Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Social impact of the first world war
Essays on modernism in literature
The impact of WW 1 on our society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Spontaneous, Creative, Stream-of Consciousness, Surreal; all words related to literature and artwork of the Modernist era. In the early twentieth century, society reacted to the death of 38 million soldiers caused by WWI, along with the growth of industry and the fleeting essence of natural beauty. This reaction is best known as Modernism, encompassing the anxiety and anguish of the period following the rapid metamorphosis of society. Modernism describes many ideas of great significance, yet one reactionary ideal stands out the most. The concept of existentialism was a driving force behind the Modernist front, emulating the chaotic and mediocre path humanity was doomed to follow. Specifically, the principle tenets of existentialism include the …show more content…
Artists in the Modern period illustrated the existential idea of individuality through visual imagery to convey the power of man and the fallacious influence of the external world. For instance, M.C. Escher’s noteworthy piece, Hand with Reflecting Sphere, epitomizes the idea of self-derived identity. The message of the piece revolves around the idea that when searching for meaning, one should look within. Specifically, this is seen in the imagery of the reflecting sphere, for as Escher gazes into the sphere to discover his purpose, he simply sees himself. Moreover, the artistic element of depth amplifies the effect as the highlighted image is the one of the author, further illustrating how, at a primal level, the one unwavering source of meaning is the spirit of the person itself. In addition, M.C. Escher implements the aesthetic quality of contrast, by overlaying the detailed reflection on top of an unrefined background. Furthermore, this bolsters the message, as the importance of reflection is shown to be greater than the mundane outside
The modernist style of writing is one of disillusionment, frustration and loss of hope. The modernist writers did not try to point out silver linings or brighter futures, instead they explored the depths of the sorrows of life in the time of the great depression and the long road to recovery from it. Most of these writers blamed the modernization of America for the stock market crash that brought on the great depression. Likewise, modern politics drew America into not only one, but two world wars. At the same time, modern intellectual advancements challenged or usurped traditional beliefs and values.
The essay How You See Yourself by Nicholas Mirzoeff discusses the evolution of art. The author discusses the use of art to represent changing identities over the years including cultural practices and societal expectations. The selfie, according to Nicholas Mirzoeff’s essay, is the equivalent of a self-portrait in the previous centuries preceding the technological development required for the present day selfie. The essay explores the different periods and the significance of art, particularly self-portraits, the selfies of the time, and their development over time. The author focuses on different themes including heroism, gender definition, and the focus of an image. Mirzoeff effectively provides examples illustrating and reinforcing the themes he highlights in his essay.
When beginning my sketch, I took a moment to analyze the work of art and found that the statue illuminated a sense of serenity. Like most viewers my initial reaction was to explore the statue from head to toe as I sought out the different elements and principles of art. The statue was close to life-size and just about my height, so looking straightforward we were eye to eye. I noticed the softness gathered about the facial structure, but all the same time the depth and complexity that was engulfed around the muscularity of the body. The rigorous symmetry was accounte...
In the Vanitas with Violin and Glass Ball, artist Pieter Claesz uses oil paint to create a realistic still life made up of ordinary everyday objects. As with other Vanitas art, everyday objects are meticulously positioned within the painting allowing the object to transcend their simplicity. Each individual item serves as a piece of to the overall symbolic puzzle revealed in the painting. The dominating element in this relatively quiet work, is light, the artist seems to focus his concentration with how the light catches on the reflective surfaces. Claesz illuminate’s objects that hold predominance, over other objects in the artwork. Interestingly, the artist own rendered reflection is painted within the glass ball, illuminated by sun light.
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
Though most works of art have some underlying, deeper meaning attached to them, our first impression of their significance comes through our initial visual interpretation. When we first view a painting or a statue or other piece of art, we notice first the visual details – its size, its medium, its color, and its condition, for example – before we begin to ponder its greater significance. Indeed, these visual clues are just as important as any other interpretation or meaning of a work, for they allow us to understand just what that deeper meaning is. The expression on a statue’s face tells us the emotion and message that the artist is trying to convey. Its color, too, can provide clues: darker or lighter colors can play a role in how we judge a piece of art. The type of lines used in a piece can send different messages. A sculpture, for example, may have been carved with hard, rough lines or it may have been carved with smoother, more flowing lines that portray a kind of gentleness.
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
The painting, in its simplest form, consists of a naked woman lying elegantly upon stately and rich cloths, while a young, also nude boy, is holding a mirror which contains her reflection. Upon first glance of this work, I was quickly able to make out the identity of the two subjects. ...
This painting has deviated from the standard Renaissance model in that it goes beyond depicting subjects and scene, and employs exaggerated form, color emphasis, abnormal planar depiction, and visual directionality. The aspects of this painting have become the embodiment of the story told and the characters there held. The artist has used various techniques of color, line, and juxtaposition in order to portray an idea which supersedes the sum of its parts, and thereby leads the viewer through a thought.
Form plays a predominant role in these paintings, especially as far as value and shape are concerned. For example, the eyes of the subject in the “What surrounds us we endure…” painting are piercing and ice-cold, conveying desperation and a need to be heard. The eyes look piercing and distressed due to their light blue color which contrasts with the darks shadows enclosing them. Through their body language and facial expressions, the three men in the picture express anxiety, stress and depression which are perhaps due to the rain-streaked night sky, the lonely sidewalk and bus stop and the use of dark, cool hues which surround them. Also, the value of the man in the foreground is very intense because he is lighter than the background and creates an eerie sensation. It is also a focal point in the piece because of the drastic contrast between light and dark fashioned by the strong use of shadow. The remaining two men that occupy the background of the picture seem to be completely exposed to light, almost representing a sense of being scrutinized, but not understood due to the cry ...
... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.
The modernist period was a time of change. After World War II, many people found themselves unhappy, lonely, and depressed. With the groundbreaking influences of Karl Marx, Freud, and Nietzsche, many people began to question their own reality. What does it mean to exist? What was life, and what was death?
In the modernism there was no focus on the plot events, instead the writers focused on characters' consciousness. Ambiguity and complexity were valued at that time. Modernists often work towards open endings and used the narrative gaps. In the early modernism the technique of Stream of Consciousness was widely used to know more about the human sense. Modernism was influenced by naturalism and realism. Its social content is characteristically avant-grade (Drabble 682). Moreover, the 20th century is one of the most important periods in English drama. New ideas, terms and styles have been introduced as a result of the atmosphere. Writers on that time expressed their anger and scorn as a result of the wars and the revolutions. There were many social changes at that time and the playwrights started to tackle that in their plays (Innes
In Confronting Images, Didi-Huberman considers disadvantages he sees in the academic approach of art history, and offers an alternative method for engaging art. His approach concentrates on that which is ‘visual’ long before coming to conclusive knowledge. Drawing support from the field of psycho analytics (Lacan, Freud, and Kant and Panofsky), Didi-Huberman argues that viewers connect with art through what he might describe as an instance of receptivity, as opposed to a linear, step-by-step analytical process. He underscores the perceptive mode of engaging the imagery of a painting or other work of art, which he argues comes before any rational ‘knowing’, thinking, or discerning. In other words, Didi-Huberman believes one’s mind ‘sees’ well before realizing and processing the object being looked at, let alone before understanding it. Well before the observer can gain any useful insights by scrutinizing and decoding what she sees, she is absorbed by the work of art in an irrational and unpredictable way. What Didi-Huberman is s...
World War I had a major influence on the development of Modernism in literature and art by great artists depicting catastrophe into beautiful art form.