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Woman composers essay
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Fanny Mendelssohn Hensel was born On May 14, 1847 in Berlin, Germany. She was the eldest of four children. She descended from an extremely talented and successful Jewish families on both sides. Her mother, Lea Mendelssohn began training her on piano when she was just a child. To her benefit, Abraham Mendelssohn, tolerated Fanny's interest in the composition of music. Which was very uncharacteristic of a young female in this period. All four children were extremely fortunate to have the luxury of a top notch education in general studies and music. Of her siblings, Fanny was the closest to Felix Mendelssohn, whom she shared her deep love of music with. Even though they trained side by side, Felix gained more notoriety due to the oppression of woman in the 1800’s. It is argued she was just as good as her brother, Felix, if not better. Despite the families’ conversion to Christianity, Fanny was viewed as young Jewish woman, as she kept the values of a typical liberal Jewish woman.
It is very apparent, the influence Fanny had on her brother, Felixs’ career. For in this time period it was frowned upon when a woman showed interest the composition of music. So Felix published a few of Fanny’s works under his own name in his opus 8 and 9 collections. He relied on her for her input and critic of his compositions. So much, that even while away travelling abroad, they constantly exchanged letters depicting his travels. During one of his travels he was invited to Buckingham Palace by Queen Victoria and asked to perform her personal favorite, Italien, which he later admitted to Queen Victoria, was written by his sister Fanny.
Music of this period was usually of the romantic persuasion or that of nature. This rings true in Fanny’s work in “S...
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...iews kept her works in a shroud. It was not until recently that she began getting the recognition she deserves as one of the most influential composers of the Nineteenth Century, as musicians began performing her works in concerts. It was while rehearsing for one of these events that she died of a stroke in 1847 while rehearsing one of her brother, Felix’s oratorios. Filled with grief, Felix passed away of the same aliment just a short six months later. Even with all of the adversity she faced in her life it is believed she died a happy woman. For on her Piano at home was the newly finished work ‘Bergeslust’ in which she depicts a happy tone and bright outlook for her future.
Works Cited
http://www.thefamouspeople.com/profiles/fanny-mendelssohn-hensel-387.php http://womencomposers.org/composer/show/1 http://www.answers.com/topic/das-jahr-cycle-for-piano-the-year
Chopin’s Impromptu arouses "the very passions ... within [Edna’s] soul"(p.34). The harmony, fluidity, subtle rhythm and poetic beauty of the Romantic composer make Edna loose herself in the music that stirs her emotions. The art completes, for her, what nature cannot bring to a finish. The exquisite, looping, and often fiery melodies of the Impromptu make a cut in Edna’s mind through the conventional beliefs about people and society. Because she is not a musician, her listening is based on intuition, allowing for a direct apprehension of the music by the soul and leading to a confrontation with the reality itself — the reality of "solitude, of hope, of longing, ... of despair"(p.34). This is the beginning of Edna’s awakening, for such emotions, especially despair, are not an end but a beginning because they take away the excuses and guilts, those toward herself, from which she suffers. This revelation of previously hidden conflicts gives birth to dramatic emotions within Edna. It is so powerful that Edna wonders if she "shall ever be stirred again as...Reisz’s playing moved" her that night (p.38).
White, Barbara A. "Fanny Fern (Sara Willis Parton) 1811-1872." The Heath Anthology of American Literature. Ed. Paul Lauter Boston: Houghton Mifflin, 1998. 2037-2038.
As a boy Johannes worked and studied with his father and learnt lessons from books with his mother, with whom he would play ?four-hands? at the piano, ?just for fun.? There were never any doubts as to his becoming a musician. From early childhood he learn everything his father could teach him, read everything he could lay hands on, practiced with undeviating enthusiasm, and filled reams of paper with exercises and variations. The soul of the child went out in music. He played scales long before he knew the notes, and great was his joy when at the age of six he discovered the possibility of making a melody visible by placing black dots on lines at different intervals, inventing a system of notation of his own before he had been made acquainted with the method which the musical world had been using for some centuries.
Moses Mendelssohn lived between the years 1729 and 1786. He was known as the " father of Haskalah " because of his contributions to the Haskalah movement. Mendelssohn was a Jewish philosopher, and got much of his education from his father, the local rabbi, David Frankel. Mendelssohn studied the philosophy of Maimonides. He had written the " Principally Leibnia ",as an attack on the national neglect of native philosophers.
Clara Schumann was an accomplished composer of her times but recognition of this feat did not come with ease. Clara faced many of the common stumbling blocks to women during this time to include the idea that a woman’s place was in the home and that her life focus is to please her husband, run the home and take care of the children. Despite this mindset, this musical prodigy was able to wittingly break ground for other women to come after her. Even in death, as history cannot be rewritten, all of her musical accomplishments are rarely mentioned in musical history textbooks.
In the following paper I will be exploring the beginning of Leonard Bernstein's career and his family background. I will also look into the influences he had in his life and look at two pieces that he composed, "Jeremiah Symphony No. 1", and "Candide". My reasons for choosing these two pieces is due to the fact that they are contrasting in genre, one being a symphony with orchestration and the other being an operetta, and that they were written at different stages in Bernstein's life. They both produced a number of responses and displayed his wide range of musical ability.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
Clara Schumann was born September 13, 1819 in Leipzig, Germany. Clara was born into a musical family in school her father Friedrich Weick studied theology but made his career in music. He later settled in Leipzig where he taught piano, opened a business selling instruments, and began a music lending library. He taught his wife Marianne and his future son-in-law Robert Schumann, he also received the reputation as a first-rate piano teacher. Wieck an and Marianne divorced after eight years of marriage when Clara was five years old, leaving Clara’s father to raise her and her four brother when her mother moved to Berlin. Unfortunately her father felt he neglected her general education but recognized her talents and saw that Clara had the finest musical education. In Leipzig, Dresden, and Berlin Clara studied piano with her father and violin, theory, and different areas of composition with the best teachers. In Leipzig she attended all of the important performances and learned about business of music.
...ts of fever and general ill-health. And in his last ten years in Vienna, the constant need to write commissioned work - for he was the first of the composing freelances, with no regular patrons or court salaries - had worn him down to the point where one bout of fever was sure to finish him off. In July he'd had the anonymous commission to write a Requiem for the Dead; but that had been progressing slowly, because he'd been busy with two operas - La Clemenza di Tito and The Magic Flute - and two cantatas at the same time. Thirty-five years of artistic, social and personal pressure was taking its toll.
Living a normal youth, Chopin immediately suffers the loss of her father in 1855, at the young age of five. This is later followed by another extremely difficult year in 1863 when she loses two people she loved very much, her g...
Major works by Clara Schumann included ‘Quatre Polonaises pour le pianoforte’, published in 1831, ‘4 Pièces caractéristiques for piano’ published in 1836, ‘Piano Trio in G minor’, published in 1846, and ‘Drei romanzen für pianoforte und violine’, published in 1855. In 1838, Clara was awarded the Royal and Imperial Chamber Virtuoso, Austria's highest musical honor. She was one of the most prominent female composers of the Romantic era, during a time there weren’t
Kreis, Steven. "Lecture 16: The Romantic Era." The History Guide. Web. 18 Aug. 2010. .
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Mendelssohn was born in Hamburg in 1809. His father Abraham Mendelssohn was a banker, while his mum Lea Mendelssohn was a highly educated artist and musician. Mendelssohn first had his piano lesson from his mum, but soon he was sent to study with the best teachers at that time such as Marie Bigot and Ludwig Burger. He also took composition lessons with Karl Zelter, who was the professor of the University of Berlin. Under their proper guidance, he completely showed his music talent- he first appeared as pianist at nine and as a composer at ten. At his age of twelve, he already composed nine fugues, five symphonies for strings, two operas and a huge number of smaller pieces. When he was sixteen, the publication of his Octet in E-flat Major for strings and Overture to A Mid Summer Night’s Dream marked his full maturity.
Roughly from 1815 to 1910, this period of time is called the romantic period. At this period, all arts are transforming from classic arts by having greater emphasis on the qualities of remoteness and strangeness in essence. The influence of romanticism in music particularly, has shown that romantic composers value the freedom of expression, movement, passion, and endless pursuit of the unattainable fantasy and imagination. The composers of the romantic period are in search of new subject matters, more emotional and are more expressive of their feelings as they are not bounded by structural rules in classical music where order, equilibrium, control and perfection are deemed important (Dorak, 2000).