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The role of music on teenagers
The role of music on teenagers
The role of music on teenagers
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The sole reasoning one is given a stereotype is based on the misconception of those who portray the group of individuals as a certain way and want others to have similar perspectives. The subculture of the teenage emos originated in the mid-1980s, expressing emotional characteristics from political issues and movements. The “original teenage emos” took part in expressing their feelings through hardcore music, which sounded aggressive to some, enabling stereotypes and misconceptions to develop about teenage emos being an aggressive group. The lyrics were based on political issues and used loud sounds to express the importance of what was felt. This allowed for mainstream elements to develop among this culture, making a series of generations …show more content…
According to the Kennesaw State University’s research thesis paper, Exploring Dress and Behavior of the emo subculture, Kaci Schmitt addresses the reasoning for music of teenage amos when she reveals, “ Emo kids all have one crucial characteristic in common: they are all drawn into the emo subculture by their love of music. The connection between the emotions and instances of their lives and the music speaks that to them is undeniable for teenagers in general, but for the emo subculture in particular”(7). Schmitt confirms the point of teenage emos liking music due to it speaking to the emotions one carries, which is typically for any teenage out there. Feeling a connection to a song or genre is common for any teenage and aims for one’s internal feelings and is not only targeted at teenage emos. Being an aggressive person is not determined by a certain genre of music, but rather by any individual, emo or not, and how one displays a set of characteristics in public. According to a paper written by Brian Bailey from the University of Rochester, Emo Music and Youth Culture, Bailey describes the real reason emo music is popular among the youth by pointing out, “The behaviors, attitudes, and values expressed through the music[ emo music] involve emotionally turbulent themes often associated with adolescence such as despair, nostalgia, heartbreak, hope, and self-loathing”(1). Bailey describes what the music consists of, showing that it is not an uncommon form of expression for the teenage emo culture. These themes follow all genres and are not exclusive to the emo music drama, but rather to all forms of genres to those expressing what it is like to be an adolescent in today’s
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
The constant struggle present in the novel is the conflict between the native world and the white world. It is a struggle between community and isolation, between the natural and material. Silko uses the characters in the novel to show the positive and negative influences of the contact of cultures. Specifically, the characters Tayo, Emo, and Betonie are prime examples of the manifestation of the two worlds and the effects it has on each characters actions, dispositions and beliefs.
In the 1960s, rock music had an increasing impact in teen culture. According to teenage girl response to the confined sexual repression, rock music created many controversial consequences. Music became a commodity that served escapism from reality instead of creating options and choices and brought the teen cultures to go against the mainstream culture to bring forth identities that are more coherent and ideal. Rock and roll was the most compelling commodity to enter the teen consumer culture. Gender roles being unequal created a sexist double standard and women were the object of needs and desire of men. Teen peer groups became incomparable in terms of language and style as sexual release and freedom were available to girls and women. In the teen culture, girls were using their music as an escape from the predictable life paths, as music becomes a commodity that serves escapism from the real world. In a male dominant teen culture, girls were part with societal limitations and that gender hierarchies and a sexual double standard were absolutely bounded up with the sexual ideology of ‘rock and roll’ in the 1950s and 1960s.
Music has helped provided us with ways to express human emotion and take us to another place. As time has progressed music has evolved, changing styles of music and creating a wide range of genres. Transforming for many decades, music has been able to speak the language of generations from generations. Aside from their music, dress and fashion, parental and social expectations were different in fifties teen lives as well. In this essay I will discuss the decade of a teen from the fifties as compared to modern day teens, and the message they both deliver on society.
In today’s world, music is played just about everywhere around the world. There is not many days that go by that you don’t hear some type of music. Those music’s can be broken down into their own sub categories and with that they can become into a subculture that people belong to or just claim to be a part of. To explain it more a subculture is defined as a cultural group within a culture, that often has beliefs or interest that is apart from those of the main culture itself. Subcultures are often made so that those who are actively participating within them can be set apart from those of other groups. They feel the need to establish their own ideas, traditions, languages, and criteria to form something that is their own and that makes them different from anything else. That can also cause for conclusions to be made up in the form of stereotypes that can sometimes be
Often times throughout history and in today’s world, music along with lyrics of songs and musical artists are blamed for deviant behavior in adolescents and teenagers. Some argue that subcultures are created because of artists and their music which leads to groups of young adults taking part in deviant behavior, while others argue the opposite; that the behavior leads the person to listen to the music. There is also concern about the effect that music videos have on the behaviors of the listeners of music throughout all genres. Although there is not much extended research on music and the effect it has on its listeners there is plenty of speculation, theories, and minor studies.
My object of analysis is going to be “boy bands” which I am defining as “a band of boys usually playing pop music that is marketed towards young women.” I am going to specifically look at the band 5 Seconds of Summer and I am going to look at how their music and success becomes undermined because their target audience is primarily young women. I am going to do this using feminist theory and this project will examine how ideologies regarding the connection between young women and the band itself being written off artistically are almost embedded within society, in that people say things such as “this band sucks” without ever really listening due to their classification as a boy band. This is primarily linked back to who they are marketed toward,
The late seventies and early eighties saw the beginning emergence of the Goth subculture: a group of social misfits that appear to always find themselves on the outskirts of mainstream pop culture. It is a complex subculture with great depth and beauty where many of its citizens share a profound connection with the darker aesthetic, are predisposed to depression, and are often willing to explore interpersonal and sexual relationships with little inhibition or regard for societal norms.
Although some may say that music doesn’t directly affect the way a person acts, there has been evidence to prove that it does in fact change emotions and the way people act. Music heavily influences a person’s mindset by shaping what they place value on in the world or what they might hold dear. Music also tends to affect people’s persona and how they portray themselves to the world. Certain types of music are associated with certain demographics of people. For example, hip hop music is usually associated with the black community, and black men and women have strong connections with its songs and lyrics. Objectifying hip hop music
People are surrounded by music every day of their lives. They hear it in their homes, on the radio on their way to work; some people have even caught themselves humming the tune of their favorite song to themselves. But how many people actually listen and not just hear the music they are listening to? Teens in particular don’t realize the message behind the music they are quoting the lyrics to, or the effect it has on them. In today’s culture where rap music has become increasingly popular, many teens aren’t realizing what they are listening to. A lot of teens would argue that the music they listen to has no effect on them, but they are wrong. Rap music, especially, has had a major impact on teenagers in today’s society.
Teens and the human populous have been draw to music, and the relief it gives off. As recent as the 1990’s, we’ve seen an increase in explicit and violent lyrics and deviant behavior in the music industry surrounding such genres as heavy metal, rock, rap, and gangster rap. During this past decade, lyrics are becoming more violent and sexually explicit. It is approximated that teens listen to an average of 40 hours of music a week, and somewhere along the way, a child will hear something derogatory, or cruel. Along with this, teens don’t necessarily interpret what is said through lyrics in the right manner. In one study, only 30% of those somewhat questionable lyrics by popular bands were comprehended by the teen population.
Emo subculture is a growing subculture. It is very influential eventhough it is hated by many. Everyone should respect the emos. They are different but still deserving to be respected. Their lifestyle, fashion, music, attitudes are just ways to show the identity of “the group”. But no one knows the real feeling of being an emo unless you are one them.
Many theories on how music can affect teens have been made, such as: Reflection rejection, drive reduction, and excitation-transfer. Reflection rejection suggest that music is only looked upon, or into in this case, as a mirror of a teen’s life. (Gardstrom 2). It suggest that music does not create emotions, feelings, or even a personality that does not initially exist. This theory challenges people to believe that music to teens are nothing but a mere diary of who they are and that negative behavior does not come from music but from the teen. Anything negative was created from within, whereas the teen ultimately chooses what they consume through their ears which is soon planted into their brain. Music does not determine behavior, instead inner characteristi...
The problem with the obvious appearance is that those who don’t like those members of a subculture such as punk can also recognize you. You can become a target. So much so that Manchester, England has just included punks, emo, Goth and metallers in their hate crime laws. “Greater Manchester Police is to become the first force in the country to officially record such offences in the same way as those based on disability, race, religion and sexual orientation.”
2.1 The Existence and Importance Emos has been around for quite some time. Though their importance in our society is very negligible, they seem to be an up and coming icon for the youth of today. Or do they have a problem? Most youths immediately think ‘Emo’ when they see a person with long hair or fringe. Well, that’s not the case.