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Italian opera history
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Feodor Ivanovich Chaliapin is one of the most influential opera singers of his time. He was a renowned Russian operatic bass who was uncharacteristic in the fact that he did dramatic portrayals in his singing (Shelokhonov). He did not come from a charmed life, but was blessed with a natural talent that was recognized by famed Dmitry Usatov who took his talent to new levels (Funk and Wagnall). He went on to find great fame and appeared in most all of the great opera houses of Europe, England, and the United States (Froud). Chaliapin’s performance in Boris Godunov is credited with keeping the popularity of the opera alive (LeSuer).
Feodor Ivanovich Chaliapin was born into a peasant family in Kazan, Russia on February 13, 1873. His upbringing
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This was the foundation of many other appointments in which he grew to be an accomplished soloist. In 1896 Chaliapin had the honor of singing with a private opera company in Moscow in which he made his inauguration as Ivan Susanin in Glinka's A Life for the Tsar. Chaliapin received great reviews after the performance (Froud). During this same time period he capitalized on his new found fame and secured numerous successful solo concerts. In 1901 he branched outside of his Russian home country to begin making an international name for himself (LeSueur). From the years 1905 to 1937 he performed almost every season at Monte Carlo in the role of King Philip in Don Carol. Chaliapin was a master of makeup which he used to his advantage in creating his characters (Shelokhonov). This is where he fashioned the roll of Don Quixote. In 1933 he was the star in a film about this same character, but unfortunately the film was never completed. Not all was lost, the Don Quichotte songs by Maurice Ravel and Jacques Ibert were born from this film …show more content…
While in Paris he worked with Diaghilev and landed many Russian roles at the Covent Garden in London from 1913-1914. When he finally returned to Russia he stayed there until the end of World War I and the Great Revolution. In 1922 he settled to France where remained until his death in 1938 (St. James). In 1935-1936 he went on a world tour where he performed all over Europe, England, United States, China, and Japan. He has a wide-ranging repertoire that has been preserved in his recordings made between 1901 and 1935. One interesting note about his recitals is the fact that he would not reveal the titles of the songs he would be singing in the program. The program simply stated “Selections to be announced.”( Shelokhonov). The world is a better place for having had the amazing talented Chaliapn in it. His powerful and agile voice, together with his remarkable build, his gusto, and his outstanding ability as a naturalistic actor, made him one of the greatest performers in the history of opera (LeSueur). The world of opera will be forever grateful for his grandeur presence that has left a mark on the opera world. “Chaliapin will never die; for with his fabulous talent, this marvelous artist can never be forgotten… To future generations Chaliapin will become a legend.”- Sergey
While Tchaikovsky is known for his compositions of classical ballet, he was overall great as a pianist. Like most composers of music, his compositions reflected that of his feelings greatly, which helped him connect to the public and spread his music quite well. As a child, he became better than his teacher in one year, and at the age of ten went to the School of Jurisprudence and quickly completed the upper division classes. After graduating, he did four years at the Ministry of Justice, which didn’t really suite him well. Once out of the Ministry of Justice in the 1860s, he joined the Music Conservatory at the age of 22. Shortly after joining, he composed his first orchestral score in 1864. Two years later, he settled down in Moscow and started to increase his fame as a composer. In the following years he would tour around Europe and even into the United States. In 1893, six days after the premiere of his last piece he
Dmitri married Feozna Nikitchna Lascheva on April 24, 1863 . They had two children , a boy...
It holds such power over captives and captors alike that they cannot help but feel enamoured to the life it brings. Cesar especially feels the beauty of music “Oh, how he loved to hear the words in his mouth… It didn't matter that he didn't understand the language, he knew what it meant. The words and music fused together and became a part of him” and through music, he discovers his latent talent for singing (224). Based only on Roxanne’s previous arias, Cesar’s potential is outstandingly bright when he sings for the first time without any training whatsoever. Not only do the others learn to appreciate his gift, but Roxanne herself recognizes how promising he is or she would not have bothered to waste her time tutoring him. Beforehand, Cesar is nothing remarkable, just another one of the terrorists who detains them, but the opera transforms him into a separate person. Like the mansion enveloped in the garua, Cesar is heavily shrouded by serious self-esteem issues and fear, but after his breakthrough, his worries suddenly disappear and his life becomes a reservoir of joy. If “life, true life, was something stored in music”, then Cesar has lived a deprived life; his passion for music was just unfolding, but fate robs the world of who “was meant to be the greatest singer of his time” (5,
Austell, Edmund S. "Great Opera Singers." : Farinelli: The Great Castrato. N.p., n.d. Web. 14 Apr. 2014.
Prior to the competition, he had had a far greater success as a composer with the First Symphony (1924-25), which quickly achieved worldwide recognition. The symphony was influenced by composers as diverse as Tchaikovsky, Paul Hindemith, and Sergey Prokofiev. The cultural climate in the Soviet Union was, compared to the Soviet Union at its peak, free at the time. Even the music of Igor Stravinsky and Alban Berg, then in the avant-garde, was played. Bela Bartok and Paul Hindemith visited Russia to perform their own works, and Shostakovich toyed openly with these novelties. His first opera, The Nose, based on the satiric Nikolay Gogol story, displayed a thorough understanding of what was popular in Western music combined with his "dry" humor. Not surprisingly, Shostakovich's undoubtedly finer second opera, Lady Macbeth of the Mtsensk District (later renamed Katerina Izmaylova), marked a stylistic retreat. However, this new Shostakovich was too avant-garde for Stalin.
Modeste Petrovich Mussorgsky’s (1839-1881) Songs and Dances of Death was his final composition, composed in 1877, in years of artistic confidence that followed the success of his masterpiece, the opera Boris Godunov. Boris Godunov encapsulates many of Mussorgsky’s innovations including those towards his approach to the setting of the Russian language: his biographer, Robert W. Oldani observes, Mussorgsky’s “quest to find a musical equivalent for the patterns, inflections, pace and cadence of spoken Russian, to fix in music the paralexical aspects of speech that give it plasticity and nuance.” Indeed, Mussorgsky was one of a group of Russian composers known as the "Mighty Five,"- so dubbed by the influential contemporaneous critic V. V. Stasov.
Given the name Igor Fydorovich Stravinsky at birth, Sir Igor was born on June 17, 1882. He was a Russian born American performer. He earned his middle name “Fydorovich” from his dad whose first name was Fyodor. He was a naturalized French and American composer, pianist and conductor.
This is the second volume of Richard Taruskin's historical work, and it highlights composers of the seventeenth and eighteenth centuries. He examines the progression of different styles and eras of music.
In terms on contributions to Classical-Era music, Stamitz is credited with many innovations. As the concertmaster of the Mannheim orchestra, he lead it to a standard unparalleled in it's day. Another extremely influential contribution...
Jerzy Kosinski was born in Poland in 1933 to Russian parents who had fled the revolution. He was separated from his family when the Nazis invaded in 1939. For six years he wandered form village to village scorned by East European gypsies who feared his hawk like face and penetrating eyes. He survived German terror by his wits and he was struck dumb from the shock that he underwent from this six-year period of wandering. He was mute from age nine to fourteen.(New Yorker)
Chekhov was born in Taganrog, Russia in 1860 to a woman named Yevgeniya and a man named Pavel. His father, who shares the name of the bishop, is described as being “severe” and sometimes went as far as to chastise Chekhov and his siblings (Letters
David Fanning and Laurel Fay. "Shostakovich, Dmitry." Grove Music Online. Oxford Music Online. 14 Apr. 2012 .
Anton Chekhov born into a life of serfdom in late 19th century Russia. Although Chekhov and his family struggled financially for most of his life, he acquired a great education. Chekhov is known for writing many emotionally attached stories, but his writing of Lady with Lapdog was close to his heart because Chekhov shared a similar experience to the main character of Gurov along his own love and happiness.
Dmitri Ivanovich Mendeleev was born in Tobolsk, Siberia, on February 7, 1834. The blonde-haired, blue-eyed boy was the son of Maria Dmitrievna Korniliev and Ivan Pavlovitch Mendeleev and the youngest of 14 children. Dmitri’s father, Ivan died when Dmitri was still very young and Dmitri’s mother, Maria was left to support her large family. Maria needed money to support all her children, so she took over managing her family’s glass factory in Aremziansk. The family had to pack up and move there.
Tolstoy's eventful life impacted his works. Leo Nikolayevich Tolstoy was born into a family of aristocratic landowners in 1828 at the family estate at Yasnaya Polyana, a place south of Moscow. His parents died in the 1930s when he was very young so his aunts raised him with an upper middle class lifestyle. His aunts were very important to him and when they died, he made them live on forever as characters in his stories (Alexander 16). While his aunts were still alive, they hired tutors to teach him out of Tolstoy's home (Tolstoi). After a few years of wandering about Russia, he recommenced his studies at sixteen years old at Kazan' University to study law and oriental language but preferred to educate himself independently and in 1847, he gave up his studies without finishing his degree (Troyat 28).