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Issues around race
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Although Federico García Lorca is no longer with us today, his impact on the poetic world has made him a well-renowned Spanish poet of his time (bio.). Lorca grew up close to the city of Granada, Spain (Stainton). He is most famous for his Romancero gitano, Llanto por Ignacio Sánchez Mejías, and his popular plays (Stainton). As Lorca grew older the problems he underwent in respect to his personal life affected both his poetic style and his themes (PoemHunter.com). Lorca’s homosexuality and his failure in multiple relationships, such as ones with artists Dalí and Aladrén, led him to the point of depression (PoemHunter.com). In order to escape from his personal problems, Lorca ventured to the United States (PoemHunter.com). There, he beheld firsthand the effects of the Great Depression as well as the stock market crash during his stay in New York, which plunged many into poverty (The New York Times). “He had witnessed racism firsthand in America, and he saw the similarities between the condition of blacks here and of women and gays in Spain. Without the experience in New York, Mr. Young says, he might not have written his elegy ‘Sonnets of a Dark Love,’ …(The New York Times)”. As a result of his homosexuality and experiences with discrimination in New York, Federico García Lorca communicates his hope for a more accepting world through his poetry.
Lorca’s poem “Love’s Wounds” from his collection of Sonnets of Dark Love illustrates the pain he is undergoing as a result of his homosexuality. Lorca’s “Sonnets of Dark Love”, “…were written in 1935, inspired by Lorca's love affair with Rafael Rodriguez Rapún (Archer)”. Lorca’s homosexuality is the focal point of this poem and includes multiple references to the suffering he is enduring ...
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...that love is being submerged and destroyed in New York. Lorca’s life is similarly represented in this light, based on the failures in relationships that he has undergone.
Homosexuality is a central theme in the majority of Lorca’s poems. His fear of loss and isolation are reflected in his pleas to his beloved, emphasizing upon his desire for acceptance. He describes the darkness that society finds in his love while simultaneously depicting that his love is misconstrued. Lorca also highlights the internal pain he is undergoing by symbolically portraying the internal breakage he feels. Furthermore, he also portrays his desire to be granted the freedom to love like any other human being. Humanity still to this day has not embraced the idea of acceptance and equality of all. However, steps in that direction are being taken, in line of Lorca’s hope for a better future.
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...
The Life of Gabriel Garcia Marquez Exposed in His Works The majority of literary critics would not hesitate in praising the works of Gabriel Garcia Marquez. Garcia Marquez is often considered one of the greatest writers to come out of Latin America. Born in Aracataca, a small town in northern Columbia, he was primarily raised by his maternal grandparents (Britannica). Biographies often indicate a presence of a large community including an abundance of relatives when describing his upbringing (Macondo).
Federico Garcia Lorca was born in 1898 and died in 1936, he lived through one of the most troubling times of Spain's history. He grew up in Granada, Spain, and enjoyed the lifestyle and countryside of Spain. His father was a wealthy farmer and his mother was a school teacher and encouraged his love of literature, art, and music. He was an extremely talented man. A respectable painter, a fine pianist, and an accomplished writer. He was close friends with some of Spain's most talented people, including musician Manuel de Falla, and painter Salvador Dali. Lorca was a very liberal man who lived un dictatorship for most of his life. However, in 1931 Spain turned into more of a democracy, and was called "The Second Spanish Republic." However, fascist leader, Francisco Franco, was trying to gain control of Spain. Known as a leftist, Lorca was killed by Franco's forces. What are considered to be his three most important plays, referered to as folk tragedies were: Blood Wedding, Yerma, and the House of Bernarda Alba. They really drove home his feelings of the Spanish culture, and, in particular, its treatment of women.
Federico Garcia Lorca’s “Romance de La Luna, Luna” is a Spanish poem that tells the story of a young gypsy boy and the moon. His love and infatuation with the moon leads to his death. This poem not only tells the story of this young child’s demise, but also shows the effects when someone is lured in by an appealing temptation.
Love, as with all other things, brings pain and suffering. Suffering is an emotion individuals encounter everyday, some more than others. “How to Watch Your Brother Die”, Michael Lassell uses point of view, dialogue, and contrast of language to better exemplify the challenges of homosexuality in today’s society through the eyes of an orthodox straight man, and how the death of a homosexual brother has influenced the main character’s attitude towards his brother, his brother’s lover, and life itself.
Throughout the history of literature, love has always played a large role in plot because it is a feeling that is universally shared by all humans and has been throughout human history. Spanish culture specifically, tends to be a culture more associated with romance and love than others. It is no surprise that because of this high importance placed on love and romance in Spanish culture that many Spanish authors and playwrights incorporate some form of love into all of their works. Lope De Vega was no exception and was one of the most famous playwrights of his time during the Spanish Golden Age. Something that makes Lope’s plays, specifically some of his unpublished ones such as Fuenteovejuna and Punishment Without Revenge so interesting is not the presence of perfect, harmonious love but rather of corrupt and distorted love within the characters’ relationships in his plays. By writing plays involving imperfect love, Lope comments on the culture around love and marriage of his time and even criticizes it, something Spanish audiences during this time were not ready to handle, which is the reason why some of these plays were never published until recently.
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Physical separation is a powerful obstacle that is sometimes faced by those bound to each other in love. It brings about intense emotional pain and can hinder any relationship with which true love is at its core. Shakespeare’s Sonnet 56 involved two lovers that experienced physical separation as a stumbling block in their kinship. The “sad interim” with which the lovers found themselves suffering caused the intensity of their love to vanish. With their love fading quickly, the two desired for “sweet love” to “renew thy force.” They wanted their love for each other to be “blunter be than appetite, / Which but today by feeding is allayed, / Tomorrow sharpened in his former might.” They wished for a love like hunger, constantly returning and needing to be quenched. However, due to their separation, the people’s “spirit of love” had become “a perpetual dullness.” The “hungry eyes” of their love would “wink with fullness” and had lost its potency and strength. In order to repair the love that had waned, the lovers longed to “Come daily to the banks” of the ocean so that the “Return of love” could come to their relationship, and they desired “this sad interim” to be “winter, which being full of care / Makes summer’s welcome thrice more wish’d.” Sonnet 56 was a sad story in which separation caused two people’s love to become dull and boring. The obstacle of separation was also evident in the relationship between Hero and Claudio found in the play, Much Ado About Nothing. At the beginning of the play, Don Pedro and some of his men returned to Messina after battling in war. One of the men that Don Pedro brought with him was young Claudio. Claudio was highly respected in the eyes of Don Pedro and had exceptional war performan...
Gabriel Garcia Marquez, author of Love in the Time of Cholera, depicts his characters by having them act in certain ways, in ways of love and care towards others. Each character acts certain ways to certain people, either to gain respect, love, friendship or hatred. Marquez’s character Florentino Ariza, is desperately in love with Fermina Daza, a beautiful young lady (early in the novel), who promises him her hand in marriage then breaks that promise by marrying Dr. Juvenal Urbino. Although heartbroken Ariza’s love for Fermina would still continue over many long years, thus showing how much he was in love with her.
Therein lies the unique chance for a sick soul to heal, to be cleansed and rested. But good cannot come of evil, and so the sickness of his soul only further infects his state of being. His mental disintegration, once proposed to be on purpose, continues uncontrolled. In the desert of his mind, void with the utter emptiness of the knowledge of death (his father's and the death of his faith in his mother) lies the supreme enemy to neurotic despair: romantic love. For romantic love assures power, it can create a sense of purpose, inspire heroism and beauty.
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
In “Sonnet 43,” Browning wrote a deeply committed poem describing her love for her husband, fellow poet Robert Browning. Here, she writes in a Petrarchan sonnet, traditionally about an unattainable love following the styles of Francesco Petrarca. This may be partly true in Browning’s case; at the time she wrote Sonnets from the Portuguese, Browning was in courtship with Robert and the love had not yet been consummated into marriage. But nevertheless, the sonnet serves as an excellent ...
Miguel de Cervantes' “Don Quixote” is one of the finest books ever written. Cervantes makes us love Don Quixote and Sancho Panza. He puts that love to the test through various misadventures that seem to come from a place of fantasy. Instead, the Don and Sancho educate one another (and us) in reality through their conversations and cause otherwise hidden aspects of reality to appear.