Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Gender and sexuality in literature
Sexuality in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Gender and sexuality in literature
Often in literature, there is a certain motivation to control through a female’s sexuality. These desires are used to drive a woman’s sense of power over a man to dominate, manipulate, and destroy. Others are eaten alive by the control it takes over them. Some become dependant on sex and do not know how to interact with men without giving themselves up. The novels East of Eden and The Color Purple, play A Streetcar Named Desire and the short story “Where are You Going, Where Have You Been?” all demonstrate characters that are affected by the incentive. Cathy from Eden and Shug Avery from The Color Purple both display commanding roles through their sexuality. They have the power that they crave, and can manipulate others with what they do. Blanche DuBois from Streetcar and Connie from “Where are You Going...” are two characters that succumb to their feelings of needing to be accepted. They find it easy to give themselves up for sex in order the gain the respect they think they will receive. The truth, however, is that no one can respect someone that does not respect themselves enough to not be promiscuous. Sexual promiscuity by women has been looked down upon throughout history, in and out of literature, but in Cathy Ames’s case, it made her superior. In the Steinbeck novel of the battle of good v. evil, as a young girl, her mother finds Cathy in her barn being fondled by a couple boys older than her. She also seduces her teacher and leads him to committing suicide, due to the emptiness he feels when she refuses to marry him. At a very early age she realizes she can control men, easily, and continues with this for the rest of the novel (Steinbeck). She is a self-centered character who is determined to do what sh... ... middle of paper ... ... the better of them. Works Cited BookRags Editors, The Color Purple Book Notes Summary. 2009 3 June 2010. "Blanch DuBois in A Streetcar Named Desire." Shmoop Beta. 2010. 3 June 2010 . Dylan, Bob. “(It’s All Over Now) Baby Blue.” Bringing it all back home. Columbia, 1965. Kurkowski, Clifford J.. A Psychological Analysis of Connie. 3 June 2010 . SparkNotes Editors. “SparkNote on The Color Purple.” SparkNotes.com. SparkNotes LLC. 2003. Web. 2 Jun. 2010. . SparkNotes Editors. “SparkNote on East of Eden.” SparkNotes.com. SparkNotes LLC. 2003. Web. 2 Jun. 2010. . Wakeling, Solomon. Web Diary. 2008. 3 June 2010 .
Baldwin, James. “Sonny’s Blues.” Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X.J. Kennedy and Dana Gioia.12th ed. New York: Pearson, 2013.58-78.Print.
Schultz, Jeffrey, and Luchen Li. "East of Eden." Bloom's Literature. Facts On File, Inc. Web. 8
Many powers that women possessed in the past, and that they posses today, are located in the most secure vault in the body, the brain. These powers are not consciously locked up, and at times many women do not even now that they exist, and this is mainly due to the “male world” (53) in which women live in. Audre Lorde presents this ideal that one of these powers that are being oppressed by society is that of the erotic. Lorde presents the argument that allowing the desires and feelings of the erotic to play a conscious role in the lives of women will allow women to live a different life, one filled with empowerment from both past and present endeavors.
Schuster-Craig, J. (2011). The Blue Moment: Miles Davis's Kind of Blue and the Remaking of
Alice Walker, "The Color Purple." ENGL 3060 Modern and Contemporary Literature, a book of 2003. Web. The Web. The Web.
In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient woman, the one who has buckled and succumbed to become an empty, emotionless shell. In men’s eyes, this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
Rubin, Gayle. “Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality.” in Pleasure and Danger: Exploring Female Sexuality. ed. Vance, Carole. Pandora: London, 1992.
Catherine Ames lives as a cruel, scheming, sadistic creature who knows how to manipulate others into doing any act she desires. Cathy destroys lives without penance. She acts as the embodiment of pure wickedness, driven by low self-esteem, desperation, and a love of power. Since she possesses no conscience, Cathy does not allow herself an honest choice at which path to go down throughout her life. Steinbeck uses her character to describe how society becomes blinded by the need for control, while some may just be born blind.
Steinbeck, John. East of Eden. John Steinbeck centennial ed. New York: Penguin Books, 2002. Print.
The woman in Alice Walker’s The Color Purple and the woman in Tennessee Williams’ A Streetcar Named Desire both struggle with discrimination. Celie, a passive young woman, finds herself in mistreatment and isolation, leading to emotional numbness, in addition to a society in which females are deemed second-rate furthermore subservient to the males surrounding them. Like Celie, Blanche DuBois, a desperate woman, who finds herself dependent on men, is also caught in a battle between survival and sexism during the transformation from the old to the new coming South.
Human conflict is ever-present in sex and desire. But, not until the streetcar named Desire was first shown in 1947 had the corporeal act of sex been so openly depicted on stage as a basis of dominance and power. The streetcar in the New Orleans Street, Elysian Fields, is an urban harsh world, where the laws of nature are the enduring rules of engagement. As the wild sex and violence are intimately connected, Intercourse is a product of aggressive dominance, competition and submission to a certain extent than romance. Although Williams repeatedly claimed that his piece cautioned against the world where brutes were permitted to reign, the play 's end, shows the sexually imposing dominance placed upon Blanche by Stanley, whom demolished her illusions
Whitted, Q. (2004, September 20). Arts & Culture. Retrieved November 11, 2013, from New Georgia Encyclopedia: http://www.georgiaencyclopedia.org/articles/arts-culture/color-purple
n Prelude, Katherine Mansfield explores issues of sexual frustration and the restrictions on female identity in a patriarchal society, as experienced by three generations of Burnell women. Linda Burnells responses to male sexuality are tainted by their inevitable association to her obligations in fulfilling her role as a wife and a mother, both of which Linda has shown indifference towards. As a result, Linda's own sexuality suffers under feelings of oppression.
Gender has been around throughout history; however, within recent years, gender has separated itself from the traditional view of sex, e.i., male or female, and has become centered on ones masculinity or femininity. Of course gender is more than just ones masculinity or femininity, gender has become a way for one to describe, he or she, in a way in which they are different from everyone else. Gender has turned into a sense of identity, a way for one to feel different and fulfilled among all of those around them. Of course gender’s sense of freedom would seem outside of structure and only affected by one’s own agency, however, structure is a key component in establishing gender. We can look into both ethnic Mexican’s culture practices regarding sexuality, children songs and games, and see that cultural traditions still heavily influence gender, creating what is masculine and what is feminine and what is the role of each gender, as well as challenging the notions that gender is solely based on agency.
On the other hand Brantenberg’s novel exploits the real worlds views of sexuality and applies them in th...