Fate and Free Will in Chinua Achebe's Things Fall Apart The tragic story of Okonkwo in Chinua Achebe's Things Fall Apart offers many examples of Igbo beliefs regarding free will and fate. Religious life for the Igbo was thoroughly intertwined with secular life. According to the text, the Igbo believed in fate; that nothing happened by chance as every happenstance was the result of Chukwu or God's will. Yet the Igbo also believed that ancestors, lesser gods, and their own chi or personal god also influenced the lives of the living. Thus, if an individual lived in harmony with his ancestors, lesser gods and ultimately Chukwu, that individual would be blessed with good fortune, health and an abundance of children. If, however, an individual lived in disharmony with the deities, misfortune and untimely death would result. (Ohadike xxxii) Free will also affected an individual's life. To an outsider, this dual philosophy of fate versus free will may appear to be a paradox, but one must remember the tragic vision of Western tradition, both secular and religious, that dictates a similar paradox. It is important to note that Achebe was a product of both traditional Igbo society and the colonizing British culture. Therefore, the narrative is influenced by two strikingly opposed philosophies. The tragic hero, Okonkwo, may have been crafted to express, not only the Igbo philosophy of harmony, but the outsider interpretation of a seemingly paradoxical belief system. Achebe's representation of Okonkwo may symbolize the collision of these two conflicting philosophies. The synergy between Igbo spirituality and secular life suggests that harmony among members of society was just as important as h... ... middle of paper ... ...alling apart". Though one may attempt to hypothesize about the representation of fate and free will in the Igbo belief system, the Igbo themselves, as well as the non-Igbo, may interpret these hypotheses very differently. It is quite possible that one could argue that Okonkwo's experience was the result of his own pride and inability to abide by societal norms. On the other hand, Okonkwo's plight can be seen as the result of bad luck and the voracious exploitation by the British. The push-pull dynamics and simultaneity of fate versus free will are inherently driving forces behind the mystery of human existence, and, thus, may not be paradoxical. Achebe's novel is rich in possible intentions and interpretations. It is not a novel easily dissected and labeled. Works Cited Achebe, Chinua. Things Fall Apart. Oxford: Heinemann,1996.
Chinua Achebe?s Things Fall Apart is a narrative story that follows the life of an African man called Okonkwo. The setting of the book is in eastern Nigeria, on the eve of British colonialism in Africa. The novel illustrates Okonkwo?s struggles, triumphs, and his eventual downfall, all of which basically coincide with the Igbo?s society?s struggle with the Christian religion and British government. In this essay I will give a biographical account of Okonwo, which will serve to help understand that social, political, and economic institutions of the Igbos.
Chinua Achebe's Things Fall Apart explores the struggle between old traditions within the Igbo community as well as Christianity and "the second coming" it brings forth. While on the surface, it appears the novel narrows its focus to a single character, Okonkno and his inner battles, one can read deeper into the text and find an array of assorted conflicts in the realm on human vs. human, human vs. nature, human vs. society, and society vs. society. For the purposes of this paper I shall focus on the labyrinth of human vs. human and human vs. society in the framework of the role of women in Igbo society and how men assign and dictate these roles. I will also briefly explain the importance of women in terms of motherhood and wifedom.
One of the most commonly asked questions about the novel Things Fall Apart is: why did Achebe choose a tragic hero, Okonkwo, as the main character in the story. According to Nnoromele, “A hero, in the Igbo cultural belief system, is one with great courage and strength to work against destabilizing forces of his community, someone who affects, in a special way, the destinies of others by pursuing his own. He is a man noted for special achievements. His life is defined by ambivalence, because his actions must stand in sharp contrast to ordinary behavior”(Nnoromele). In my opinion, he chose this type of hero to show the correlation between Okonkwo’s rise and fall in the Igbo society to the rise and fall of the Igbo culture itself. Many commentators have come up with various reasons for Okonkwo’s failure in the novel. Some say that it is just his chi that causes him to be a failure; however others believe it is because he is incapable of dealing with his culture deteriorating before his eyes. In Chinua Achebe’s Things Fall Apart, Okonkwo’s character as a tragic hero is a result of his chi, inability to cope with the destruction of the Igbo culture, and ultimately, his own suicide.
Throughout history women in general have been subjected to gender-based discrimination. The hardships and challenges women endured were based on cultural stereotypes that portrayed women as only somebody’s wife or mother — as if they were property. In patriarchal, male-dominated societies that exist in many, if not all aspects of the world continues to view women as the “weaker sex” who need constant provision and protection. It is that form of male chauvinism that leads to the abuse, suppression, and exploitation of women, especially in developing nations and societies. In the U.S. those beliefs were used to justify the suppression of women’s rights for a period of time which kept and prohibited them from right to vote, hold eminent
Famous French fabulist, Jean de La Fontaine, astutely stated, “A person often meets his destiny on the road he took to avoid it.” People, both in real life and literature, seal their fate through their own actions. The novel Things Fall Apart by Chinua Achebe captures the cultural life of the Igbo people before and after the influences of British colonialism by focusing on a representative hard-working character named Okonkwo. The Igbo believed that Chukwu, lesser gods, ancestors, and their own personal gods were responsible for determining the destiny of one’s life. Through proverbs regarding motivation, achievement, and respect, Achebe communicates that destiny must eventually be accepted.
Okonkwo’s desire for respect motivates his quest to preserve the practices of Ibo culture, while Obierika preserves the practices of the Ibo culture with a more humanistic perspective. Achebe uses the differing approaches of Okonkwo and Obierika in maintaining the cultural doctrines of the Ibo people to reveal his sympathy for Obierika over Okonkwo. Okonkwo’s motives for maintaining the customs of the Ibo originate with fear. Okonkwo kills Ikemefuna while “dazed with fear,” drawing “his machete [to] cut him down” because, “he was afraid of being thought weak” (Achebe 61). Though Okonkwo attempts to appear strong to the people of Umuofia, his fearful motivation speaks to a hidden internal weakness. Okonkwo’s focus on eradicating the taint of “his father’s weakness and failure” and his yearning for respect drive him to kill Ikemefuna instead of the more proper motive of simply effectuating what the Ibo conside...
In the book “Things Fall Apart”, evidence of a social structure was apparent within the Igbo community. This rigid social structure served as a purpose to balance the life of the people within the society, as well as promoting the downfall of the clan. The social structure was important in keeping a centralized society and preventing any sign of corruption within their clan. The social structure had advantages in keeping a balanced and equal society, supporting a division of labor, providing a surplus of food, individual huts, a communal society, and the development of some kind of government. In contrast, this social structure led others to reject to cooperate with the new religion and aided the lack of unity among the people. It also promoted a more patriarchal society, the inferior rank of women, and the lack of strong bonds between family members.
S. Eliot’s poem for the American Literature class, Pagnattaro’s critical essay allowed me to further understanding the meaning of his text. The details of his ongoing and growing anxiety, and insecurity were portrayed more prominently in the story after I have read Pagnattaro’s overview of “The Love Song of J. Alfred Prufrock” text. Her text allowed me to further understand why Prufrock refrained himself from asking the woman he noticed to pursue him. Although his intentions are to pursue her, his doubts and questions against himself overwhelmed him. This resulting in him not being able to move forward towards a good future for himself. These details show how “The Love Song of J. Alfred Prufrock” is not what one might have thought was a mainstream love poem, or something as close to “Romeo and Juliet” by
The Portrait of an Artist as a Young Man by James Joyce is widely recognized by New Critics as one of the greatest novels of its age for its aesthetic artistry. In the Portrait, a powerful autobiographical novel of bildungsroman, commonly known as a coming-of-age story, that follows the life of Irish protagonist Stephen Dedalus, Joyce portraits his momentous transition to adulthood as a passage of psychological struggle towards his ultimate philosophical awakening and his spiritual rebirth as an artist. Most visibly in Chapter Four of the novel, Stephen Dedalus, after the denial of his own priesthood, goes on to seek his artistic personality through his secluded journey amongst a myriad of natural elements. Dramatizing the Stephen’s progression towards his artistic revelation, Joyce deployed numerous image patterns that together insinuate the spiritual transformation of Stephen Dedalus into an “impalpable imperishable being” out of the earthly body of which he is composed of (Joyce 108). Specifically, Stephen’s intellectual transfiguration is largely connected with the symbolic connotations of the clouds depicted throughout his journey, which alludes to his transcending soul, wafting across the celestial heaven yet hovering intimately close to the earth that he belongs.
Before the arrival of the Europeans, Achebe did a excellent job portraying how the life of Igbo was before they were forced to oppose their own culture. To support this theme, Achebe included detailed descriptions of social rituals within each family, the justice system, religious practices and consequences, preparation and indulgence of food, the marriage process and the distributing of power within the men. Achebe shows how every man has an opportunity to prove himself worthy to achieve a title on the highest level, based merely on his own efforts. One may argue that the novel was written with the main focus on the study of Okonkwo’s character and how he deteriorates, but without the theme that define the Igbo culture itself, we would never know the universe qualities of the society that shaped Okonkwo’s life. The lives of the Igbo people was no different to the actual lives of the Ibos people back in the early days of Africa. Just like in Things Fall Apart, in actual African tribes there was never a ruler. “Very interesting thing about these villages is that there is no single ruler or king that controls the population. Decisions are made by including almost everyone in the village” (AfricaGuide). Using the theme, Achebe educated readers on by mirroring real African life in her
Iyasẹre, Solomon Ogbede. “Okonkwo's Participation in the Killing of His ‘Son’ in Chinua Achebe's Things Fall Apart: A Study of Ignoble Decisiveness.” Understanding Things Fall Apart: Selected Essays and Criticism. Troy, NY: Whitson, 1998. 129-40. Print.
Throughout Chinua Achebe’s novel, Things Fall Apart, struggle between change and tradition is one of the most relevant issues. The Igbo villagers, Okonkwo, and his son Nwoye all experience this problem in many different ways. The villagers have their religion defied, Okonkwo reaches his breaking point and Nwoye finally finds what he believes in. People have struggled to identify and cope with change and tradition throughout history, and will continue to struggle with this issue in the
Stephen’s early childhood, depicted in chapter one, exposes the protagonist’s understanding of art through his naïve tone and childlike diction. In this stage of his development, the protagonist’s perception of aesthetics is defined according to what is nice. Also, the interesting use of the rhythmic and phonetic quality of words, along with the integration of verse, contributes to his infantile definition of the nature of art and beauty. The opening of the chapter demonstrates this wordplay through the childish story of the baby tuckoo and the moocow. Furthermore, Dedalus is shown to have an innate comprehension of art: “He wanted to cry quietly but not for himself: for the words, so beautiful and sad, like music” (Joyce 18).
...lly as [he] can, using for [his] defence the only arms [he] allow [himself] to use - silence, exile, and cunning" (226-269). By discussing how education affects Stephen from a child to a young man, Joyce has shown the reader Stephen's development as an artist and human being.
According to David Whittaker, Achebe’s work “proved to be an immensely influential work for African writers, becoming the progenitor of a whole movement of fiction, drama, and poetry, which focused on the revaluation of Africa’s history and cultures, and on representations of the culture conflicts that has their genesis in the colonial era.” This novel became a pivotal point of realization not only for Africa, but also for the world. All at once the world, afraid of what change may bring, pushed the same question to the back their mind: “What if we have it all wrong?” Suddenly, the culture of Africa was influencing the culture of America, Asia, Europe, Australia, etc. Achebe’s novel was a catalyst in the process of nationalist renewal and decolonization of African culture as a whole (Whittaker). A principle in this novel’s thematic course is the inter-generation conflict faced by not only the village as a whole, but also, on a microscopic level, in Okonkwo’s household. As the culture in Umuofia begins to shift, the predecessors of the current generation heavily rely on the cultural norms initiated by their father’s fathers. While tradition should be honored in a society, it should also be modified; this concept is not fully grasped by the older generations of