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The influence of Puritans on literature
Now and then character analysis
Now and then character analysis
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Feste and Malvolio in William Shakespeare's Twelfth Night
In Shakespeare's play, Twelfth Night, there are many very different
characters. Feste and Malvolio are two good examples of characters,
very different from each other. One is someone who acts like a puritan
and scolds others when they do not act in the same way, whereas the
other is someone who gets scolded for being clever with his words and
for enjoying singing. This does not mean I would like the play more if
one of the two characters were not in the play. Both characters add
different things to the play.
In the first scene where we see Feste and Malvolio together Feste says
'better a witty fool than a foolish wit.' This comment shows some of
Feste's dislike towards Malvolio as it seems to be directed towards
the steward, although he does use himself in the comparison, as Feste
is obviously the witty fool and Malvolio, the foolish wit (I believe
this because the comment seemed to be directed towards Malvolio and
this seems to be Feste's opinion of Malvolio). I think that at this
point Feste knew, that because Malvolio uses pretences that he is
unable hold up, such as being a puritan but being very proud and vain
at the same time, he had the possibility of being the target of
something that he would not notice or be able to get out of if he did
because he was a fool in mind rather than in occupation. I, too, would
agree that it is better to be a clever fool than to be someone who
believes himself or herself to be clever, when actually many people
know you are a greater fool than the people around you. This is what
Feste had noticed about Malvolio.
Throughout the play Feste and Malvolio show their characters to be
very different. The largest difference between them is that Malvolio
shows himself to be a strict puritan (at least on the outside) whereas
Feste is, in every way, against puritanical beliefs. He says that he
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
clever punning - 'If love be rough with you, be rough with love' and '
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by everyone else in the play except Olivia. He doesn’t act the same way that any of the other characters act, and he seems to be a real stickler for the rules, which upsets certain characters more than others. But it is this strict coherence to the rules that allows Malvolio to have such a high position in Olivia’s household. While Malvolio may be considered an outcast to most of the characters in the play, Olivia shows concern for Malvolio and his well-being.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
Wells, Stanley, and Gary Taylor, eds. "Measure for Measure". William Shakespeare: The Complete Works. Oxford: Clarendon P, 1998.
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
...ce is tenuous at best. A person who is intelligent can also be uneducated. Similarly, the opposite can also be true; therefore, it is my ultimate position that wealthy people are not necessarily smarter than poor people.
Feste, the amusing clown, plays a most important part in the play. He is able to take on several roles, and is indeed "for all waters"; from serious to comic, learned to nonsensical, the wit or the practical joker; just as the occasion seems to suggest. Because he is a part of both the main and sub plot, Feste is the character, who links both parts of the play together, making Twelfth Night a whole.
The perfect lives that make up the routine of the Illyrian citizens portrays a society in which enjoyment, and personal gain are held in utmost priority. Shakespeares mocks the passivity of the Illyrian lifestyle to explain to the audience that excess of such festivity has negative side effects such as ego and lack of true love. He expresses that the pursuit of expression and truth in itself invokes enjoyment. Sir Aguecheek mirrors the uncertainty of a person through lack of self-confidence and the desire to openly reveal his true self when lamenting “Is it a world to hide virtues in?” (1.3.131). While uncovering aesthetic and emotional mysteries, the Illyrians find that disport restrains them from actual enjoyment and love. The play follows the audience to motivate them towards dissemination of feelings and expression of passion as a “locus of growth and self discovery” (Logan 223) and to obtain true happiness by ridding themselves of excessive, meaningless fun.
Love is an essential human desire. Once it is caught, dramatic, unexpected changes in ones life occur. Protecting the people one loves is a natural instinct that cannot be controlled. William Shakespeare demonstrates this in Twelfth Night through the relationship between Antonio and Sebastian. Furthermore, Viola continues to ensure the happiness of Orsino is met even if that means sacrificing the happiness of herself. Also, love is evident when one pays attention to, and dedicates himself to the small details in other peoples lives. William Shakespeare demonstrates in Twelfth Night the nature of true love through loyal friendship, bold romance and secretive love.
would have to dress and be as a man. She was known as Cesario. Orsino,
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
want to feel sorry for him as the trick goes too far and give out the
Most people say being stupid will lead no where. They claim that it is the worst possible condition in which to spend one's life, and if possible, it should be completely avoided. They would even suggest if the symptoms of stupidity are caught in the early stages, it could easily be treated by a surgeon. Yet, perhaps if people took a closer look at some of the advantages stupidity had to offer, they wouldn't have such a negative attitude toward it. After reading this paper, one will understand the advantages of stupidity along the lines of work ethic and even how their minds work. I will also show you that they have a large amount of free time and how they are forever ingrained in the minds of the more intelligent.
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...