Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Fairy tales and folk tales
The evolution of fairy tales
The evolution of fairy tales
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Fairy tales and folk tales
As we look back on the history of fairy tales, we find that they are stories passed down to generations through the oral tradition that generally include a moral or pervading theme that is meant to aid the listener. One characteristic of oral stories are the variations that often occurred with each retelling as a result of errors in translation and interpretations, as well as changes driven by the storyteller’s desire to share a particular point of view with the listener. A modern twist on these variations is evident in children’s literature today. “The Sisters Grimm”, a popular series written by best-selling author Michael Buckley, offers a whole new dimension of changes to classic fairy tales as he reinvents the stories by adding depth, meaning, and humanity to many of the popular characters. Over the course of this paper, I will examine those changes and how they compare to the original Brothers Grimm version.
Little Red Riding Hood is a familiar story in which a little girl is sent by her grandmother to take food to her ailing grandmother who lives in the forest. Before heading off on her journey, she is given clear instructions from her mother: “(…) when you’re out in the woods, walk properly and don’t stray from the path.” (Norton 14) One important distinction between the Brothers Grimm and Buckley versions is this depiction of the lead character: Little Red Riding Hood (LRRH). Different versions of this classic tale portray her as a cunning and mature little girl capable of turning the tables on the wolf (Norton 11) or as a woefully ignorant and immature little girl whose victimization is her just reward (Norton 5). These accounts give us dull, one dimensional character that merely exists as a means to an end for the story...
... middle of paper ...
... throughout. Buckley uses characters from other popular fairy tales such as: the Mad Hatter, Briar Rose, Robin Hood and Little John, and Goldilocks and the Three Bears to interweave the stories and validate the experiences of LRRH and the Big Bad Wolf. In spite of prior knowledge of this famous tale, you are driven to empathize with the main characters. This, in my mind is the main difference between the two tales: humanity and compassion.
Works Cited
Buckley, Michael. The Sisters Grimm: Tales From The Hood. New York, NY: Amulet Books, 2008.
Grimm, Jacob and Wilhelm. “Little Red Cap.” Trans. Maria Tatar. The Classic Fairy Tales: Texts, Criticisms. Ed. Maria Tatar. New York, NY and London, UK: W. W. Norton & Company, Inc., 1999. 13-16
Tatar, Maria. The Classic Fairy Tales: Texts, Criticisms. New York, NY and London, UK: W. W. Norton & Company, Inc., 1999.
Tatar, Maria. "Jacob and Wilhelm Grimm, ‘Little Red Riding Hood’" The Annotated Classic Fairy Tales. New York: W. W. Norton &, 2002. 17-27 371-373. Print.
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
Warner, Marina. From the Beast to the Blond on Fairy Tales and Their Tellers. New York: Chatto & Windus, 1994. Print.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
For their second edition of fairy tales, the Grimms and their publisher deemed their original version of “Rapunzel” to be inappropriate for children for “what proper mother or nanny could tell the fairy tale about Rapunzel to an innocent daughter without blushing?” (Tatar 18). The Grimms, in fact, changed details of “Rapunzel,” ridding the story of even t...
During the 19th century, Grimm’s fairytales were strongly disapproved of due to harsh, gruesome details and plots. One American educator from 1885 stated, “The folktales mirror all too loyally the entire medieval worldview and culture with all its stark prejudice, its crudeness and barbarities.” As childre...
The Brothers Grimm and Charles Perrault are both very well-known authors of fairytales. Wilhelm and Jacob Grimm are usually the most recognized in our society, but Perrault has his own version of many of the same tales. These authors have very different methods and styles of writing, as well as differences in morals of their stories. Here I will assess some of the differences between certain tales, as well as provide some background behind the authors.
..., Maria. “An Introduction to Fairy Tales.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 230-235. Print.
“Little Red Cap” quickly became a household tale among children and adults, due to the imperative lessons that it directs to children and their parents'. Behind the initial story lies a message which, ”Cautions young girls to mind their mothers and not stray from the path to wander in the forbidden woods” (Rholetter). The forest represents any unfamiliar place that children can easily become lost within, while the path to grandmother’s house can represent a place the child is accustomed to. As soon as Little Red Cap begins her journey, she is confronted by a wolf. When they first meet, the wolf acts as a polite gentleman would towards any young lady which earns Little Red Cap’s trust instantly, "Little Red Cap, just where does your grandmother live? said the Wolf. Little Red Cap eagerly replied, Her house is a good quarter hour from here in the woods, under the three large oak trees. There's a hedge of hazel bushes there. You must know the place”(Grimm). This portrays children being subjected to the danger of strangers acting as friends to others for their own personal gains. The Brothers Grimm version of “
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .
The stories ?Little Red Riding Hood,? by Charles Perrault, and ?Little Red Cap,? by the Brothers Grimm, are similar and different. Moreover, both stories differ from the American version. The stories have a similar moral at the end, each with a slight twist. This story, in each of its translations, is representative of a girl?s loss of innocence, her move from childhood or adolescence into adulthood. The way women are treated within each story is different. Little Red in the French version was eaten; whereas in the German version, she is rescued by the woodsman, and this further emphasizes the cultural differences.
Little Red Cap is the Brothers Grimm’s version of Charles Perrault’s original fairy tale Little Red Riding Hood. The original is written as a moralistic story, in which ‘Little Red Riding Hood’ is eaten by the wolf, the moral being that children, particularly female, should not approach strangers. Feminist critics could argue that the original story is warning against curiosity and freedom. This is because in the original version Little Red Cap is told “not to run off the path” which implies she shouldn’t go beyond the social expectation of women. However, Duffy subverts the classic and as stated in her 2005 interview she “finds a truth which hadn’t been amplified previously”.
Zipes, Jack. Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York: Routledge, 2006. Print.