Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Antigone and ismene the two women character seminar paper
Creon in oedipus the king
Creon in oedipus the king
Don’t take our word for it - see why 10 million students trust us with their essay needs.
It’s often said that one should let their heart control their actions, rather than let their mind ruin what they truly want. This struggle on whether to follow your conscience or to side with the demands of the authority is presented in Sophocles's Antigone. The two main female characters in this tragedy, Antigone and Ismene are shown in different lights: Antigone is presented as a brave woman who dared to disobey the king; Ismene, is simply just the frail sister of Antigone. Their lifestyle, personality, and moral compass influence their actions throughout the tragedy. Antigone and Ismene show great contrast from each other but their morality determines the fate of their lives. Through analyzing these two female characters, it can be seen …show more content…
Throughout the tragedy Antigone never fears Creon, the king, despite her knowing what fate lies ahead of her, she stands by her decision accepting the dire consequences that follow, simply replying to Creon “I do deny nothing.(208)”. Her assertive behavior to stand up to the authority and coney her opinion is an uncommon trait for a woman to posses during her time. Antigone is willing to bend the law to do what is morally correct whereas Ismene is worried about the dealing with the consequences of betraying the law. In the tragedy she is portrayed as a submissive girl, whose acquiescence towards the law, preserves her life She constantly encourages Antigone to stop resisting against the law and to follow Creon’s wishes, telling her “We are only women, we cannot fight men! (191)”. This indicates Ismene’s obedient behavior towards the law and how she doesn't wish to create a disturbance. Ismene further explains how women were supposed to behave in an orderly fashion rather than question the laws. Her quiet behavior is distinctively different than Antigone's outgoing …show more content…
Her assertive behavior is a quality that isn't normally favored on women. Antigone’s individuality separates her from other women of her time. Ismene, on the other hand, is portrayed as a helpless woman who refuses to do anything that could potentially endanger her life.The character of Ismene lacks courage and shows no signs of bravery and her conformity to the authority protects her life. Though Ismene knows what Creon is doing is morally incorrect she must “yield to those in authority(192)” or else risks the danger of losing her life. Ismene continuously takes on the prevalent subordinate role of women and gives into the law whereas Antigone displays the courage to follow her conscience against the demands and laws of authority. Antigone’s strong will and courage to stand up to the king makes her an admirable heroine. Her unique qualities are amplified when compared to Ismene whose beliefs are contradictory to her sisters. Ismene's passive behavior adds a veil of color to the background simply just saturating the importance and uniqueness of Antigone's
In the play Antigone by Sophocles, Ismene and the Chorus can be seen as the well meaning but silent people who don't take action in the story. Ismene is initially afraid of the punishment she could face if she is caught and she claims that she cannot disobey King Creon because “Women? Defying Creon? It’s not a womans place. We are weak where they are strong (10).” In this conversation Ismene states that women don’t have the right or power to defy the law or men, and women “must do what we [they] are told (10)” which is why she refuses to help Antigone. Ismene does not stand against authority to do what is morally right, which leads Antigone to bury her brother alone and doesn’t allow Ismene to take part in the punishment since Ismene wasn’t brave enough and doesn’t deserve the same fate as Antigone. Like Ismene, the Chorus is fearful of King Creon’s punishment and they do not speak against him because they respect him. The Chorus also sees Antigone as rash and disrespectful towards the king which is why they mostly side with the king. However, it can be seen that the Chorus sides with Antigone in part of the play because they see King Creon’s punish...
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
Sophocles depicts that family is superior to authority by showing how bloodline is a sole part of one's identity, that listening to one's heart over one's mind in making a decision is preferable—especially when it comes to family—and how relationship are more important than rules. In Greek society following the king's rule and laws put forth was commenced and even expected however adhering to one's family and most importantly the gods is a compulsory act. By contrasting the notions of the two sisters- Antigone and Ismene- as both give importance to family- Antigone follows her dedication to her bloodline, while Ismene favors obeying authority. Antigone does not falter with her actions even when Ismene firmly argues against her stating: “Bury him!
At the beginning of the play, Antigone brought Ismene outside the city gates at night for a top secret meeting. Antigone wanted to bury her brother Polyneices' body because even though he died in dishonor he was her brother. Ismene refused to disobey the king which is also their Uncle Creon, and she failed to talk Antigone out of doing the act herself. "Consider, sister, how our father died,/hated and infamous; how he brought to light/his own offenses..Then, mother...did shame/violently on her life, with twisted cords. Third, our two brothers, on a single day...Each killed the other, hand against brother's hand." (Antigone, Lines 59-65) In this quote, Antigone justified her reasons for going against the law describing how her parents went through so much, how their father was banished and due to this their mother had committed suicide because her reputation went down to the drain, even after all that their two brothers went into battle against one another and died in the process. Ismene was sympathetic, but still she was noble and afraid of Creon so she did not offer her help to Antigone.
Due to the actions she took based on her emotions, Antigone suffered a far worse fate than Ismene. During her conversation with Ismene, Antigone says: “Ismene, I am going to bury him” (Sophocles, 3). To this Ismene replies with: “Bury him! You have just said the new law forbids it” (Sophocles, 3). This is the first time we experience the difference in the sisters’ behavior. Antigone has decided to bury Polyneices, although Creon’s new law forbids it. She believed that the God’s proclamation means more than Creon’s, and tells Ismene: “I will bury the brother I love” (Sophocles, 4). Ismene, on the other hand, knows that this action is forbidden by Creon’s law and isn’t willing to break it. She says: “But think of the danger! Think what Creon will do! [...] Think how much more terrible than these our own death would be if we should go against Creon and do what he has forbidden![...]The law is strong, we must give into the law in this thing, and in worse. I beg the Dead to forgive me, but I am helpless: I must yield to those in authority. And I think it is dangerous business to be always meddling” (Sophocles, 3-4). Ismene clearly respects the law and knows the repercussions of breaking it, something that Antigone chooses to ignore.
Although Antigone has a bad reputation with Creon, and possibly Ismene, for being insubordinate, she stays true to her values throughout the entire play by following the law of gods, not so that she could appease them, but because she admired its value of honor and respect to loved ones that have passed away. This devotion and determination to give her brother a proper burial shows the true essence of her being: that loyalty to family is in fact hold above all else.
Ismene believes that women are “underlings” (76) and not “contend[ing] with men” (76) because she knows that men will always control society. This viewpoint of men’s domination of women depicts Ismene to be submissive to males while being fearful of men’s authority. Ismene is unable to have control over her destiny and decisions because she is fearful of men’s power over women, which leads to her refusing to bury Polynices. Later in the play, Ismene questions Creon’s judgment by saying “you’d kill your own son’s bride?” (641) which indicates that she is now aware that woman should have a voice and power in society. Her new understanding of Antigone’s message gives her the strength to query Creon, while additionally highlighting his cruelty. Ismene’s original belief of “submit[ing] to this” (77) and being a proper Greek girl, eventually transforms into becoming an advocate for Antigone. Her transformation defies men’s authority, the opposite of what she used to believe in.
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Elizabeth Bobrick’s Sophocles’ Antigone and the Self-Isolation of the Tragic Hero declares “the heroic code may be summarized as follows: I protect my philoi—a term that includes family, kin, loved ones, and loyal community members—and they honor me. To hate my friend is to hate me. To help my enemy is to harm me. Being dishonored by my philoi is the equivalent of death. I will either kill them, or myself, or both.” This can explain Antigone’s excessive desire to bury her brother and even further be supported in lines 25-28 when Antigone challenges her sister’s loyalty. Aristotle himself said that a tragic hero should be neither better nor worse normally than a normal person. With that being said Antigone’s sister, Ismene, was in the same position as her. Originally invoking a sense of naturalism this changes with Ismene’s refusal to help bury their brother. The lack of support for Antigone’s plan leaves her no choice, but distances herself from her sister who obviously doesn’t share the same family loyalty beliefs as her (Lines 77-81). Ismene later in the play tries to claim some guilt in order to help Antigone’s cause. Yet again, Antigone refused to allow her sister to assume any punishment for her crime. Sophocles, Peter Meineck, Paul Woodruff’s Theban plays acknowledges Antigone would rather be dead with her brother than alive with a husband (Line 55-58). This is
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
In meeting Ismene, the reader is introduced to a wiser and obedient woman in terms of her understanding where she stands socially and realizing the consequences of rebellious actions. Ismene, throughout the play, serves as a tool by helping Antigone to become more resolute in her actions. Ismene has suffered just as much as Antigone, "no joy or pain has come my way" (16) Ismene says. Yet although she concedes that the sisters "were robbed of our two brothers" (17), she still accepts the will of the King "I must obey the ones who stand in power"(18).
When Antigone comes to her sister for assistance in burying their brother’s body, Ismene refuses. While this may be seen as an example of her cowardly, docile nature, such as how the line “You ought to realize we are only women” (61) is often interpreted, it shows that Ismene was aware of where she stood in Theban society. It is common knowledge that Ancient Greece was a patriarchy, with women holding little to no political power. Even beyond the fact that she and Antigone are women living in a male-dominated society, Ismene recognizes how low their family has fallen, with herself and Antigone being the children of a kin-slayer and his wife. A reasonable person in Ismene’s situation would most likely have acted in a similar manner, as it would be far too great of a risk to defy Creon. Ismene was simply aware that no one would come to the aid of Oedipus’s daughters when they faced “the edict of death”
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Antigone’s own excessive pride drives her to her defeat. Her arrogance and strive for self-importance blinds her to the consequences of her actions. Ismene, Antigone’s sister, rejects to take part in the crime leaving Antigone all on her own. Ismeme declares “why rush to extremes? Its madness, madness” (Sophocles 80). Ismene fails to comprehend the logic behind her siste...