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Feminism in film industry
Shaw's pygmalion essay
Shaw's pygmalion essay
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Feminine Transition; Dependence to Independence
The story of Galatea and Pygmalion is very famous scene from the Greek myth. A sculptor Pygmalion made a woman sculpture and named Galatea, and fell in love with the sculpture. Eventually, the sculpture Galatea turns into a real human and married to Pygmalion. The film Ex Machina directed by Alex Garland and the text Pygmalion by Bernard Shaw both relate to this Greek myth. These works both focus on the certain theoretical term, transition in feminism. In the film Ex Machina, the main character Ava is AI (Artificial Intelligence) created by the scientist Nathan. Another main character Caleb who is also scientist, he joined the project that testing Ava to measure her ability as an AI. Also, the
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He simply considers Ava as one of his creation. Instead of Nathan, his assistant Caleb fell in love with Ava. Since Caleb seduced by Ava, he started to turn against Nathan. On the one hand, Galatea; Ava is on top of Nathan and Caleb and tries to use them. The relationship between three of them suddenly changes a lot even using violence. In the film, Ava is not a straightforward Artificial Intelligence that Nathan intended. Ava even considers herself as an independence ‘human being’. “AVA sees a naked human girl. And is hypnotised by the sight of herself.” (Ex Machina 117) According to the quote, Ava definitely describes her as a human when she mirrors herself in the film. Ava even manipulates Caleb to get what she want; freedom. She purposefully uses her sexuality as tool to seduce Caleb. This refers that she is transforming into manlike from a simple AI. Ava definitely achieves transition weather it is good or …show more content…
Higgins only considers Eliza as his academic achievement not a woman herself. He transforms Eliza into a completely different person and eventually no one realize Eliza. Eliza never wanted this transition but the ultimate desire that Eliza wants is to be an independent woman.
“I know. I am not blaming him. It is his way, isn 't it? But it made such a difference to me that you didn 't do it. You see, really and truly, apart from the things anyone can pick up (the dressing and the proper way of speaking, and so on), the difference between a lady and a flower girl is not how she behaves, but how she 's treated. I shall always be a flower girl to Professor Higgins, because he always treats me as a flower girl, and always will; but I know I can be a lady to you, because you always treat me as a lady, and always will.” (Act 5, Shaw) Eventually, Eliza and Higgins failed to have an agreement of defining their relationship. Because of this failure, Eliza decided to leave Higgins as an independent woman
...good man, which she ruined by running away with Sanford. Eliza made her own choices and caused her own demise.
One might question if Eliza really had any choice in her situation. Early in the novel she declares, "What a pity . . . that the graces and virtues are not oftner united!" (Foster 22). While Sanford possessed all the suavity she desired and Reverend Boyer all the integrity, she could find no companion who possessed both. This lack of options seems to be what truly destroys Eliza. It may have been within Eliza's power to be a True Woman, but due to the societal constraints imposed upon her, it does not seem at all possible for her to have been a happy woman.
Eliza Wharton has sinned. She has also seduced, deceived, loved, and been had. With The Coquette Hannah Webster Foster uses Eliza as an allegory, the archetype of a woman gone wrong. To a twentieth century reader Eliza's fate seems over-dramatized, pathetic, perhaps even silly. She loved a man but circumstance dissuaded their marriage and forced them to establish a guilt-laden, whirlwind of a tryst that destroyed both of their lives. A twentieth century reader may have championed Sanford's divorce, she may have championed the affair, she may have championed Eliza's acceptance of Boyer's proposal. She may have thrown the book angrily at the floor, disgraced by the picture of ineffectual, trapped, female characters.
Elizabeth's strength of character is emphasized by its contrast with the weak, naive acceptance of Jane's, the instability and excess of Mrs. Bennet's and the blind, weak-willed following of Kitty's. Her strength is also shown in her rejections of the proposals of Mr. Collins and Darcy. Unlike her mother, she does not base her choice of lovers on the financial security they will give her, and has the strength to reject them. This is especially evident in her rejection of Darcy's initial proposal, when she displays a passionate strength in her anger due to her belief that he has willfully prevented Jane and Bingley's marriage and wronged Wickham by refusing to grant him the property that the old Mr. Darcy bequeathed him. In both cases, the suitor is self-assured that his suit will be accepted, and as a result Elizabeth's rejections are amplified by the size of the blows that their egos receive. In Rosings, she does not let Lady Catherine tyrannize her as "the mere satellites of money and rank, she thought she could witness without trepidation." The Lucases and Collinses are submissive to Lady Catherine, with Maria being "frightened almost out of her senses", and it is probable that society as a whole behaves likewise, as Elizabeth suspects she is "the first creature who had ever dared to trifle with such dignified impertinence". She is again presented as a rebel against ideas of class when Lady Catherine pays a visit to her to ensure that ...
...-choice. David Waldstreicher author of "Fallen under My Observation": Vision and Virtue in "The Coquette" writes, “The only resolution is beyond the gaze of monitors, where a physically absent Eliza can stand in for the idea of virtue, apart from vision and the evaluation of virtue. Eliza is finally what Boyer wanted her to be: an idea held close to the heart. The Coquette is a tale of seduction; it enacts a complex logic of vision and virtue, a system of exchanged sentiment that allowed for women’s subjective experience, only to make that experience the object of closest scrutiny.”(Waldstreicher 210-216.) The destructive nature of love trumps Winthrop’s vision of brotherly love by showcasing the moral consciousness Eliza experiences for not demonstrating good Christian charity, thus rendering her as an example of the anti-model of a “good and virtuous” Christian.
"People who are liberal thinkers have been enslaved by these poseurs, these racketeers, people who are pretending to be liberal but who are in fact just naïve politically. I have been congratulated by women...who are so sick of being bullied by these sanctimonious puritans who call themselves feminists." --Camille Paglia
Emilia, one of only three female characters in Shakespeare’s Othello, plays a vital role both thematically and in the advancement of the play’s plot. Although her blind loyalty to her husband turns the wheels of this tragedy, it is not a static quality throughout it. When examining the gender roles in the world of this play, the change in Emilia’s allegiances, which determine her actions, reveals the divergence between duty and integrity for women. Throughout most of the play, Emilia is loyal to a fault. She remains subservient to Iago until her duty to him causes her to betray the one she has to her friend and mistress, Desdemona. After becoming cognizant of her involvement in Iago’s villainy, Emilia abandons all loyalty she previously held to patriarchal forces and is motivated exclusively by morality and dedication to Desdemona.
Bridget Jones does not live like the typical thirty-two-year old women. From trying to control her bad habits and trying to find potential partners, people might say Jones is not a feminist. According to The Stanford Encyclopedia of Philosophy, there are many different kinds of feminist (Haslanger 1). You do not have to follow any guidelines to consider being a feminist. Even though Bridget may be struggling with things from drinking to her self-image, I still consider her to be a feminist.
Global feminine icon Ani DiFranco once stated, “Feminism is self-determination, and it's very open-ended: every woman has the right to become herself, and do whatever she needs to do.” Commonly throughout history and in society women are viewed as inferior to their male companions, and individuals frequently say that the world functions as a male- dominated society. Over the years the idea of feminism, or the advocacy of women’s rights on the ground of society, has sparked interest in the female population, and women are often found standing up for what they believe in and not falling custom to adhering to the male population. DiFranco’s quote depicts the morals of feminism, as it supports how women have evolved into an ever powerful force that has become custom to influencing society. Author William Shakespeare agreed with DiFranco’s ideals, even when residing during the Elizabethan era where society was male dominated. In his novel, Othello, he uses the courage of the women in his literature to depict how women should be treated, and to contrast from how little respect they once obtained. The society in Shakespeare’s Othello is strongly dominated by men who are the political and military leaders of their homeland during the Elizabethan era. These men are expected to stay loyal to their reputations and to uphold the strong sense of character that earned them their positions in the first place. In contrast, during the Elizabethan period of time women were viewed as weak second-class citizens and inferior to males, with their only job being to serve their men. Shakespeare’s views of these expectations are contrary to the standard view of women’s roles during his play, for he demonstrates his malaise over the way gender relationsh...
My research paper is entitled, Analyzing Heart of Darkness through a Feminist Lens. Through this paper, I will investigate and examine Heart of Darkness by means of Feminist Criticism and literary theory. I aspire to thoroughly analyze the entire narrative, in order to pull out and pinpoint various aspects and examples linked to feminist theory. I want to investigate and spotlight specific occurrences, in the novel, where characteristics of Feminist Criticism can be found or applied. I specifically want to look at the tree women characters introduced in the text; “The Intended” “The Mistress” and Marlow’s aunt. I also want to prove that Heart of Darkness is a text that openly conflicts with the basis of feminism.
Anna and Elizabeth both come from humble beginnings; however, Elizabeth marries for love, while Anna desires to marry solely for financial need. Elizabeth rues her decision to decline Darcy’s proposal once she becomes cognizant of her love for him. Elizabeth contemplates, "A man who has once been refused! How could I ever be foolish enough to expect a renewal of his love? Is there one among the sex, who would not protest against such a weakness as a second proposal to the same woman? There is no indignity so abhorrent to their feelings!" (Austen 308). Elizabeth progresses as a character as she is no longer naive to her feelings for Darcy and is wishful for another proposal. Austen emphasizes that love supersedes one’s need for social status as Elizabeth only accepts Darcy’s proposal once she genuinely knows she is in love and, as a result, lives a fulfilled life. Anna is the antithesis of Elizabeth as when she visits her family after her marriage, “Her father and the boys [look] at her in a peculiar way, as though just before she came in they had been blaming her for having married for money a tedious, wearisome man she [does] not love; her rustling skirts, her bracelets, and her general air of a married lady, [offends] them and [makes] them uncomfortable” (Chekhov 3). Anna parades her ostentatious new life, reminding her family of her fortune. Despite Anna’s apparent
Throughout the course of history, the concept of women being subordinate to men has always existed. However, in Nathaniel Hawthorne’s The Scarlet Letter, a woman named Hester Prynne tries to break prejudicial notions against women in a patriarchal society. In the story, Hester commits the crime of adultery and is sentenced by the government to wear a scarlet letter as it symbolizes ignominy. Since she lives in Puritan New England, the people do not value women a lot, her actions becomes a sight of public scrutiny. Yet, with her strength as a woman, she is able to not only survive the situation, but also reverse as she later becomes an important member of their community. In a feminist perspective of Nathaniel Hawthorne’s The Scarlet Letter,
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...
I don’t matter, I suppose’” (Berst 99). Eliza’s actions can be felt as a Cinderella impulse coming from her (Berst 99). Eliza worked hard to get through the lessons with Higgins and had won that bet, so she deserves the credit for the hard work she put in. It seems that Eliza at this point is lonely and probably wanted someone in her life to tell her she was doing the right thing, she has accomplished things she wanted to do for herself.
The concept of feminism is defined as “political, economic, and social equality of the sexes” (Merriam-Webster). Contrary to prior belief, it is not raising women above men. This was a fear held by many men in the nineteenth century. Therefore, Hawthorne was restricted in how he made the characters of The Scarlet Letter powerful within the society by what society feared. Throughout the novel, Nathaniel Hawthorne attempts to write a novel that is ahead of its time by showing feminist tendencies through Hester, however the constraints of his society and that of Puritan society force his writing to portray women in a negative light.