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Mother to son literary devices
Mother to son literary devices
Mother to son literary devices
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Oryx and Crake offers plentiful examples of failed mother-child relationships.Jimmy’s complicated relationship with his mother is developed most thoroughly. Herdistance, depression, and distraction stem from the work she does. Like Offred’s motherin The Handmaid’s Tale, she stays busy working. Unlike Offred’s mother (whose careeris never specified), Jimmy’s mother works for a large bio-technology corporation. Herprofessional status as a microbiologist, unthinkable in the patriarchal culture of Gilead,should make a progressive, positive statement about women’s achievement of equality.Her work ultimately threatens her sanity, though. As a result, she abandons her onlychild.
Readers learn through Jimmy about the differences between his world and theearly 21st century world. Many of the changes are technological. Scientists create foodsubstitutes, hybrid animals, and life forms used only to generate transplant tissue.There are several examples of scientific advancements applied to human reproductionas well; wealthy couples can create children with made-to-order specifications. Evenmore than in Gilead, children are described as the result of breeding. Those childrenborn into the time of the novel are largely left alone to parent themselves; no positivemothers or mother figures help the main characters. These examples illustrate thefailings of this future society.
From the beginning, Jimmy remembers his relationship with his mother asstrained. When he was a child, she expected him to be bright and understand her work.As alittle boy, he wanted unconditional love that she could not always provide. It seems clearthat Jimmy’s mother experienced some of the “undeniable anger” Adrienne Rich findsthat connects all mothers (24). His mother’sjob...
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...ing just around the bend.
Works Cited
1. Margaret Atwood. The Handmaid’s Tale. New York: Fawcett Crest, 1985. Print.
2. ---. Oryx and Crake. New York: Anchor Books, 2003. Print.
3. ---. “Significant Moments in the Life of My Mother.” Snapshots: 20th Century Mother-
Daughter Fiction. Ed. Joyce Carol Oates and Janet Berliner. Boston: David R.Godine, 2000. 24-38. Print.
4. ---. The Year of the Flood. New York : Nan A. Talese / Doubleday, 2009. Print.
5. NancyChodorow. The Reproduction of Mothering: Psychoanalysis and the Sociology of Gender. Berkeley: University of California Press, 1978. Print.
6. Nancy Chodorowand Susan Contratto. “The Fantasy of the Perfect Mother.” Feminism and Psychoanalytic Theory. New Haven: Yale UP, 1989. 79-98. Google Books. Web. 5 March 2011.
7. AdriaSchwartz. “Taking the Nature Out of Motherhood.” Bassin, Honey, and Kaplan240-255. Print.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
Women throughout time have been compelled to cope with the remonstrances of motherhood along with society’s anticipations
The mother is a selfish and stubborn woman. Raised a certain way and never falters from it. She neglects help, oppresses education and persuades people to be what she wants or she will cut them out of her life completely. Her own morals out-weight every other family member’s wants and choices. Her influence and discipline brought every member of the family’s future to serious-danger to care to her wants. She is everything a good mother isn’t and is blind with her own morals. Her stubbornness towards change and education caused the families state of desperation. The realization shown through the story is the family would be better off without a mother to anchor them down.
Brown, Rosellen. “Honey Child.” Women’s Review of Books. Vol. 19. No. 7. Philadelphia: Old City Publishing. 2002. 11. Print.
Parent/Child relationships are very hard to establish among individuals. This particular relationship is very important for the child from birth because it helps the child to be able to understand moral and values of life that should be taught by the parent(s). In the short story “Teenage Wasteland”, Daisy (mother) fails to provide the proper love and care that should be given to her children. Daisy is an unfit parent that allows herself to manipulated by lacking self confidence, communication, and patience.
Halberstam, Judith. The Good, The Bad, and the Ugly. from Masculinity Studies & Feminist Theory. ed Judith Kegan Gardiner. New York, Columbia University Press. 2002
With the advent of neoliberalism, the practice of mothering in Western society arguably shifted from a manner that simply ensures the growth of a child into one that maximizes the child’s growth (O’Reilly: Intensive Mothering, Oct 16). One representation of this shift is identified by Sharon Hays as intensive mothering in which the mother prioritizes the rearing of her child over the advancement of her professional career by investing most of her energy, time, and financial resources into her child (Hays 414). The novel I Don’t Know How She Does It by Allison Pearson can be analyzed through the perspective of intensive mothering. The protagonist, Kate Reddy, is a successful employee of a top investment managing firm in London who spends her
Thinking back to the days before Gilead, it is clear that the current situation is a lot different to then for Offred. She has lost all personal freedom and is a modern sexual slave to the Commanders, men of high office in either the Gileadian government or the business sector. This is a perfect depiction of the totalitarian state that Gilead is in. Denied of the personal liberties we take for granted in a democratic society, Offred has to live under the rules of a higher authority and is controlled eve down to the minute aspects of living.
Throughout “The Mother,” from beginning to end, Brooks utilizes irony to show the inner struggle of a mother who was never a mother.
In Marge Piercy's book, Woman on the Edge of Time, sex plays a major role in both the utopia and the dystopia. The portrayal of sex in the novel comes from a feminist point of view. The main character, Connie, is caught between a utopian world and a dystopian world where the takes on sex are on different levels. By using a feminist approach, the two worlds of sex can be examined and contrasted.
1. Robinson, Sally. "Heat and Cold: Recent Fiction by Joyce Carol Oates." Michigan Quarterly Review, Vol. XXXI, 1992. In Contemporary Literary Criticism, Vol. 108. 383.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Le, F. G., Buehrle, M. C., & Von, H. A. (2010). The Eternal woman: The timeless meaning of the feminine. San Francisco: Ignatius Press.
According to Susan (Contratto) Weisskopf, “Intercourse, for the mature woman, is the first mothering activity” (769). Despite this, the divide between sexual identity and motherhood is found within a “pervasive ideology of asexual motherhood” (Weisskopf 768). Weisskopf indicates that this ideology proposes that “good mothers do not have sexual feelings in relationship to children, that good mothers are generally asexual” (768). For Naoe, even the touch of her skin by her own daughter is too much to endure, as Naoe is “[t]oo bitter, too proud to fall into [her] own flesh” (Goto 39). Naoe describes herself as “[e]ighty-five years old and horny as a musk-drenched cat”, whose only human contact is when her daughter washes her hair (39). The “split between sex and motherhood” is what “fragments” Naoe’s experience (Weisskopf 780), leaving her torn between her sexuality and her subjectification as an aging mother figure. Even when Naoe is finally willing to express her sexual urges through masturbation, her daughter walks in and cries, “Obāchan! What are you doing?!” (Goto 40). According to Weisskopf, “Maternal sexuality becomes “unthinkable” in a sexually restrictive society such as ours when it conjoins the myth of the all-powerful mother” (782). Naoe is unable to fully address her sexuality until she leaves her daughter’s “restrictive” house. However, the image of the “all-powerful mother” is something that Naoe is criticized for not rightly embodying. As a younger woman, Naoe’s ability to become a mother is questioned using food
Motherhood in The Summer Before the Dark by Kate Brown and The Fifth child by Harriet Lovatt