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Recommended: Identity development
In the poems “Feliks Skrzynecki” and “St Patrick’s College”, Peter Skrzynecki explores the relationship between understanding and belonging through his experiences, both with his father and at school. Brandon Sanderson delves into the effects prejudice can have on acceptance in the novel “Mistborn: The Final Empire”. These texts all demonstrate how inclusion can be prevented by a reluctance to accept or engage. Peter feels estranged from his father in “Feliks Skrzynecki” and disconnected with his school in “St Patrick’s College”. The concepts of disconnection and estrangement are further revealed in “Mistborn: The Final Empire”, along with perceptions of exclusion. Collectively, the texts
Peter experiences a sense of separation from his father
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in “Feliks Skrzynecki”, causing him to feel unaccepted. Peter believes he is neglected by his father; this, along with his inability to relate to his father, leads to an attitude of estrangement. This attitude is demonstrated through Peter’s description of his father, stating he “Loved his garden like an only child.” This simile reveals Peter’s belief that his father cares more about his plants than he does his son. Peter cannot comprehend the importance that a garden can have to someone, and so he feels disconnected from his father. Peter’s critical observations that his father’s “Polish friends / Always shook hands too violently” is a form of hyperbole, and further demonstrates how Peter is judgemental of his father’s behaviour. Peter does not attempt to understand the reasons behind his father’s actions, and instead criticizes what his father does. Peter’s separation from his father is shown when he states his father “Watched me pegging my tents / Further and further south of Hadrian’s Wall.” The metaphor demonstrates how Peter believes his separation is only worsening, and does not believe he and his father can be reconciled. Peter experiences feelings of disconnection and alienation due to his lack of understanding of his father. Dissatisfaction and disaffection are important themes in “St Patrick’s College”.
Peter feels resentment towards his mother for enrolling him at school, where he experiences disaffection. He believes his mother was “wanting only / “What was best”.” Peter directly quotes his mother to show how she did not think for what he wanted, but instead focused on what she thought would be better for him. “St Patrick’s College” and “Feliks Skrzynecki” both explore Peter’s dissatisfaction with his parents. Peter could not rationalise her mother’s actions, preventing him from accepting her and the school he is forced to attend. Similarly, Peter does not understand his father’s culture in “Feliks Skrzynecki”. During Peter’s initial experiences at St Patrick’s College, he “stuck pine needles / Into the motto / On my breast”. The stabbing of his school motto symbolises his disaffection towards the school. Peter has no emotional connection with his school, and humorously mocks the school’s motto - “Luceat Lux Vestra / I thought was a brand of soap.” The latin phrase meaning “let your light shine” is misunderstood by Peter to be a brand. This represents Peter’s disconnection with the school, as he is unknowledgable about the school’s culture. The phrase is later used in a powerful metaphor at the end of the poem, “That the darkness around me / Wasn’t “for the best” / Before I let my light shine”. Peter uses both his mother’s words of “for the best” and the school motto to demonstrate his dissatisfaction towards his mother and his school. He is bitter towards his mother for enrolling him at St Patrick’s College, and describes the school as “darkness”, restricting him until he graduates. That is when he can “let his light shine” - when he is free from the school’s restraints. Peter’s lack of appreciation for both his mother and his school is expressed in
censure.
He needed to make the choice to stop yearning to find that sense of belonging in physical aspects of his life such as described in this quote, ‘machinery, clothes, transport, a Victorian bedroom – hay knife, draining plough, shoulder yolk, box iron.’ Illustrated by the quote, and the use of asyndeton, Skrzynecki is listing off all these different relics as he sees them but does not find a connection with. In the line, ‘I look at words’ the short diction, word choice and line length shows us different variations of disconnection. He is looking at these relics and says they are ‘to remind me of a past that isn’t mine.’ How is one supposed to remember a past they never knew? Rather than try to uncover a past he had no connection with he ought to have sought solace in the present. Things he could connect to without his Polish heritage. In the third stanza, Skrzynecki uses the quote ‘the grey clay bottle that’s cold as water to touch.’ This simile and use of the word cold is symbolic of his uncomfortable interaction with the museum. Belonging is the feeling and sense of warmth and light. When
The juxtapositions of text and image, the places where text shifts from short prose passages to more traditional poetic line breaks, and the works of art draw readers to their own understanding of the unconscious prejudice in everyday life. Thus, Rankine has the capability to push her readers with the use of the second person, where the reader is really the speaker. This method helps establish a greater unity of people, where she chooses to showcase her work as a collective story for many. In this way, she guides the reader with the second person toward a deeper understanding of the reality of a ‘post-race world’, allowing the reader to experience the story as if it’s their own. The final section, focuses on the themes of race, the body, language and various incidents in the life of the narrator. In the end, Rankine admits that she, “…[doesn’t] know how to end what doesn 't have an ending” (159). It is what her audience chooses to do with the newfound self that they find, where their standing on the reality of differences
In the first section Skrzynecki suggests that the physical journey is both literally and metaphorically away from Europe and the tragedy of war and represents the undertakers’ changing perspective. The introductory stanza of the first section immediately describes the undertaking of the physical journey which the poet implies is an escape but the voyage is described in an ambivalent tone. The adjective many denotes the fact that there was a whole mass of the immigrants and heat implies that the discomforting and cramped situation of the migrants wasn’t pleasant. Never see again emphasises the fact that these people are migrating and will never return to their homeland. The migrants’ physical description Shirtless, in shorts and barefooted stresses the lack of their belongings as they’ve left everything behind and their milk-white skin implies that their skin colour isn’t right for their adopted country, Australia and depicts that they won’t be comfortable there. The second stanza’s description of the migrants with the imagery of shackles, sunken eyes, ’secrets and exiles portrays them in disgrace as if they are running away from their homeland. Their sunken eyes also conveys their hardship in suffering and the war’s adversity and the shackles further emphasises their oppression and their confinement. To look for shorelines implies their desire to purge their suffering and inner turmoil as they find some consolation and hope in starting a new life. The last word of the stanza exiles implicates their expulsion from their land in fact they actually chose to leave.
Everyone has once been someone that they aren’t necessarily ashamed of, but something they aren’t anymore. When you’re in school, everyone is different; between the popular kids, the jocks, the cheerleader, the dorks, the Goths, and all the other “types” of people. In “Her Kind,” Anne Sexton shows that she has been a lot of different women, and she is not them now. In this paper we will be diving into the meanings behind the displaced “I,” the tone and reparation, and who Anne Sexton really is and how that affects what she is trying to let people see through this poem.
Abuse is a difficult and sensitive subject that can have long lasting effects. These traumatic emotional effects are often intensified if the abuse happens at a young age because children do not understand why the abuse is happening or how to deal with it. There are many abuse programs set up to counter the severe effects which abuse can have. Even more, poets and writers all over the world contribute works that express the saddening events and force the public to realize it is much more real than the informative articles we read about. One such poem is Theodore Roethke’s My Papa’s Waltz which looks carefully through the eyes of a young boy into the household of an abusive father. Robert Hayden’s Those Winter Sundays is a similar poem from the perspective of a young adult reflecting back on the childhood relationship with his father and the abuse his father inflicted. These poems are important because they deal with the complex issues surrounding the subject of abuse and also show the different ways which children react to it. My Papa’s Waltz and Those Winter Sundays are similar poems because they use tone, imagery, and sounds and rhythms to create tension between the negative aspects of abuse and the boys own love and understanding for their father.
The poet explores this notion in the poem ‘Kornilia’, when written Kornilia the other of Peter is reluctant to the change that Is occurring as her son adapts to the western culture. Kornilia questions herself as to where she went wrong with Peter “Where did I go wrong?” the tone and imagery in this is reluctance and regret towards her son and the overall cultural displacement. This influences the mindset that change is a given. This poem portrays change as a device that influences our thinking, that change at times is undesired. Over time within the poem it is a clear image of unwillingness to adjust to the change she is now forced to face which in hindsight is a positive progression for the family, Kornilia has not progressed she begins to be withdrawn from her “new world” and stilling longing for the old. To further highlight the uncertainty of change the use of metaphors helped convey the concept “Her feet make no imprint” Kornilia stayed constant she was at a halt, she didn’t change she refused it. The change in her life wasn’t only altering her lifestyle but was changing her only son
Conclusion: In all, racial oppression and identification is a concurrent theme in Butler’s works that have been discussed. Butler’s examinations involving the sense of pride and passion towards uniqueness and individualism are evident in many different perspectives. In Butler’s works, the passion the main characters have towards themselves in an alien world teach the reader important values and lessons against negativity and racial discrimination.
The story of this poem tells about a young boy that is lured in by the sensuousness of the moon, and then dies because of his own desire for her. The symbolic meaning is much more hidden and disguised by the literary elements of the poem. The storyline and aspects of the literal story add meaning when searching for the figurative meaning. The warning learned from this poem is that infatuation with anything can lead to a downfall. The moon seemed to offer a comfort that attracted him, but it was only a disguise to lead him to death. The passion the young boy felt for the moon can easily be modified to describe the passion a person can feel for anything. The young boy saw safeness in the moon that brought him closer to her. Any obsession will seem to offer the same comforts that the young boy also saw, but this poem warns that death can always disguise itself.
The speakers and audience in poem are crucial elements of the poem and is also the case in these poems. In the poem Untitled, it can be argued that the poem is being written by Peter based on what his father might say to him...
Racial discrimination has been an issue among different cultural groups, ethnic races and many religions. It is an issue that has stopped people from becoming well diversitized and embracing multiculturalism, especially during the olden days where slavery and wars were a huge part of the world. Racism has created a separation between people, causing many dilemmas’ to arise. This problem has been seen and touched upon throughout many works of literature and verbal presentations. A discourse on racial discrimination will be used to exemplify how individuals abuse their rights, categorize humans and ill treat others through an exploration of the texts in, Snow Falling On Cedars and The Book of Negroes. These novels have given an insight of the discrimination between different classes of people and the unfavorability of one’s kind.
Fong, Bobby. College Literature. N.p.: n.p., n.d. Vol. 17 of Roethke's `My Papa's Waltz'. Academic Search Premier. Web. 2 Dec. 2013. .
Gregor Samsa and Ivan Ilyich cast a light on the intolerable conditions they experience, which originate from the inability to fit in and have a connection with their surroundings. The incessant search for a place of belonging by both characters stems from what society and family thinks is standard; Ilyich and Gregor think they will find belonging if they follow society’s rules. Kafka must utilize Gregor’s metamorphosis or dehumanization to separate Gregor from the rest of the world. Likewise, Tolstoy utilizes Ivan Ilyich’s torment and suffering to separate himself from society, and thereby criticizes society for imposing conventional rules. Only through these comparisons and referrals to dehumanization suffering can the reader truly understand and empathize with the drastic alienation and agony experienced by both characters.
The continuum of society’s inequality towards its citizens has been long perceived. The notion of equality that spurs from within peoples’ hearts will surely lead to disappointment, for humanity’s negativities alter an individuals composition. Society, a mental concept, has not only discriminated against its occupants but instilled alienation as well, which leads to a sense of incompletion. In his novel, Never Let Me Go, Kazuo Ishiguro displays the ongoing struggles of inequality that are present in society. This message is strengthened through the representation of an array of humane elements such as acceptance, hope, love, aspirations, freedom of choice, and societal pressures. Kazuo Ishiguro incorporates narrative conventions to convey the negativities of humanity and its respected society through the portrayal of the truth: Humanity’s barriers blocking one’s fully realized composition leads to lack of fulfillment, from a range of literary theory.
Mangelwadi and Falk both promote good ideas about science and Christianity and their relationship to each other. Mangelwadi uses the bible to help explain the Western Cultures importance in history. He thinks that Western Civilization is only the way we know it because of the Bible and Christians views within the World. Western Civilizations rise for importance for science began when the bible inspired Christians to recover God’s command for human dominion over nature. Mangelwadi explains that the scientific method grew out of the theology that these Christians held, and that science is understandable because God created the world as a rational and ordered creation that is regulated by natural laws. He further suggests that by understanding
“It may be that writers in my position, exiles… are haunted by some sense of loss, some urge to reclaim, to look back, even at the risk of being mutated into pillars of salt”1 said Salman Rushdie. The loss and love of home is not what constitutes an exilic existence; what actually and in true sense constitutes it is the chasm between carrying forth and leaving behind and straddling the two different cultures from two different positions. In my paper, I propose to look at the two sides of an exilic existence- the negative that which has the horrors and trauma with reference to Adorno and Said; and the positive, that which provides the intellectuals and writers a critical and reflective insight, and here I would refer to JanMohamed and Salman Rushdie with special reference to Said’s “contrapuntal” effect. I would then proceed to the ‘enabling’ aspect of exile which involves the agential process of hybridity where I will bring in Homi K. Bhabha’s take on it and his concept of “third space”.