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Father and children ivan turgenevresponse paper
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Ivan Turgenev’s Fathers and Sons follows two young nihilists finding their place in the Russian society after having just graduated in St. Petersburg, while Russia is in an unstable political situation with a desire to move towards a free-market economy and away from the feudalistic economy. Turgenev uses the multiple opposing views embodied by various characters to portray the political unrest in Russia after the Crimean War. Through the use of figurative language, natural symbolism and transitional setting, Turgenev indirectly suggests a moderate and open-minded view will eventually prevail within the new Russian political system.
Yevgeny Vassilyich Bazarov is a self-proclaimed nihilist, who rejects emotional connections and focuses on the factual aspects of the world. Bazarov is the embodiment of nihilism, the new outlook on life adopted by the Russian youth who idolize western Europe and rejected the Russian traditions of their parents. His arrogance and conceitedness is shown when he is speaking about Sitnikov and states, “You’ve got to understand I absolutely need idiots like that. The gods need someone to do the dirty work!” (106). Bazarov considers himself god-like, which could be a result from the constant adoration he received from a young age from his parents, transcending to others around him, such as Arkady. Thus, his ego stems, not from what he has achieved, but what he is yet to accomplish and his belief that this will have a monumental influence on the Russian society. Despite his character flaws, Bazarov has a magnetic personality, likely resulting from
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He expresses the Russian reformation and social reconstruction by juxtaposing the evolution of his characters and their political stances. He carefully constructs the outcome of each character to communicate his stance on the unstable post-war
The short story, “Ivan Fyodorovich Shponka and His Aunt”, explicates the life of a man named Ivan Fyodorovich Shponka. We see him briefly in his young years, followed by his life in the army, and his return to the farm where his strong characterized aunt resides. We can see immediately that this man lives in constant cleanliness and dutiful paranoia; these are some of his desires that he wishes to exhibit to others. We can also see his fears, which reside in the confiscation of his masculinity and independence. This short story has many elements that resemble others in the Nikolai Gogol collection.
Westwood, J. N., “Endurance and Endeavour: Russian history, 1812-1980”. 2nd ed. Oxford University Press, 1981.
The. Platt, Kevin M. F. and David Brandenberger, eds., pp. 113-117. Epic Revisionism: Russian History and Literature as Stalinist Propaganda. Madison: U of Wisconsin Press, 2006.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
... destroy and reinstate the bonds of family and Russian nationalism. Turgenev explores hoe this generational divide interacts with the division among classes and how the powers of the aristocracy affects the younger generation and feminine identity. Throught these interactions the power of love as redemption is seen in the relationship between Arkady and Katya as well as Anna and Bazarov. The women in Fathers and Sons symbolize the diversity found within the same class and generational margins these women challenge the men they encounter and cease power over their relationships. The struggle for power, between the sexes is dependent upon the roles and social standings of the perspective character. The female characters whether aristocratic or dependent, “mothers” or “daughters” find power in their gender and utilize their womanly intellect to find eventual resolve.
Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...
Firstly, Repin’s life spanned a vast and turbulent time in Russian history. Born in 1844 and living until 1930, Repin witnessed key events such as World War I, the Assassination of Alexander II and the emancipation of the serfs. The latter event played a key role in Repin’s early childhood.
Wood, A. (1986). The Russian Revolution. Seminar Studies in History. (2) Longman, p 1-98. ISBSN 0582355591, 9780582355590
The arena for this ideological contest is Petersburg, full of slums, revolutionary students and petty titular councilors. Scientifically and artificially constructed in the midst of marshland, the city itself is a symbol of the incompatibility of logical planning with humankind's natural sensibilities. The city did not grow randomly or organically, but entirely by czarist decree. Nonetheless, it is a dank and depressing place to live, at least for those in the vicinity of Haymarket Square, where the story takes place. Joseph Frank, Dostoevsky's biographer, says of ...
2005. "The Symbolic Revolution: The Russian Nobility and February 1917." Revolutionary Russia 18 (1): 23-46. Doi:10.1080/09546540500091076.http://resolver.scholarsportal.info/resolve/09546545/v18i0001/23_tsrtrnaf1.
Bazarov is a model of the "new man" of the 1860s. He is a representative of the sons mentioned in the title. These sons are in revolt against the principals of their fathers, the "men of the forties." This projection of the "new man" embodies the views of nihilism. This is the rejection of any values created by society. Bazarov rejects liberal reformism, any attempt to idealize the peasantry, divine faith, and all social customs. He attempts to be totally independent and live a life based on science. His nihilism breaks down after he encounters the emotion of love, which he had stipulated did not exist. Turgenev sensitively alerts us to the changes in Bazarov, by beginning with external changes. ."..unprecedented perturbation: he was easily irritated, reluctant to talk, he gazed around angrily, and couldn't sit still in one place, as though he were being swept away by some irresistible force" (Allen p.644). This is the beginning of Bazarov's tragic story. His sub-conscious is developing new concepts that are anathema to his conscious; as a result, contradictory views exist in him at the same time. When Bazarov acknowledges his subconscious feelings as love and acts on them, he is rejected. This weakens him mentally, which ultimately leads to his death.
Riasanovsky, Nicholas V., and Mark D. Steinberg. A History of Russia. 7th ed. Oxford: Oxford, 2005. Print.
But I am prouder - infinitely prouder - to be a father. A soldier destroys in order to build; the father only builds, never destroys. The one has the potentiality of death; the other embodies creation and life. And while the hordes of death are mighty, the battalions of life are mightier still. It is my hope that my son, when I am gone, will remember me not from the battle field but in the home repeating with him our simple daily prayer, 'Our Father who art in Heaven.' (Douglas Macarthur)
These aristocrats, despite their high education and power, will do nothing to help win the war. They live like parasites on the body of Russia’s society. This is how Tolstoy describes this class in general, but he also depicts two representatives of this upper class, Andrew Bolkonsky and Pierre Bisuhov, who were the more intellectual ones, and whose lives and views of war and life changed as the result of the war. Andrew was interested in a military career, and wasn’t completely satisfied with the czar, while Pierre wasted his life on alcohol – his everyday activity.
After the death of his father, Pavel, who is only a teenaged boy, joins the factory and there he learns the collective power of the proletariat. He discovers that the working class is the real agent of change in society. That leads him to a series of study circles and book-reading sessions in which like-minded, socialist workers actively take part. The studious, caring and politically aware person Pavel becomes a hero of the revolutionary circle.