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Antigone's character development
Comparing Julius Caesar and Antigone
Development of antigone in the play
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Bad situations typically imply drastic measures. In Antigone by Sophocles, and Julius Caesar by William Shakespeare, they resort to drastic measures too often. In Antigone and Julius Caesar, they are very apt to resort to violence as a solution to their problems, this is shown through, Portia stabbing herself, in Julius Caesar, Haimon threatening to kill himself in Antigone, and Eurydice killing herself in Antigone.
In Julius Caesar, the first scene that shows the characters inclination to violence is Portia stabbing herself. When Portia stabs herself, her motive is to solve her problem with Brutus not opening up to her. This clearly illustrates that violence was the first option for her. Second, this event displays that she was unhappily married and the only choice to fix that problem, in her mind, was to stab herself. Instead of actually talking about her feelings to Brutus and having a mature discussion she resorted to violence as a solution
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First, this shows that Eurydice would rather resort to violence and kill herself than be alive and have to deal with the pain of her son's suicide. In this scene Eurydice’s suicide is explained to Creon by The Messenger, “ And her heart/ Welcomed the knife her own hand guided,/and a great cry burst from her lips for Megareus dead/ And for Haimon dead, her son’s;/ and her last breath” (Sophocles 723). This quote by The Messenger reveals that she chose violence and suicide over her own life. Second, in the final moments of her life she cursed Creon. In this scene Eurydice’s final minutes are explained by The Messenger “And her last breath/ was a curse for their father; the murderer of her sons”(Sophocles 723). This quote by The Messenger divulges that Eurydice cursed Creon in her final breath condemning him to the same fate as her son’s. Third, Eurydice would rather die than live one more minute with her husband who she blames for her grief and the deaths of her
The Tragic Heroes in Antigone and Julius Caesar & nbsp; & nbsp; The two plays, "Antigone" and "Julius Caesar" both contained two very similar characters. In Antigone the nobleman, Creon, claimed the throne after his nephews, heirs to Thebes, killed each other in battle. Assuming that the populous was going to find him inadequate, he laid a strict rule in order to keep the people under his control. Creon wanted Thebes to prosper and grow and was willing to do anything to achieve this. Through a chain of events, Creon killed his entire family. & nbsp; Brutus, a senator in William Shakespeare's play Julius Caesar, claims the life of Julius Caesar in order to preserve Rome, his country and home.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
...ut her son’s death, she goes and slits her throat. Creon then feels Antigone’s direct action when he is all alone at the end of the play. His edict caused so much pain in suffering for his family, he led them all to suicide.
When Creon’s wife, Eurydice, finds out that her son is dead she kills herself. Creon's downfall started when Antigone choose to hang herself. “ You will not see the sun race through its cycle many times before you lose a child of your own loins, a corpse in payment for these corpses. You’ve thrown down to those below someone from up above-in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by the gods below- unburied, dispossessed, unsanctified. That's no concern of yours or gods above. In this you violate the ones below. And so destroying avengers wait for you, Furies of Hades and the gods, Who’ll see you caught up in this very wickedness (1194-1205).” This quote explains that in view of the unnecessary death of Antigone he will meet his demise. This man predicts that he would lose his
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
The natural drive to remain alive is exhibited by all living things. It is the very foundation of human nature, and it seems every effort is made to preserve life. However, occasionally an individual will knowingly and confidently walk to their own death. Sacrificial rebellion is a phenomenon well illustrated in the works "Harrison Bergeron" by Kurt Vonnegut Jr, and "Antigone" by the philosopher and poet Sophocles. Why is it that the characters Harrison and Antigone willing to die for their ideals or values? Self-sacrifice is often the modus operandi of those who wish to cause a productive social upheaval, the idea being that if they can cause enough of a shock to society that it will lead to a substantial change within that society. This
Greek tragedies often teach readers several valuable lessons, one of which is the catastrophe caused by acting on emotions. Both Oedipus and Antigone experience this as a result of their rash behavior. Even Creon ends up miserable in Antigone due to the change in his behavior. By acting on their emotions, these characters all experience tragic downfalls, while others, such as Ismene and Creon during Oedipus Rex, remain safe due to their prudence and indications of wisdom.
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
Would you rather not have conflicts in your life? Antigone is a play, based upon conflicts between the characters. Antigone is the sister of Polynices, who is dead. Polynices is considered a traitor to Creon and he doesn’t bury those who are against him. As conflicts occur, Antigone, Creon, and the Chorus argue on whether to have Polynices buried or not. Conflicts are a necessary part of life because of the changes that we run in to. It is appropriate to rebel and create conflict when we believe in doing the right thing to do, but someone is taking the necessary tool away from us so we can’t accomplish those goals. Also, it is appropriate to conform when violence gets out of hand. The changes that happen make us, the readers better individuals and once we have the conflicts solved, we won’t repeat the same mistakes and then conformity is possible.
It also states why he did this deed because he was angry with his father for putting Antigone in a tomb left to die. The Messenger said, “Your queen has died, true mother of yonder corpse---ah, unhappy lady—by blows newly dealt.” (Sophocles 146). The Messenger is telling Creon that his wife is dead and how unhappy she is because she found out about her son killing himself. The way his fate is too great is because as the Messenger said this was his queen and his son who he loved dearly dies. Creon did not think of the outcomes that would happen if he imprisons Antigone. This is an example of how Creon’s fate was greater than
... last, in death. Having hearing this news Eurydice, Creon’s wife kills herself; her last words were a curse on Creon for causing so much wrong in his life. Creon goes to pray for his mistakes to the gods, but they do not listen anymore. Choragos tells him “Then do not pray anymore: the sky is deaf” (244)
... for his mistakes in the denouement. Devastated by Antigone’s death, Haimon ends up committing suicide. Creon then realizes how wrong he was, however it is too late. This is not the only karma that Creon receives though. Creon’s beloved wife, Eurydice, also met her death when she was told the fate of her son. Creon finally realizes how blinded he was, and how he was continuously making foolish decisions. Two losses in one day- Creon is filled with great remorse and regret. Like the ‘Sun King’, all the sunlight in Creon’s life has faded. The world no longer revolves around Creon, as all his valued things in life have vanished. If you attain power, use it wisely. Otherwise you will end up heartbroken and repentant, just like Creon.
Eurydice, the wife of Creon and mother of Haemon, overheard the conversation, went silently into her room, and committed suicide. All that was left of the royal family was Creon, who was left to grow old and insane until the time his own death had come.
...e world that you can name” (237) Creon receives a very similar punishment. He too, loses all he deems valuable in the world. Creon will not allow Haemon to marry Antigone. He condemns their marriage and greatly distresses his son, Haemon. As a result of Creon’s actions, Haemon commits suicide, “his blood spilled by his very hand” (120). Eurydice, Creons’s wife, also kills herself. She is so wracked with anguish by Haemon’s suicide, that she “stabbed herself at the altar” (126). Creon “murdered… his son… and his wife.” (127). He has nowhere to “lean to for support” (127) and no-one to “look to” (127). The chorus sums up his and Oedipus’s fate when they say “ The mighty words of the proud are paid in full with mighty blows of fate, and at long last those blows will teach us wisdom” (128)
In Creon’s train of though, a ruler such as himself must first follow the laws and regulations set in place and ignore all his emotions and the emotions of the public. His inability to trust his emotions along with pride renders him helpless to the consequences that soon follow his actions. After Antigone is killed, Creon thinks that he has made the correct decision; however, that is not the case. The agonizing death of Antigone forced Creon’s son to his own suicide. Eurydice, Creon's wife, is also forced to her suicide by grief when she heard the news of her son's death. At this point, Creon’s entire world has been turned upside down, because of his decision to make the decree that none shall bury Polyneices and carry out Antigone's punishment