False Self Essay

1692 Words4 Pages

Truth can often be expressed through the means of visual art. But even then the concept of truth, of authenticity, is disputed. The True and False Self is a combination of pathological perceptions that explains an individual’s sense of self, as well as the way in which defences are used (Winnicott, 1960). The False Self is a psychoanalytic theory, coined by D.W. Winnicott in order to explain the use of a defensive veneer. By comparison, the True Self is the theory that humans display an authentic self, a sense of realness. (Winnicott, 1960). In its most basic psychoanalytic form, the True Self refers to activities of the ego. Winnicott theorised that the false self develops in infancy and that the mother, the good-enough mother to be exact, plays a huge role in the competent development of the True and False Self. (Winnicott, 1960).

The exploration of both the true and false self is most apparent within works of art and culture. In fact, there is an underlying belief that visual art, painting, is a physical representation of the unconscious processes. This essay will cover one of those processes, the True and False Self (Winnicott, 1960).

“In the healthy individual who has a compliant aspect of the self but who exists and who is a creative and spontaneous being, there is at the same time a capacity for the use of symbols. In other words health here is closely bound up with the capacity of the individual to live in an area that is intermediate between the dream and the reality, that which is called the cultural life.” (Winnicott, 1960, p. 150).

Examination of dreams and reality is not only a speciality of the arts, but also one of psychoanalysis, the area from which the True and False Self concept arises. Therefore, for purpose...

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...ud’s painting of his baby daughter Bella is a touching display of the true self in its purest form, a baby simply sleeping. This is something of a rarity both in reality and in art (Winnicott, 2005). This particular painting is said to be the one containing Freud’s youngest sitter (Haag and Sharp, 2013). To highlight the child’s human nature with all of its flaws, the tone and texture of the skin in portrait cleverly pulls together all the ideas associated with ‘lived in’ skin. It is therefore no surprise to hear that the skin can be a window to the unconscious. “Every man has a secret life hiding from itself, meaning that it is dominated by an unconscious representation.” (Ulnik, 2008, p. 232). I believe that Freud’s painting of his baby daughter Bella is a display of the baby’s True Self, whilst concurrently being an exposure of Freud’s own True and False Self.

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