is leading him to his death bed. This whole time Montresor plays very innocent.
Poe’s first-person narration style in “The Cask of Amontillado” allows the reader to experience the story from a different level and the ability to look at the story from a different light. An unusual perspective. From the mind of a killer, the narrator and main character making him familiar with the reader. Poe focuses more of the thoughts and emotions of the main character rather than physical attributes of Montresor which made for a more intimately disturbing story for the reader.
In her article, Renee utters that when the thought of vengeance build up in an individual’s brain, it coerces him insane and does not tolerate him to present it a second thought. The first sentence of the story, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge,” clearly describes the whole theme of the story as a deeply enrooted revenge in Montresor’s mind” which is an absolute portrayal of retribution that occurs due to arrogance and jealousy. Author sees himself as a superior individual and was victimized by a superiority complex which is quite visible through the phrases which he wrote in the story that Montressor expresses superiority as showed his victim as a foolish person by attributing weird physical appearance and dress appearance in which he described his dress code of “tight fitting parti striped dress and head was surmounted by the conical cap and bells.”
Edgar Allen Poe is the author of many great pieces of literature. He uses his narrators to explain situations that are going on in their life. The narrators of "The Cask of Amontillado" and "The Black Cat" demonstrate their love for mans inhumanity to man and animals through horrific murders.
Edgar Allen Poe uses irony and poetic justice all throughout “The Cask of the Amontillado”. The places where irony and poetic justice hold the most significance are the scenes where, Montresor speaks of the wronging done to him by Fortunato, where Montresor and fortunato speak of the coat of arms, and where at the very end when Montresor traps Fortunato in the catacombs and leaves him to die. These scenes clearly show the use of these two tools that Poe used to tell the story of Montresor and
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
The first literary device used by Poe in his short story “The Cask of Amontillado,”
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by.