Alexandre Dumas is the author of the adventurous love story The Count of Monte Cristo, used both internal and external conflicts along with imagery. These literary elements enhanced the theme that revenge can drive a man to do the unthinkable. Dumas used these elements to tell the story of France’s history. His bestselling novels are not deep but have spectacular adventure, action, and larger-than-life-characters. Alexandre Dumas was a French play writer and author from the 19th century and was born July 24, 1802 in the Ville-Cotterets in France. He is the son of an inn keeper’s daughter named Mary Louis Labouret and of a general named Thomas Alexandre Davy la Pailletereie. He is the third child born from his mother. Dumas’ father is the son of Marquis Alexandre Davy La Pailleterie who married his grandmother Marie Louise Cessete Dumas, who was a Haitian slave. When his grandparents got married his grandfather took her on her last name of Dumas (“Biography of Alexandre Dumas”; Online-literature.com 126, “Dumas, Alexandre.”). Dumas grew up a pretty unfortunate kid. His father was killed while fighting in the army of Napoleon at the age of 40 when Dumas was the tender age of four. Following the death of his father, his family became poor. His mother tried her hardest to raise him but the main thing was his education. He attended Abbe Gregoire’s school where he found that he was not the greatest student but that’s where he found his passion for writing (“Biography of Alexandre Dumas”; “Dumas, Alexandre” 126). Dumas did not attend college after school but instead left his home to move to Paris where he worked as a clerk at the age of 20. Dumas grew up with a sense of writing from the heart but never really used his heart, especial... ... middle of paper ... ...d Mondego, and finally Villefort. These characters spark the conflict of these three men conspiring against Dantès and ruin his life. This is a man vs. man conflict because they are having a conflict with each other. Works Cited “Alexandre Dumas pere.” Cadytech.com. Cadytech, n.p. Web. 22 Apr. 2014. “Alexandre Dumas pere.” Online-literature.com C. D. Merriman for Jalic Inc., 2008. Web. 22 Apr. 2014. . “Biography of Alexandre Dumas.” Gradesaver.com. GradsaverLLC, 1999-2014. Web. 24 Apr. 2014. “Dumas, Alexandre.” Literary Lifelines. 1998. Print. Dumas, Alexandre. The Count Monte Cristo. New York: Signet Classics, 2005. Print. Liukkoonen, Petri. “Alexandre Dumas (sr.) (1802-1870- known as Dumas pere.” Kirjusto.sci.fi. Kussankosken Kaupunginkirjusto, 2008. Web. 23 Apr. 2014. Oxenhander, Neal. “A. Dumas.” The McGraw-Hill Encyclopedia of World Biography. 1973. Print.
"I think you're rotten," says Yvette at the end of The Apprenticeship of Duddy Kravitz, "I wish you were dead" (Richler 318). This sentiment is echoed throughout a substantial amount of the criticism of Mordecai Richler's tale. At best, we question whether Duddy has learned anything during his apprenticeship; at worst, we accuse him of taking a tremendous step backwards, of becoming an utterly contemptible human being. When Duddy steals money from his friend and admirer, Virgil, to pay for the final parcel of land around Lac St. Pierre, it may seem that he has sunk to a low from which he may never recover; but careful consideration of the events leading up to the theft, the turn of events after it, and finally, Duddy's emotional reaction to both Yvette's anger and Simcha's disappointment indicates that Duddy is not the monster that he is frequently made out to be.
Maupassant, Guy De. “An Adventure in Paris”. The Norton Anthology of Short Fiction. Cassill, RV. New York: Norton & Company, Inc. 2000. 511-516 Print.
Durrenmatt uses many allusions in The Visit in which its connections sheds so much more light on the play and helps to emphasize even the smallest aspects of it. Durrenmatt’s implementation of allusions to describe characters at a deeper lever, compare events in Guellen to its contrasting Westernized culture and show the irony of what Claire does to what others say, helps us understand The Visit at a much deeper level and far more interesting way.
In 1861 Cezanne moved to Paris, but it only lasted about six months. He suffered from depression and decided to move home, wondering if he had chosen the wrong career. After a year of working with his father, he decided to give painting another try. The first six months back in Paris were very hard on the new artist. He had failed the entrance exam at Ecole des Beaux-Arts, which was the official painting school in Paris. At the same time his artwork was rejected at The Salon, the official art exhibition of the Academie des Beaux-Arts. While in Paris, he met Camille Pissarro an Impressionist painter. Pissarro was able to help the young developing artist. The more mature artist was able to mentored Cezanne and over the course of their friendship they started working on projects together, wo...
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
Vincent went to a village school for the first few years of his life, but his parents soon hired a governess. A few years later, they decided once again to change Vincent's schooling, and sent him Mr. Provily's school in a nearby town when he was eleven (2 Greenberg p 7). By thirteen, he was studying Dutch, German, French, and English, along with history, geography, botany, zoology, calligraphy, arithmetic, gymnastics, and drawing; but by March of his fifteenth year, he returned home without finishing school (Muhlberger p 7).
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
Monet's early training as an artist seems to have been confined to conventional drawing lessons at the school he attended in Le Havre. He and his brother were sent to the local secondary school, which provided a traditional education in the classical languages and commerce. Leon went on to study chemistry, a serious and solid profession in which he did well, but Oscar-Claude was of less credit to his parents. He claimed that 'school always felt like a prison'. As an elderly man he insisted that he had never paid attention to lessons, spending his tome doodling, 'I drew garlands in the ...
Victor Hugo, a French novelist, philosopher, poet and politician was the literal counterpart of Napoleon Bonaparte. Pre – eminent scholars like Leo Tolstoy hailed, the French general as the personification of the verve and spirit of France. He was the embodiment of the throbbing omniscient “life force” that had unseated the “old order” in post – revolution era. Studying Hugo in isolation would be a great injustice to a prolific artist. Boisterous and pompous, Hugo asserted that his works constituted a whole. He employed different vehicles to disseminate his brilliant ideas. At times discursive, at times rambling, and at times tangential but always with flashes of pristine sublimity. A discerning genius who let himself sink into the profundity of the words he conjured. A radical rebel with poignant analysis he was epitome of the unrelenting profuse manifestation of virtuosity.
Maupassant (1850-1893) was a French writer who wrote from a naturalist/realism point of view. Swimming, boating and studying law were some of his interests when not writing. He was kicked out of a seminary, contracted syphilis in his twenties and started writing poetry. He had to withdraw his first volume of poems which were so scandalous they caused a lawsuit. He wrote novels, articles, travel books and short stories. At a young
René Descartes was a French philosopher born in La Haye, France, on March 31, 1596. In the 17th century. Now that town is now named after him, because of the great things he has done. He spent most of his life in the Dutch Republic He had two siblings and was the youngest. His father and mother's name were Joachim and Jeanne Brochard. His mother died before his first birthday. In addition, his father was in the provincial parliament as a council member. After their mother died, Joachim had the kids go live with their grandmother on their mom's side. They stayed there even though their father eventually remarried. Even though their father did not want them around, he still wanted the best education for his children so he sent René when he was eight, to boarding school to the Jesuit college of Henri IV in La Flèche. And he stayed there until he was 15.
Alexandre Dumas was born on July 24, 1802, to Thomas Alexandre Dumas and Marie-Louise Labouret. He was born in the town of Villers-Cotterets, France during his father’s retirement from the European Army. A few years after Alexandre’s birth, his father died, which left his mother to care for him and send him to school on her own. Due to his mother’s lack of funds, Dumas dropped out of school to take a writing job. This was the beginning of his literary career
Determine all of the story's conflicts. Determine the major conflict and state this in terms of protagonist versus antagonist.
Jean Nicolas Arthur Rimbaud, short as Arthur Rimbaud was born on October 20, 1854 in Charleville, France. His parents were Frederic Rimbaud and Marie Catherine Vitale Cuif (NNDB). His father was an irresponsible army captain who spent only a little time with his family and then left the family when Rimbaud was six (Encyclopedia Britannica). His mother, though under the hardships of life, raised up her children and made them become pious and well-mannered (Encyclopedia Britannica). Before Rimbaud was nine, his mother taught him at home, then they moved to the Cours d’Orleans in 1862 for a better neighborhood (Encyclopedia Britannica). His mother would punish the children by making them learn Latin verse in a strict way if they had made
Born on August 27th, 1862, Claude Debussy came from an ancestral background comprising of shopkeepers, suburban employees and peasants, none of which had any musical talent or affiliation. Much unlike a majority of composers known during the Classical and Romantic eras such as Mozart or Rachmaninoff, not only did he possess no musical family background, he also had had no extensive musical training...