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The tempest themes of power
Theme of power in the tempest
Theme of power in the tempest
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Exploring Shakespeare's Presentation of the Theme of Power in The Tempest
In 'The Tempest', power manifests itself in many different forms.
Three of the main types of power that Shakespeare explores are the
power of love, the power of magic and illusion and the power of a
master over his slave. He presents these forms of power in a number of
ways.
In 'The Tempest' Prospero appears to hold the majority of the power.
He maintains his control over other characters in various ways, for
example he uses the power of love to influence his daughter Miranda.
Miranda is devoted to her father, and Prospero uses guilt to maintain
this. In their first conversation, Prospero?s power over Miranda
becomes apparent. She says ?Alack, what trouble/Was I then to you!?
and it is clear that because of the guilt she feels, she will be
willing to do anything for him. It is evident that Miranda is aware of
how powerful Prospero is, as she says ?Had I been any god of power, I
would/ Have sunk the sea within the earth?. This indicates that she
understands the extent of Prospero?s power, and that if she had
possessed the same amount of power, she would use it differently to
her father.
Prospero is manipulative, appearing self-pitying by saying ?When I
have decked the sea with drops full salt/ Under my burthen groaned?
but also egotistical, saying, ?Have I, thy schoolmaster, made thee
more profit/ Than other princesses can? to which Miranda responds
?Heaven thank you for?t!? Although he tries to cause Miranda to feel
sympathy towards him in order to keep control of her, he also wants
her to admire him.
Although he also has power over Miranda usi...
... middle of paper ...
...serves in offices/ That profit us?. Prospero needs
Ariel and Caliban in order to have power, and so throughout ?The
Tempest?, contrary to our beliefs at the beginning of the play, we
begin to see that the main protagonist of power within ?The Tempest?
is not, in fact, Prospero.
Shakespeare presents many kinds of power in ?The Tempest?. He
demonstrates the control that Prospero has over Miranda using love,
and also different kinds of power between master and slave. Sometimes
the master and slave power is subverted, such as at the beginning of
the play, when the boatswain takes control. Shakespeare also presents
a change in the balance of Prospero?s power. The main reason Prospero
has so much power is due to his magic, however at the end of the play
he sacrifices his powers and sets free his slaves, Ariel and Caliban.
With the semester coming to an end, many students are excited. This especially includes those who will be graduating soon. However, graduation can be seen as a bittersweet moment. On one hand, the graduates enter into a new chapter in their lives. On the other hand, they may lose communication with some of their friends. Unfortunately, this is a natural aspect of each person’s life. Everyone will experience some kind of loss in their life, whether it is person or an object. In The Tempest, Shakespeare discusses the topic of loss. While this theme is not talked about much compared to other themes in the play, it is very important since it is a theme that is included in the 1956 movie adaptation Forbidden Planet. While both works illustrate the ways people deals a loss, the later work demonstrates how the advancement in the world have affected the way modern society
Throughout history, powerful empires with boundless control have had a tendency to fall victim to corruption. It is common knowledge, among political scientists and historians, that power corrupts and absolute power corrupts absolutely. William Shakespeare's "Othello, the Moor of Venice" (reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure, Sound, and Sense, 6th ed. [Fort Worth: Harcourt, 1993] 1060-1147) contains several themes, but one theme in particular supports the truth of this knowledge. In "Othello, the Moor of Venice," the theme of control is one that causes corruption. Othello's control is stolen by Iago and, Iago's overbearing control of Othello's emotions causes chaos and absence of control until Lodovico arrives at the end of the story.
One of the key concepts achieving success is to consider the wealth of ambition; however, it can act as a "two-edged sword" problem in someone's life. William Shakespeare uses the character Macbeth demonstrates the dangerous qualities amount of uncontrolled ambitions in the tragic play of "Macbeth”. The prophecies and Lady Macbeth are using Macbeth's ambition achieving the goal of being the King of Scotland by considering to murder the current king, Duncan. In a result, Macbeth's ambition goes out of control by accomplishing a series of murderers to cover up the golden truth, which results in his ruthlessness and disrupt relationships with everyone. Shakespeare suggests ambition can motivate an individual to restrain the control of power and result a stronger identity; certain concerns toward the uncontrolled ambition being destructive of its moral values and result a failure within the relationship.
In William Shakespeare's The Tempest, Prospero lives with his daughter Miranda on a deserted island. On the surface, he appears to be a benevolent leader doing his best to protect and care for the inhabitants of the island, especially for Miranda. On closer inspection, however, Prospero plays God, controlling and creating each individual to fit the mold he desires. He takes advantage of his authority over the people and situations he encounters while wearing a facade of integrity and compassion to disguise his wily intentions and to retain love and respect.
Macbeth is a tragic play which begins by setting up the story of a hero of Scotland. This hero is the main character Macbeth. “Fair is foul and foul is fair” (Crowther Macbeth 1.1.12). Very early, a reoccurring theme is introduced, as well as the planted idea of power. Both of which are given to us by the witches, with unknown motives. Nonetheless, the witches plot the eventual downfall of this Scottish hero. Yet how this approach is made is due to the possibility of gaining a higher position of power. The reason for Macbeth’s corruption in Shakespeare’s Macbeth involves the power that power exerts over an individual who has gained a position of authority.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
Throughout the play, Macbeth, by William Shakespeare, the struggle of gaining power is seen very often among the main characters. The main character, Macbeth, struggles to gain power over others, in addition to Malcolm, for they have internal and external struggles they continue to face throughout the story in hopes of becoming king.
Prospero presents himself as a victim of injustice, however his belief of justice and injustice is somewhat contradicting. He takes advantage of this authority over other people and situations he encounters while using his integrity and compassion to mask his dangerous plans and to retain love and respect. The Tempest in the end suggests that love and compassion are more effective political tools than violence, hatred or even abusive magic.
If there were no king the country would be in chaos for there would be
'Prospero on top, invisible' which positions him 'close to God' and by his power to manipulate and control the lives of others:
Prospero is really the key character about which the nature of illusion and reality centers. He is the one who appears to have been stripped of all his power, and yet he is truly the most powerful; he lives in a world where he can conjure up an illusion of a storm; he lives between a course of regular human action and magic; and he is perceptive about philosophies on the topic of illusion and reality.
The Tempest, by Shakespeare, offers the reader a variety of themes. The one theme that stands out the most is that of colonialism. During the time of Shakespeare, many European countries such as Spain, France, and England, were expanding their borders by taking over less developed countries, referred to as colonies. During this time of exploitation, there was skepticism concerning the possible success of the colonies. While some scholars believe that the play is about the Americas, I argue that the play reflects on colonialism in general and how it is destined for failure which is shown through the character’s relationships throughout the play.
Macbeth clearly showed the most power and ambition in the play through his eagerness to eliminate not just real threats, but also theoretical. This is shown when Macbeth first distances Banquo before looking at new heights. This is also shown when Macbeth is crowned as the Thane of Cawdor. Macbeth is given a place of power and is still unhappy with this outcome and seeks higher power in his pursuit to be king, so much so that he commits to murdering the king for his own selfish ambition to have all the power he could muster and although he was pushed to murder by his wife, Lady Macbeth, he still had the ambition to take control of the power in Scotland
Prospero uses the power of love to influence his daughter Miranda. Prospero knows that Miranda is devoted to him so he uses guilt to maintain her devotion. Miranda tells her father “Alack, what trouble/Was I then to you!” (I.2.153.154) her saying that to him shows that because of Prospero making her feel guilty, she is willing to do anything just for him. “Had I been any god of power, I would/Have sunk the sea within the earth…” (I.2.10.11). This quote indicates that she understood the extent of her father’s power and she had possessed the same amount of power, she would use it differently with Prospero. His power over Miranda is one that is continuously in this play. Prospero does say “I have done nothing, but in care of thee, /of thee, my dearest one…”(I.2.16.17) when he says that he makes it known that he does love his daughter and only trying to protect.