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Analysis of Shakespeare's twelfth night
How is deception shown in twelfth night
Shakespeare's treatment of female characters
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Analysis of Twelfth Night
The story starts out with a shipwreck and two siblings, Sebastian and
Viola, being separated because of it. Viola and Sebastian are almost
identical twins. If it wasn’t for their dress and attitude, they could
not be known apart – despite they are of opposite sex. The captain,
and a few others onboard the ship, survive the crash and they saved
Viola and brought her to shore. The captain of the vessel reassures
Viola that her brother may be alive since he saw him get onto a mast
before the wind swept him out of view. The place they had landed,
Illyria, was governed by a man named “Orsino” – an unmarried man who
is in love with a lady named “Olivia”. Viola wanted to serve Olivia as
a page but the captain said this would not be possible because she was
very untrustworthy of people since she also lost her brother. Viola’s
next idea was to serve the duke, Orsino, instead. But, to do this, she
would have to dress and be as a man. She was known as Cesario. Orsino,
impressed as he was by such a young handsome “boy”, hired Ceserio as a
page. He spent a lot of time with Viola and told her about his love
for Olivia. Over time, Orsino and Viola became very close… and Viola
falls in love with Orsino.
After trying for a very long time to gain the heart of Olivia, he
sends Cesario to woe her. But, since Viola is in love with Orsino
herself, she doesn’t exactly try her hardest to make Olivia fall for
Orsino! However, even after her weak efforts, Olivia does fall in
love… with Viola (who she, of course, thinks is Cesario!) So, Viola
goes back to Orsino, unsuccessful. But Orsino, having none of it, sent
Viola back to Olivia to try once again. This time, Olivia lets Viola
into her house, but Viola does not manage to win the heart of Olivia
for her master. Olivia tells Viola that Orsino is not to send any more
Catalina de Erauso experienced many different traumatic and surprising events throughout her life. She completely changed her identity from being a woman to a man after she made the decision to have a more adventurous life than the average seventeenth century woman. Catalina went from a life devoted to god, growing up in the Convent of the Dominican of Nuns, to becoming a lieutenant of the Spanish military. Her ability to transform and disguise herself into a man and live unnoticed for more than two decades suggests that gender is fabricated and not a true trait, masculinity can be created through deception.
Even the broadness of traditional Spanish culture could not remain untouched by the divide of gender roles. Though de Erauso was a Basque born in Spain, putting her at the top of the hierarchy, the fact that she was a woman lowered her societal ranking (Lecture 2/4/2014). The first step in de Erauso’s transformation from woman to man involved stepping over the divide in cultural roles and changing her clothing from one style to another. As a woman, she wore a bodice and petticoat, but in order to disguise herself as a man, she cut these items into a pair of breeches, a doublet and hose (Erauso, 4). This shows that her transformation involved not only a psychological change, but a physical costume as well. Another large part of Spanish culture that impacted de Erauso on both ends was the tradition of marriage. As de Erauso dodged potential marriages throughout her journey, the weight of matrimony became clear. Young women wanted to marry a successful, capable man because the title of wife entailed a step up in the societal hierarchy. In one potential marriag...
All Viola has to do to get what she wants is to tell the truth. Once Viola tells the truth she is able to have a romantic
when he gets bored of it then he tells him to stop, just like that.
In Shakespeare’s Twelfth Night and in Molière’s The Imaginary Invalid, two ladies are presented, that are not necessarily the leading protagonist, but they help unravel the plays’ plots into something amazing. Twelfth Night features Maria, the lady in waiting to Olivia. At first Maria comes off as a dilettante, later on we find out that’s not the case at all. Meanwhile, in The Imaginary Invalid, there is the disputatious Toinette, who is the maidservant and nurse to the imaginary invalid himself, Argan. Maria and Toinette are two strong women characters, their strength and wit is depicted through Maria and Toinette’s deceiving schemes to make their plays more stimulating as well as their objectivity throughout all the chaos in their respective play.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
"She loved me for the dangers I had pass'd, and I loved her that she did pity them" (Othello, I.iii 166-167). William Shakespeare’s tragedy "Othello," is pervaded by a dominant theme, one of love. Othello, the Moor of Venice falls madly in love with a woman named Desdemona. They marry and are very happy together. Othello and Desdemona face many trials during the course of their nine-month marriage. The most notable one occurs when Barbanzio, Desdemona’s father accuses Othello of getting his daughter with witchcraft. During a court hearing, Desdemona confesses her love for Othello and Barbanzio is forced to let her go.
After Olivia has her very first conversation with Cesario (Viola), where he tries to woo her for Duke Orsino, she immediately falls in love with him. After Cesario leaves her palace, Olivia says to herself ‘Thy tongue, thy face, thy limbs, actions and spirit do give thee fivefold blazon. Not too fast; soft, soft. Unless the master were the man. How now? Even so quickly may one catch the plague?’ Here Olivia states that Cesario’s external features are what attract her to him. Her metaphor contains a s...
Shakespeare’s play Twelfth Night revolves around a love triangle that continually makes twists and turns like a rollercoaster, throwing emotions here and there. The characters love each another, but the common love is absent throughout the play. Then, another character enters the scene and not only confuses everyone, bringing with him chaos that presents many different themes throughout the play. Along, with the emotional turmoil, each character has their own issues and difficulties that they must take care of, but that also affect other characters at same time. Richard Henze refers to the play as a “vindication of romance, a depreciation of romance…a ‘subtle portrayal of the psychology of love,’ a play about ‘unrequital in love’…a moral comedy about the surfeiting of the appetite…” (Henze 4) On the other hand, L. G. Salingar questions all of the remarks about Twelfth Night, asking if the remarks about the play are actually true. Shakespeare touches on the theme of love, but emphases the pain and suffering it causes a person, showing a dark and dismal side to a usually happy thought.
The character of Viola (played by Gwyneth Paltrow) is first seen at The Curtain Theatre where she is captivated by the performance of Shakespeare’s "The Two Gentlemen of Verona," while the rest of the audience seems bored. She is currently being urged to marry Lord Wessex, but wants to marry for love. She wants to have real love, "love as there has never been in a play." She is inspired, however by the theatre and especially by the works of Shakespeare.
Shakespeare’s Twelfth Night is a play with themes that parallel the folly of the festival it is named after. The main storyline of the plot plays on this a lot by mixing up the stereotypes around gender that were very present at the time. However, a sub-plot involving secondary characters defines this theme even more. It takes the idea even further by relating servants’ attempts to blur the lines between social classes. Twelfth Night’s Maria and Malvolio both have great aspirations to rise above their social class. However, Maria succeeds where Malvolio fails because of her capability to make use of the satiric ambiance of her mistress’s household to achieve her goals.
And of course, Viola is not always the most agreeable person. There is something peculiar about Viola that Penhallow does not quite understand, but he is determined to figure it out.
There is a certain degree of expectation with the genre of comedy that despite whatever difficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The “Twelfth Night” is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they “have learned enough about their own foolishness to accept it wisely, and their reward, as it should be, is marriage.”(Schwartz 5140). There is a resolution of harmony to a certain extent and an endorsement of romantic love yet despite the happiness evident in the last scene, there are many elements in the play that causes the audience to wonder whether the happiness is forced or genuine. The words of a departing Malvolio, “I’ll be revenged on the whole pack you.”(Twelfth Night 5.1.365) leads to a conflict being unresolved. The marriage of Olivia and Sebastian also leads the audience to question whether Shakespeare has pushed the limitations of comedy to far, as Olivia marries Sebastian who she believes to Cesario and whose identity is only revealed after. The appearance of Antonio in the last scene also casts a sombre ambience over events; he is not united with the one he loves though he was willing to sacrifice his life for what he believed to Sebastian’s safety. The last discourse of the play from Festes once again returns to the melancholic mood that was apparent in the opening and it is this mood that remains with the audience.
In Shakespeare’s play, Twelfth Night or What you Will, the characters are involved in a plot complete with trickery, disguise, and love. Each character is defined not by his or her gender or true identity, but by the role they are forced to take because of the complicated situation that arises. Unlike their gender, the speech the characters give an insight to their true personalities. In the Twelfth Night, the character Duke Orsino uses flowery and over-dramatic language, long poetic sentence structure, and melodramatic metaphors to display his overemotional romantic nature despite the different emotions in his various speeches.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...