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Women's roles throughout history
Women status in patriarchal societies in india
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Rabindranath Tagore’s Chitra is an enthralling love story that dwells on the concept of feminism, specifically during the olden days. Chitra, the main character of the play, was deprived of living a normal life as a woman and was forced to grow up as a man due to her father’s insistance. Although Chitra was born a woman, she was raised by her father to be a man because he wanted a son. He taught and imparted her with different skills a man should normally possess. That is why when she grew older, she was considered to be one of the best when it comes to riding, hunting and fighting, she was both feared and respected by the people of her kingdom. However, even if she had accomplished all of these triumphs in her life, deep down she felt like she was missing something, a part of herself. As she explained, “I know no feminine wiles for winning hearts.” meaning that she feels like she lacks the traits of woman, which is her true nature. Nevertheless, we will observe later how she is the very embodiment of feminism, an embodiment of empowered women.
At this moment we see how Chitra was robbed of her own freedom, not only as a human but as a woman as well. She was not able to live the life she was supposed to live just because her father wanted a son instead of a daughter, and this is a proof on how people in ancient times view women as the inferior sex. During the earliest centuries, men from all over the world believe that having a son was lucky, especially for those in the royalty. It’s because they want someone of their own descendance to inherit the throne, to become the heir of the kingdom and this would not be possible if they were to be born a daughter. Which is probably why Chitra’s father, the King, could not accept the fact ...
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...determination by not giving up even if she was faced with defeat or rejection, a proof on how she is the image of resilient women.
Subsequently, Chitra returns to the place where Arjuna resides and as soon as he sees her, he was amazed as to how beautiful she is and immediately approached her to strike up a conversation. When Chitra was asked by him what she was looking for she modestly replies that she is seeking the man of her dreams, a man of the royal house of Kurus named Arjuna. Surpirised, Arjuna admits to her that he is the man who she’s searching for and she reminds him of the vow of celibacy he took, to which he says that he will no longer assert to his vows of chastity for her. Chitra, who was supposed to be delighted by his reply, finds herself awfully unhappy for he is not really falling in love with the real her so she goes back to Madana and Vasanta.
...he shows us her character, not by how she gives herself respect, but by the continued respect that she gives to others: even her tormenters. Her secret shame was kept inside, and it was an impossible burden to bear. She was brave.
Calixta was not happy with her marriage. During the 19th century, marriage was more like a duty that must be done by all women. Women grew up
The ability to persevere through hardships and trials were her teachings. Lessons learned were those of strength and determination. The proof of this is evident in a few of his literary works where a mother figure encourages and teaches her child, or student, life lessons on staying on the course. In the poem “Mother to Son” a mother tells of her persistence through life’s obstacles, encouraging her son not to give up. “Well, son, I’ll tell you.
wealth, it goes on to tell how she could do nothing to resist and was
...ause of her set out to do something she was passionate about. She gave her research a chance. Although it took more to authenticate her work, she did that in
Being able to deal with any situation. Never fight yourself (Wooden). She shows that she is poised by being herself, which is being a tough, straight-forward, but at the same time, a kind woman. Most of her adult life, she has always been herself and gave great advice to millions of people from the television to the people she meets every day.
Beatrice's refusal to be controlled by men and Hero's subservience carries echoes of modern-day feminism. Comparing this novel to a contemporary society, women have made a substantial amount of progress in terms of gender roles. It is women like Beatrice, and the many others that choose to defy the expectations that are placed upon us by society, that help us progress to a more utopian civilization. This novel can be read by future generations to reflect back on how much we have changed and how much we have progressed, not only as women, but as humans in general. Additionally, this play also serves as one of the world's greatest odes to the single life known to man.
The strength of a woman is not measured by the impact that all her hardships in life have had on her; but the strength of a woman is measured by the extent of her refusal to allow those hardships to dictate her and who she becomes.”- C. JoyBell C.
...tive techniques to get her point across. Her story was very powerful and probably helped in the antislavery movement, therefore fulfilling her goal. In the end she is thought of as a "new kind of female hero" (497). She has gone through many hardships
She lambasted society for its perpetual close-mindedness in a time when righteousness was considered to be an attribute, and she helped to generate more enlightened attitudes among both the women and men of her time. In The Storm, the character of Calixta is unable to fulfill society's standards of virtue, despite her perceived purity by her lover Alcee. When Alcee professes, "If she was not an immaculate dove in those days, she was still inviolate" (p. 34), he is basically saying that just because a woman is not chaste, does not mean she is not pure of heart. After all, it was Calixta's marriage which had stripped her of her chastity status.
After reading “The Doll House” and “Trifles”, the idea of females being inferior to men is portrayed. Both plays, are in a much older time period. But from a feminist view, females are still sometimes given the doubtful role in today’s society. Both plays, are very different, but much alike in the ways the females are treated, never taken seriously, nor are they appreciated.
As we compare the traditional women versus modern women, we perceive differences and similarities. Prachi fights for a belief system that controls her meanwhile Ruhi struggles with self-identity and depends on the beauty pageant to empower her as an Indian woman. Prachi defends Hinduism but at the same time, is Hinduism that restrains her from becoming “modern.” Ruhi on the other hand considers herself a very modern girl and she values freedom therefor the pageant is a road to liberation for her. Both girls struggle in distinct ways but their goal is similar, to shape their countries future.
Throughout history women have always had to stand behind their men (whether it be rules, tradition, etc.). In almost every history context, whether it about wars or people, they have almost been written by men for men. It is not even until this century that women in this country have gained new grounds for the equality that we hope will be as substantial with men’s equality. Despite women’s hopes for equality, there is always old traditions that are so hard to be break that they sometimes keep women in inferior positions. In these two novels, Fantasia and So Long a Letter ,we will explore how the women in these novels deal with modernity and the ways in which it conflicts with some of the traditions of their society.
Since the beginning of time, women have strived to achieve an equal status in society. The vast majority of women have rebelled against the norm for equal status. As if washing the dirt off one’s hands, women are forgotten for all of their achievements. The identity of women in the Western world has evolved from domesticity and servility, and moved toward their valuation as individuals of intellect, talent, and independence. The culture about women’s empowerment has been reflected in literature and history throughout many ages.
In contemporary society, feminism is emerging as a theory of social construct. In literature it is often challenging to discover female characters that go beyond the limits of marginalized female stereotypes and roles as a means to transgress beyond societal norms. Women are characterized as subordinate objects, amid the dominant patriarchal nature entrenched amid the epic. In The Ramayana, women are portrayed as powerless objects that succumb to the manipulation of men as the text portrays a false empowerment of women, which ultimately succumb to common archetypes accustomed to women in literature; implementing a hierarchy of gender that institutionalizes male dominance amid female inferiority. The women of The Ramayana struggle to oppose the systemic patriarchy and pursue a pathway towards attaining dynamic elements of power, that enable their ability to embody autonomous authority. In Valmiki’s The Ramayana, while women appear to be empowered, ultimately they are feeble instruments utilized to fulfill the desires of men.