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Theme of love in literature
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Penelope Word once said, “Love cannot exist without fear.” In other words, when an individual experiences the power of love, they are almost guaranteed to face the fear that comes along with it. One can perhaps argue that love and fear are the of the two most powerful emotions, and their ability to influence one's actions is like no other. Cormac McCarthy considers this idea in his novel The Road and reveals the twisted relationship between love, fear, and desperation in a dystopian society. Throughout the novel, it is clear to see that McCarthy attempts to portray love as an all-powerful emotion that leads to desperation and fear based on an analysis of the man’s relationship with the boy and his wife.
McCarthy illustrates that love can lead
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to desperation as seen through the relationship of the man and the boy. Throughout the entire novel, the man is desperate to find himself and his son food so that they will not die. In fact, he is so desperate that it clouds his thinking and causes him to make foolish decisions. For instance, after having no food and very little sleep for five days, the man and the boy stumble upon a house. Willing to do anything it takes to stay alive, they enter the house and find a hatch in the floor that is locked with a large padlock. The man, oblivious to the signs of danger surrounding him, decides to open the hatch only to find a room filled with half-eaten people. Upon entering the house, the narrator clearly describes the situation: “Piled in a windrow in one corner of the room was a great heap of clothing. Clothes and shoes. Belts. Coats. Blankets and old sleeping bags” (107). If the man had not been so desperate to find food, it is likely that he would have noticed all the extra clothes laying around and seen it as a sign of cannibalistic danger. Instead, his love for the boy is so great that it creates a severe sense of desperation in order to keep him alive. As a result, this makes the man oblivious to the things around him, putting the life of both himself and his son at risk. The narrator even mentions that the man “would have ample time later to think about that” (107), referring to the many signs of danger that he failed to notice before opening the hatch. As the protector and caregiver of the boy, the man is very anxious to find food so that they will not die. Consequently, the man’s hunger and concern for the boy clouds his thinking and causes him to be unsuspecting. It is not until after he makes the mistake of opening the hatch that he realizes he let his love for the boy and desperation to find food get the best of him. The relationship between the man and his wife also supports McCarthy’s argument that fear is a direct result of love.
For example, during one of the flashbacks that the man has near the beginning of the book, it is clear that the wife’s choice to kill herself is solely an act of fear. She cannot bear the thought of seeing the two people she loves most waste away in such an odious world. This is confirmed during an argument between the man and the wife when the wife asserts: “Sooner or later they will catch us and they will kill us. They will rape me. They’ll rape him. They are going to rape us and kill us and eat us and you won’t face it” (56). The wife loves the man and the boy so much that she would rather kill herself than face her fear of seeing them die. In this case, love leads to a fear stronger than any other: the fear of death. Additionally, McCarthy’s argument about love is further supported during the same flashback when the wife refuses to say goodbye to the boy before killing herself. In the flashback, the man requests for his wife to say goodbye to their son; however, it soon becomes clear to the reader that she chooses not to do so when the narrator explains how the boy was left to infer his mother’s death: “In the morning the boy said nothing at all and when they were packed and ready to set out upon the road he turned and looked back at their campsite and he said: She’s gone isn’t she?” (58). While the reason that the wife does not say goodbye to the boy is …show more content…
unclear, it can easily be assumed that she is simply afraid to face him. Her love for the boy is so great that it has caused her to completely forgo saying goodbye to her son out of fear that he will make her second-guess her actions. Perhaps she is afraid that the boy will see her as a faithless coward. Whatever this fear is, it has caused her to leave her son in the dark, showing the connection between love and fear and the influence it can have on an individual. However, some would argue that McCarthy’s central argument about love and relationships is that love prevails even in the darkest and most dismal of times.
For example, when looking at the death of the man at the end of the novel, we see the man break his biggest promise to the boy: never leaving his side. As the man is dying, the boy laments, “You said you wouldn't ever leave me” (279). This gives the boy all the more reason to hate the man for his lies. However, following the man's death, the boy “sat there a long time weeping… he knelt beside his father and held his cold hand and said his name over and over again” (281). While the boy had every reason to be mad at his father for leaving him to fend for himself in this hideous world, he is loyal to the man and stays by his cold, dead body for three days, promising to never forget him. This clearly illustrates that no matter how devastating or traumatic an experience may be, love continues to conquer all other emotions. It is easy to see how some people would consider this to be McCarthy’s central argument about love and relationships; however, it is simply illogical. While love does appear to prevail in this particular situation, this is not the case throughout the rest of the novel. In many cases, we see that love does not win, but rather it creates an excess of fear in any given individual. For instance, we can see this when analyzing the actions of the man. The man is constantly telling the boy not to trust anyone,
attempting to take all precautions in order to keep his son alive and well. The man loves the boy more than anything, consequently instilling a constant fear of losing his son in his mind. After a close analysis of the text, it is clear to see that McCarthy portrays love as an all-powerful emotion that instills fear and desperation in those who experience it. For example, this can easily be seen when looking at the relationship of the man and the boy. The man is constantly looking for ways to protect the boy because he loves him so much and is afraid of losing him. Additionally, McCarthy’s argument about love can also be seen through the actions of the wife. Her love for the man and the boy is great that she would rather kill herself than live to see them suffer. It is true that love cannot exist without fear, and with fear comes great desperation.
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
John Grady begins the story with no answers, and at the end he still doesn’t have a clue. There is no resolution for him; there are only more questions, conflicts, and misunderstandings. I think that McCarthy’s point is that to live romantically is to live without cause, without real hope, and ultimately without love. Despite the author’s obvious compassion for John Grady and his idealism, he shows us through romantically descriptive writing that a romantic lifestyle cannot work in this world. The book ends with John Grady riding out into the sunset, having learned nothing, with no place to go.
In Raymond Carver’s “What We Talk about When We Talk about Love,” Mel McGinnis’ occupation as a cardiologist, a physician that mends broken hearts, stands in stark contradiction to his claim to understanding the workings of the heart as it pertains to loving and being loved. The discord between healing his patient’s heart and his inability to recognize his own heart malady is exaggerated by how he deals with the relationship of Ed and Terri, as well as that of the elderly accident victims and his ex-wife Marjorie. As both the dominant and dominating character in the story, Mel has very strong ideas about love. He believes that “.real love is nothing less than spiritual love” (137), something reinforced by his seminary training. This commitment to proclaiming real love is synonymous with spiritual love, however, is quickly brought into question when the topic of his current wife Terri’s former relationship with her abusive ex-husband Ed is brought up.
This story contains an almost equal balance of good and evil, though it also raises questions of what is truly good. It blurs the line between good and selfish or thoughtless. Characters’ actions sometimes appear impure, but in the long run, are good.
Although finding food was a struggle for them, the man always put the boy’s health before his. The man made sure the boys thirst and hunger was always gone and that he had food to eat and drinks to drink. “He took the can and sipped it and handed it back. You drink it, he said. Let's just sit here.” (Page 27). In this quote, the man gave the boy the last of the soda but the boy got upset that the man didn’t take any, so the man took a sip and proceeded to give it to the boy. This is important because the father knows that he’s thirsty and could kill for a drink, but he knows that this is the first and last soda the boy would ever get. “He'd found a last half packet of cocoa and he fixed it for the boy and then poured his own cup with hot water and sat blowing at the rim.” (Page 18). This quote shows us too that the man always made sure that the boy got the better part of the deal. The boy got to drink cocoa but the man just drank hot water. The father does this because he got to live through his childhood without this apocalyptic world but the boy only lived a few years that he really doesn’t remember. These quotes show paternal love because they explain how the father always puts the son before him. Through all of the actions the father takes, it shows us how much he really cares about the son, and that his son is his only hope and his fire for
McCarthy uses morbid diction to display a desperate tone about humanity to prove desolation can cause one to act in horrendous ways. In the novel the man and the boy had seen the smoke rising from the
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Tom Wolfe's novel The Right Stuff, gives an accurate description into the lives of the first astronauts and rocket-powered aircraft test pilots, from their careers before, during, and after their selection to become astronauts, through to their private home lives. All throughout his book, Wolfe refers to "the right stuff" and "this righteous stuff" without ever saying upfront what "the stuff" really is. I have concluded that throughout the story, "the right stuff" is simply courage. I would personally define courage as: The willingness to put yourself in a potentially dangerous situation. It is never easy to put yourself into a dangerous position, this is because our brain is programmed for survival, but there are ways to better equip our brain so that these situations become less dangerous. A couple of these ways are with our natural instincts and good training.
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In many works of literature a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediment, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him giving him a type of feeling even if Meursault doesn’t care. Meursault contains occasion of his emotional indifference between his friends and social indifference. This essay will be about the character’s struggle contributes to the meaning of the work as a whole.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.