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Parent child relationships in greek mythology
The family life in greek mythology
The family life in greek mythology
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Family and loyalty are popular themes in literature and are often the focus of plays. While at first glance, Moliere’s Tartuffe and Racine’s Phèdre seem different, considering that the first one is a comedy and the second is a tragedy, at its heart, the two plays have very similar family structures and their stories are driven by loyalty or the absence of it. Even though the plays introduce two families that are centuries apart, Phèdre takes place in the Antiquity, while Tartuffe is set in the 17th century, yet both of these families are patriarchal and immense loyalty surrounds the two fathers. However, the absence of loyalty of Orgon and Thésée causes the crisis in these stories as both of them abandon their families in favor of an outsider. While at the end, both Orgon and Thésée realize their mistakes, unfortunately, only one story has a happy ending. Moliere presents a noble family in Tartuffe, where the head of the house is Orgon. He has a son, Damis, and a daughter, Mariane, from his first marriage and is now married to his second wife, Elmire. Orgon is the face of the family and is responsible for all the major decisions of the household. Similarly, in Phèdre, Racine presents a noble family, in this case the royal family of Athens. Thésée is the king and the head of the family. He has a son from an Amazon woman, Hippolyte, and is now married to Phèdre, his second wife. The close-knit family unit in both plays is threatened as Orgon and Thésée, the most important people of the families, are blinded by lies and neglect their responsibilities to their families. However, as Orgon’s family survives the crises and ends their story with a happy ending, Thésée is punished greatly by his ignorance, which causes the tragic demise o... ... middle of paper ... ... small thing can cause the family to fall apart, which is why it is always vital to remain faithful and true to one another. In a patriarchal family, just like in Tartuffe and Phèdre, the loyalty of the head of the family is the most significant and can cause the greatest suffering, when it is placed in people outside of the family. Both Orgon and Thésée learned that believing in the words of outsiders like Tartuffe, whose only loyalty was to himself, and Oenone, whose loyalty lay with only one person instead of the whole family unit, can cause the family to fall apart and result in tragic deaths. Hence the message of these plays is one’s loyalty to family that ensures the happiness of all like in the case of Orgon, who realized his mistake in time and was saved by the king. Unfortunately for Thésée, his realization came too late and paid a very heavy prize for it.
In equation with the Elizabethan era, Shakespeare offers us a male dominated society in his renowned tragedy, Othello. Consequently, this definitely persuades a negative attitude and demeanor towards the women of the times. The female characters in the play: Desdemona, Emilia, and Bianca; play relevant roles in contributing to one’s understanding of this exhausted Elizabethan view. In contrast to the larger portion of the play, Emilia, spouse to the scandalous Iago, takes an opinionated stand for Desdemona in relation to her wholesome gone sour relationship with the Moor of Venice, Othello. I recognize Emilia’s “Betrayal lecture” as a justified outlook in accordance with today’s period and events surrounding Desdemona’s and Othello’s fatal misunderstanding.
In Moliere’s “Tartuffe,” although many things and behaviors are satirized, the play focuses mainly on the issue of religious hypocrisy. Whereas Tartuffe is the obvious hypocrite and antagonist who represents those members of society who preach religious piety but do not themselves live by the morals they try to force upon others, Orgon is the complex character through whom this religious hypocrisy is channeled. In the beginning of the play it is hinted that Orgon is perceived as an honorable and respected man by his family and friends, but then through out the play the question raises why he has become such an absurd and unusual person. It seems that Orgon is the type of character who can no longer participate successfully in society and who then retires from society and attacks it. This can also be seen in his mother, Madame Pernelle. Orgon, having reached late middle age, needs to attach himself to a religious person, who beli...
Oedipus’s tale of patricide and incest is fixed in the public consciousness, having been immortalized in the present era by Freud’s concept of the Oedipus Complex. Before Freud, however, much of the fame of Oedipus was due to a series of plays by the great Greek tragedian Sophocles. Instead of capturing the public’s attention with a salacious psychoanalytical concept, Sophocles enthralled theater audiences with the story of a man and his fight and ultimate failure to avoid fate. In Oedipus the King, according to Rudnytsky, the question of free will versus determinism plays a central role but is ultimately left up to the audience as the play shows both sides (108). Sophocles
His plan to obtain Orgon wife, property, and wealth was not accomplished. Orgon’s family was growing tired of his blindness toward Tartuffe. Orgon would dishonest his family and opposed anyone that would speak bad of him. As that was shown when put his on son Damis out because he told the truth of what he heard Tartuffe tell Elmire. As stated early of the essay Dorine the lady’s maid and Elmire Orgon wife were two main characters that would convince Orgon that Tartuffe was a hypocrite. Dorine notices who Tartuffe was from the beginnings and she never believe that he was a religious and holy man. As she tries to convince Orgon of Tartuffe ways by telling Orgon “how can a man who looks as wise as you be such a fool.” (2.2. 19-20) Dorine does not believe that Orgon who is a smart man become so stupid of Tartuffe. Orgon has so much trust that he proposed that he spends more time with Elmire. Though the play was banned in by the Catholic Church in the enlightment time period. Tartuffe was an awesome stage play, which the theme is used often in today movies, books, and on stage
century preoccupation with the family and the role of the father, and what role is projected upon those who are subjugated to him. This play takes up the subject of
The plot pushes forward into the joyful and innocent love between Emilia and Iago. Even though their relationship is not mentioned enough as that of Othello and Desdemona, a reader can definitely interpret the psychological aspects of both relationships. Desdemona is one who would never consider cheating or being unfaithful towards Othello. Emilia however states it as a “ ...a great price. For a small vice.” Emilia has a different view of men: “They are all but stomachs, and we are all but food; To eat us hungerly, and when they are full, They belch us.” Iago’s views on love are motivated by extrinsic needs. He would much rather choose forbidden love over sacred love. He denounces true love in all its forms, he does not understand why Desdemona would truly want to love a black man. Iago's view on love is, “...merely a lust of the blood and a permission of the will.” Iago’s cynical attituide and personality is such he will never experience what true love really is. In the end both Othello and Iago kill their wives. Othello is loses sight of imself and takes his own life. Iago reacts in childish manner and flees the scene in the play. Iago and Othello have been used to uncover the theme of love itself in Shakespeares play.
Though not the first relationship that is brought to light in Othello, familial relationships - the relationship shared between family members - are the ones that people are first exposed to in their own personal lives. In Shakespeare’s tragedy, there is only one depiction of a familial relationship: the one between Desdemona and her father, Brabantio. Most of the interaction the audience sees from the two is during the time when the legitimacy of Desdemona and Othello’s marriage is called into question. Similar to what is expressed in other families, it is suggested that, prior to the start of the play, Desdemona and Brabantio shared a companionate love, one characterized by intimacy and commitment (Sternberg). This explains his shock when
No one in life has the choice to pick his or her family that they are born into. When he or she is brought into this world, their status is already placed upon them as a result of their parents. As one of the most well-known plays in history, William Shakespeare’s tragic story Hamlet looks into the themes of families and roles. Delivered into a household of royalty and poise, the young prince Hamlet collides with negative emotions that spur from the unforeseen affliction of his father’s death and hasty marriage of his mother and his uncle. Sprung forth from these events, other families were affected and tested to see if their love for each other could keep them together. Every family has a choice to remain as a whole no matter what life throws
In the article «Speak of Me as I Am: Othello» Maynard Mack argues that the well-known Shakespeare play has been wrongfully categorized for several decades. Most critics and readers consider «Othello» to be one of Shakespeare´s greatest stories about tragic love, and though the story is centered around Othello´s and Desdemona´s love, Mack believes that the true theme and plot of the story unravels the battle between good and evil. According to Mack, the battle between good and evil is not a new phenomenon to Shakespeare, it is illustrated in numerous of his plays and poem, including «Hamlet», «Twelfth Night», and «Romeo and Juliet». However, the amount of emphasis place on good and evil in this particular play makes it stand out from the rest,
William Shakespeare’s “The Tragedy of Othello” shows how a manipulative villain can create chaos within a society. The play was written around the year 1603 and takes place in Venice Italy before it is repositioned to Cyprus. This Shakespearean tragedy shows the effects of jealousy, love, desire, betrayal and passion in a society with an imbalance of power in a race, gender, and social position.
William Shakespeare’s tragic drama Othello presents to the audience a picture of many different shades of morality and immorality. It is the purpose of this essay to elaborate in detail on this thesis.
In Moliere's Tartuffe, Orgon’s blind eye to the disruption Tartuffe brings into the household causes relationships in the household to severely suffer. Orgon sees Tartuffe as someone equal to a priest while the rest of the household sees him as an imposter and a hypocrite. Everyone in the household can see Tartuffe stringing Orgon along like a puppet, except for Orgon himself. Orgon’s delusional thoughts concerning Tartuffe and his lack of care for his family’s well being prevent him from upholding his responsibilites of a husband and father.
“At first sight, the character of Elmire in Molière’s Tartuffe appears to have much to commend her, and modern critics and theatergoers generally warm to her: she is attractive, stylish, independent, smart, resourceful, and in many ways a modern woman” (Prest 129). Elmire is intelligent, and plays an essential role in proving Tartuffe’s true character. She is resourceful and tries to play a trick on Tartuffe to prove to Orgon that Tartuffe is not who Orgon thinks he is. “Let us now examine how Elmire presents her scheme to her husband. Both by the standards of the seventeenth-century polite society and those of the 1660s French drama, it is quite brazen.” (Prest 135) In the play, Elmire tells Orgon to get under a table and watch how Tartuffe interacts with her as she speaks with him. He begins to seduce Elmire, while Orgon is watching, and it is then that Orgon realizes the true hypocrisy of Tartuffe. Without Elmire’s intellegence and trickery, Orgon would still believe Tartuffe
The classic tale of oppressing children to death remains one of the most dramatic descriptions of tension-filled families, centuries after its first performance. The feud between the Capulets and Montagues spans generations; when Juliet discovers Romeo’s last name, she mourns, “My only love sprung from my only hate!” (I.v.135) She even goes as far to say, “be but sworn my love, And I’ll no longer be a Capulet” (II.i.77-78). From the moment she meets the Montague, love pushes aside her loyalty to family. Her allegiances now side with her husband of mere hours over the family that raised her, proving her fickle nature. Neither half of the couple disappoints their respective family— their union remains a secret with only two other witnesses— until Romeo murders Tybalt and the Prince banishes him from Verona. Although she curses her nurse for blaming Romeo, Juliet never offers to run away with her husband, scared of the unknown road her husband must take. Although Romeo mentions nothing of it, her decision to remain in Verona disappoints, as it cements the relationship’s doomed fate. Not only does Juliet disappoint her husband, one of the two most important men in her life, she disappoints her father, the other most important, by refusing to marry Paris. Her parents, oblivious to their daughter’s change in marital status, cannot comprehend the girl’s outrage and refusal to the respected man’s proposal. The verbal sparring between Juliet and Lord Capulet ends with the elder commanding, “But fettle your fine joints ‘gainst Thursday next To go with Paris to Saint Peter’s Church, Or I with drag thee on a hurdle thither” (III.v.153-155). Women in Shakespeare’s time customarily obeyed all orders, so Juliet’s refusal impresses readers, but creates a major rift in one of Verona’s most elite families. Disappointment follows the girl no matter how she acts: either refusing to marry Paris or exposing her
Both "Othello" by William Shakespeare and "Oedipus King" by Sophocles are tragedy plays that were written thousands of years ago. These pieces of literature have considerable similarities and differences. Both the plays have an outstanding flow, but the themes of suffering and downfall is what the two authors try to depict through the two main characters. This essay explores the two texts to affirm on the downfall of Oedipus and Othello as either self-inflicted or as the works of the gods.