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Satiric elements in Moliere's Tartuffe
Satiric elements in Moliere's Tartuffe
Satiric elements in Moliere's Tartuffe
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Blindness Leads to Disruption in Tartuffe
In Moliere's Tartuffe, Orgon’s blind eye to the disruption Tartuffe brings into the household causes relationships in the household to severely suffer. Orgon sees Tartuffe as someone equal to a priest while the rest of the household sees him as an imposter and a hypocrite. Everyone in the household can see Tartuffe stringing Orgon along like a puppet, except for Orgon himself. Orgon’s delusional thoughts concerning Tartuffe and his lack of care for his family’s well being prevent him from upholding his responsibilites of a husband and father.
Orgon’s obsession and delusional thoughts associated with Tartuffe is seen towards the very beginning of the play. Cleante is talking to Dorine and mentions
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It could also imply that this is the way in which Orgon grew up and back when this was written, it was probably pretty common for you to have similar beliefs as your parents well into adulthood. Both Orgon and his mother seem to think that Tartuffe is this God send to the household. In the beginning of the play Madame pernelle says “heaven sent him here to fill a need/ To save you from yourselves--oh yes, indeed” (18) and later on Orgon states that “ever since he came/ My home’s a happy one” (23). Both Orgon’s and Madame Pernelle’s idea of how the household is unfolding is completely delusional. The rest of the household quickly shows their distrust in Tartuffe. Damis and Madame Pernelle are talking about Tartuffe and Damis refers to him as a “trickster” (16) that has come into this house and is now “ the voice [they] answer to” (16). This demonstrates that Tartuffe quickly became in charge of the household, almost …show more content…
While he cares deeply for Tartuffe his relationship with his daughter Mariane demonstrates the lack of care he has for her. The first we see of their relationship is how controlling Orgon is by demanding Mariane to do “..anything [he] ask[s]”(27). Orgon is asserting dominance over Mariane and when she asks who he requests to have “make him [hers]”(27) it is revealed that it is indeed Tartuffe. Mariane is overwhelmed and tries to tell her father that she can’t promise something that just simply isn’t true but he interrupts her by saying “Have it be the truth, then. It’s decided” (27). This implies that Mariane has no say in whether or not she is to marry Tartuffe. Essentially her fate has already been decided by her father and this creates the disheartening truth of Orgon’s genuine lack of care for anything his daughter has to say on the matter. You see Mariane’s despair in the next scene when she is talking to Dorine about the inevitable outcome of her planned marriage. This planned marriage leads to a fight between Mariane and her fiance, Valere. Valere begins to question Mariane’s love for him: “Your heart never felt a true love for me” (35). Valere discrediting Mariane’s love for him demonstrates that Orgon has not only caused tension in his relationship with his daughter but has ultimately caused tension between his daughter and her fiance. This power Orgon holds over Mariane is the
Tartuffe is the embodiment of the seven sins masquerading as the exact opposite. His gluttony is on display in scene four when Dorine informs Orgon of his overconsumption. Tartuffe has blinded Orgon to his nature and made him disregard his wife’s wellbeing. Lust and Envy are most likely his greatest follies, leading to his ultimate downfall. Tartuffe accepts Orgon’s daughter as his bride and lust after his wife. Tartuffe makes no attempt to deny the engagement which was conscripted because of his position to Orgon. Tartuffe under the guise of making sure Elaine stay pure reporting her every movement to Odom uses the opportunity to confesses she is his “peace, my solace, my salvation on you depends my bliss-or desolation.” (3.3.79-80) He demonstrates his pride when attempting to seduce Elmire comforting her concerns by telling her “if Heavens is all that holds you back, don’t worry. I can remove that hindrance in a hurry.” (4.7.95-96) Tartuffe so entranced with getting what he wants, he makes the same mistake as Lucifer, calling for action against Heaven. Tartuffe is the embodiment of sloth, acting indifferent towards others in his pursuits; from Elaine being ill to feigning defense of Damis. Tartuffes’s final stop on the “how damned are you” show culminates with wrath and greed. When he is confronted by Orgon after lusting for his wife, Tartuffe divulges his intentions to acquire all Orgon’s
In this scene Damis, Orgon’s son, has just spied on Tartuffe and Elmire’s, Damis’ mother, talk. In their “talk” Tartuffe declares his love for Elmire and she, much like most of the characters fall for his foolery, says nothing negative toward it. When Orgon’s son tells him the news, Orgon is in disbelief, he speaks to Tartuffe. Tartuffe explains that yes what Damis said was true but twists his words in a way that makes it seem less sexual and more just kindness towards Elmire. Since Orgon has fallen into Tartuffes traps; he is one Tartuffes side and is in disbelief that his son would try to “tarnish the purity of” Tartuffes virtue. Throughout this scene Orgon keeps scorning his son on his falsehood. Each time Damis tries to interject with anything Orgon cuts him off. This lazzi is most commonly compared to a lazzo of silence seen in Commedia dell’arte. A lazzo of silence was usually seen when “Pedrolino is dumbfounded when his master shouts at him for something he thought was told of him.”1 As other characters entered the scene they would also start shouting at Pedrolino for various randoms things which would keep him quiet. This is very similar to when Orgon is shouting at his son for “mistaking” Tartuffes advances on his wife as sexual rather than friendly. Damis is left silent whenever he tries to interject and is shut down instantly keeping him quiet for the greater portion of the
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
In the reading, Tartuffe is a con artist who uses religious hypocrisy as a deceit to trick Orgon and gain access to Orgon’s family and legal documents of the house. Tartuffe’s deceit is blatantly apparent to the readers and several characters in the story like Cleante, Dorine, and Elmire. In one particular scene, Orgon learns about Tartuffe’s deceit with the help of Elmire, stating “What an abominable man! I can’t believe it! I’m overwhelmed!” (Moliere 82). This scene is significant because Tartuffe represents religious hypocrisy by using his fake piety as a method to manipulate others as a way to achieve his devious goals. Moliere attacks this idea of religious hypocrisy because he views it as a danger to French society. In the journal article titled “Tartuffe, Religion, and Courtly Culture,” the Emanuel S. Chill explains how the character Tartuffe is based on a group of religious people in France called the Cabale des Devots” (156). The Cabale des Devots was a fundamental Catholic group that persecuted the Huguenots, the protestants, in France by depriving them of their rights, leading to the mass emigration. Furthermore, the historical event is mirrored in Tartuffe when Orgon and his family are nearly evicted from their house. Moliere uses this part of the story to reinforce his idea that religious fanaticism is dangerous by inserting
When a character in the play Tartuffe talks about seeing, they aren't talking about actually seeing, but understanding or believing. The problem in the story concerned with not seeing, which is what starts this sequence of events.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
It is in the duality of Orgon, the believing subject, and Tartuffe, the manipulating hypocrite (or impostor), that Moliere takes his digs at the extremes of enthusiastic belief. Tartuffe plays the role of a man whose greedy actions are cloaked by a mask of overwhelming piety, modesty and religious fervor. Orgon is the head of a household who has taken Tartuffe in. We laugh at Orgon because everyone else (except his mother) knows that Tartuffe is a fake. All of Orgon's relatives warn him of Tartuffe's gluttony and of the false nature of his pious proclamations. When Dorine tries to tell Orgon about Elmire's illness, all Orgon can say is,
In "Tartuffe", Orgon was manipulated by Tartuffe, a. religious hypocrite, which Orgon had offered all his belongings to Tartuffe. Elmire, wife of a man.... ... middle of paper ... ... Though the stories, in these ways, share endings and morals, religious purposes, they are distinct and individual: "The Journey to The West" and "Tartuffe" were both created in two.
Elmire understands that she is a woman and that men see her as a sexual object. She actually uses this to her favor. She uses Tartuffe’s affection for her against him. She makes him look like a fool after she seduces him. This woman understands that gender roles for men and women are very different and that she can use men to get her way. This gives Elmire a type of freedom. Elmire is an independent woman that knows how to get what she wants. In the play Elmire wants Tartuffe out of her husband’s house. She does not understand why everyone likes him so much. Elmire has an idea; she decides she will seduce Tartuffe. When...
Tartuffe is a comedy, but it still follows these characteristics. Firstly the appearance of a tragic hero. In this play, our tragic hero is not Tartuffe for whom the play is named, but is instead Orgon, the head of the household where the play takes place. Orgon is our tragic hero because he really isn’t a bad person. He isn’t seeking to ruin anyone with hidden plans or deception, he is just very unaware of what’s happening right under his nose. The tragic flaw that Orgon shows is just taking everything that tartuffe says as absolute truth and not questioning it at all. This is what ultimately leads to his error in judgement which is telling his daughter that she is to marry tartuffe and not Valere who she’s already proposed to. Of course, this doesn’t
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
Throughout the play, many characters can see that Tartuffe is a fraud and that he does not practice what he preaches. He says “I’ve certain pious duties to attend to.” (Molière Act 4, Scene 1, 84). Yet in reality, he’s flirting with Elmire but he does not admit to his actions when Damis exposes him. He says “Yes, my dear son, speak out now: call me the thief/Of sinners, a wretch, a murderer, a thief/ Load me with all the names men most abhor/ I’ll not complain; I’ve earned them all, and more/ I’ll kneel here while you pour them on my head as a just punishment for the life I’ve led.” (Molière Act 3, Scene 4, 29-34). Within these line, Tartuffe pretends to be hurt because Damis accuses him of flirting with Elmire. Of course, Orgon is distracted by his actions and does not believe Damis. Therefore, Tartuffe indirectly does not admit or deny to his mistakes but he takes full responsibility of what Damis thinks he did. So, he apologizes for his unspecified sins which Orgon thinks it is highly impressive of him. Then again, it will take a lot more than the truth to reveal
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.
They are portrayed as puppets, their parents the puppeteers” ( qtd. in Easterbrook 62). The relationship among the members of the Compson family seems to be void of emotion; both parents and their children express no emotion towards one another. The family seems to live in chaos where there is no father to be feared, obeyed or even defied. Mr. and Mrs. Compson seem to be alien to one another, the only thread that seems to join them together is the roof of the house; their relationship proves the absence of harmony, love or even attachment, which are usually observed between any married couples. The vanishing of the Compson family has been by several reasons such as the parents who have given up their role in the family; the stability of the family has been affected by the psychological problems of Mr. and
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,