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A little learning poem analysis
Poem analysis essays
A little learning poem analysis
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In the given poem, there are many people or “characters” described. For example, the fourth stanza of the poem reads, “SAM. L GRAY, SAM. L MAVERICK, JAM. S CALDWELL, CRISPUS ATTUCKS & PAT. K CARR Killed” This is a list of the colonists killed on site during the Boston Massacre. The poem also reads, “Unhappy BOSTON! see thy Sons deplore…” This describes the setting of the events described in the poem, Boston, and gives more detail about the characters by identifying them as “Sons” of sons of liberty. The poem also conveys the emotions of the author. When he writes, “If scalding drops from Rage from Anguish Wrung If speechless Sorrows lab’ ring for a Tongue…” This conveys the sadness and anger felt by the author as a result of the massacre. He
Examining the literary terms used in this poem, one should mention alliteration first. It is used in the following line: “There are those who suffer in plain sight, / there are those who suffer in private” (line 1-2). Another literary device,
One example of analyzing the poem is how the lines stop in random places. This can also be called, enjambment. The poem is describing a fight. When fights happen, they are fast and quick and intense, the author tries to recreate the chaos and speed of the fight by using enjambment. The second example of analyzing the poem is that the stanzas are broken up into four lines. The only lines that are not broken up into four lines are the last ones, which are broken up into couplets. The third example of analyzing this poem, is that there are a lot of metaphors that bring out the intense and vehement emotion, such as, “A wall of fire sethes…”. This brings out all the emotions in the air, and what the angry parents feel like, even though the author doesn’t say that they were mad, you can guess how much anger and tension is in the
In the first stanza, it is established that the poem is written in the first person, when “I” is referring to the speaker, which illustrates this person’s point of view concerning the tragedy of 9/11 during a whole day of events. The speaker begins by setting a tranquil mood as the opening of a long list of last names. In line 1, he says: “Yesterday, I lay awake in the palm of the night.” He describes the night like a tropical tree gently swaying in a peaceful beach setting. He calmly observes the gentle raindrops dripping slowly down his windows until they disappear in “A soft rain stole in, unhelped by any breeze, / And when I saw the silver glaze on the windows,” (2-3). For a brief moment, he enjoys going outside to his garden at sunrise to forget the sorrow that death brings when “In the morning, I walked out barefoot / Among thousands of flowers” (11-12).
Not only the words, but the figures of speech and other such elements are important to analyzing the poem. Alliteration is seen throughout the entire poem, as in lines one through four, and seven through eight. The alliteration in one through four (whisky, waltzing, was) flows nicely, contrasting to the negativity of the first stanza, while seven through eight (countenance, could) sound unpleasing to the ear, emphasizing the mother’s disapproval. The imagery of the father beating time on the child’s head with his palm sounds harmful, as well as the image of the father’s bruised hands holding the child’s wrists. It portrays the dad as having an ultimate power over the child, instead of holding his hands, he grabs his wrists.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not every line fits the required pattern. This is significant because the poem’s imperfect formulation is Owen making a statement about formality, the poem breaks the typical form to show that everything is not functioning satisfactorily. The poem’s stanza’s also begin short, but become longer, like the speaker’s torment and his comrades movement away from the open fire. The rhyming scheme of ABABCDCD is one constant throughout the poem, but it serves to reinforce the nature of the cadence as the soldiers tread on. The war seems to drag on longer and longer for the speaker, and represents the prolonged suffering and agony of the soldier’s death that is described as the speaker dwells on this and is torn apart emotionally and distorts his impressions of what he experiences.
The poem contains the central idea that many of these children never understood what home really means. In Native American culture the people venerate earth and it is referred to as mother nature which we see in the poem. The rails cut right through their home but they don’t view them like the average person. They view the tracks as if they are scars across mother earths face and her face is the Native American’s homeland. She is scarred for eternity but she is perfect in their dreams. This symbolism is ironic because the children try to reach home using the railroad that ruined natural life for them and many other Native Americans. In the second stanza the speaker says “The worn-down welts of ancient punishments lead back and fourth” (15-16). Which can be talking about the marks on the children’s bodies after getting caught while running away. But the “word-down welts” can also symbolize the welts that were put on mother nature throughout history. The last five lines of the poem sums up the symbol of hope through their memories and dreams. The last line of the poem says, “the spines of names and leaves.” (20-24). The “spines” symbolize the physical strength of the children and their ability to maintain hope individually “names”, and for their tribe
f rounding up the sonnet as well as emphasising complete grief over the loss of Youth. The contrast with the first stanza's violence makes the reader see the different aspects of war - what happens on the battlefield, and what happens at home. Owen's poem, 'Anthem for Doomed Youth' is more appealing to me because it deals with two contrasting realities of war. His first stanza highlights the wastefulness of war (deaths of young soldiers) while the second stanza, the mourning for the dead. His sarcastic and later quiet tone reinforce the stark contrast between the different aspects of war.
To begin, the reader may gather that the poem has a very dark and saddened tone. Due to Lowell's vivid imagery, a mental image of a dark urban setting is created. It also seems very cold, with the mentioning of wind and nighttime. Readers may be able to relate to urban places they know, adding to the reality of the poem. Connections can be made. The imagery is left in such a way that the reader can fill in the gaps with their own memories or settings. Also, since the poem uses free verse, the structure is left open to interpretation. This makes the poem more inviting and easier to interpret, rather than reading it as a riddle. However, though simple in imagery, the poem still captures the reader's interest due to the creation it sparks, yet it never strays away from the theme of bei...
In the 4th, 5th, and 6th line of this poem the poet portrays a major simile stating “the truth’s superb surprise, as lightening to the children eased with explanation kind.” In the first part of the simile saying “the truths superb
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
One piece of the poem hints towards imagery involving slavery, this occurs when the speaker talks about the “charter’d street….charter’d Thames” and later on mentioning “The mind-forg’d manacles”. The street and Thames being described as charter’d shows the power of the government having the control of parts of the city such as a river and the streets. The use of “the mind-forg’d manacles” is symbolic by showing that their brains or minds are being controlled and limited by the government and is a symbol of enslavement. The poem seems to express a lot of imagery about death and sadness, terms such as cry, curse, plagues and hearse are used. The use of such words tells the reader that the soldiers are being forced by the government to kill. Therefore, causing the soldiers despair. Another portion of the poem uses phrases such as “in very infants cry of fear” and “how the chimney sweepers cry” to show an image of child labor. The term “appalls” is used to describe the “blackning Church” to allow the audience to realize that the church is horrified of the child labor. The chimney sweepers are a specific example of child labor. And the use of the word “blackning” suggests that a sin such as child labor is occurring. Lastly, imagery is used in the last stanza to show the horrifying cycle of living in London, England. “How the youthful Harlots curse, blasts the new-born Infants tear” describes how prostitutes are
/ Remember us—if at all—not as lost/Violent souls” (lines 15-18). This novel is a perfect example of this poem’s theme. As the well-known quote from the novel tells the reader to abandon all hope, just as the hollow men have done. This also
	The speaker of the poem is a civilian observer, probably a local. There is a sense of tension and fear in the speaker’s tone. The speaker uses an observatory tone in the poem, a combination between 1st and 3rd person. The author shows us that the speaker is an observer when he says "They are not there…/You finger the trigger of your Bren." (ll. 8&10) You can clearly see that the author creates tension when he says "Half-fearing, half-desiring the sudden hell/ Pressure will loose." (ll. 11-12) The poet has a way of building us up to a climax then letting us down, and again he gets us on the edge of our seat, only to sit back down quickly.
The story begins with Auden establishing the setting with the speaker sitting in a “dive” that located in midtown Manhattan, New York. Auden is specific on the location addressing the street that the dive is located “On Fifty-Second Street” (line 2). The poem consists of nine stanzas with eleven lines . There is no recognizable form that Auden uses in this poem. There is also no pattern to the rhyming or the rhythm in the poem, this could be a way of creating the unstable and uncertainty that the poem’s theme is relating to. Auden captures the speaker’s feelings of uncertainty and fear for not only their future, but the future of civilization as a whole “Waves of anger and fear” (line 6) and in the line “And darkened lands of the earth,/ Obsessing our private lives;/ The unmentionable odor of death” (8-10). This lines establish the mood and theme that Auden was eluding to in the poem of fear, anger, and pain. This also translates to the poems tone of anger and distrust of the the 1930’s socialist schemes that failed in preventing another war. “ From Luther until now/ That has driven a culture mad/ Find what occurred at Linz,/ What a huge imago made” (line 14-17), Auden references that Martin Luther’s ideas ultimately drove a whole culture mad, until a child who grew up in Linz, Adolf Hitler, inherited a fundamentally flawed worldview that turned him into a “psychopathic god:” (line
This is a poem about the joy and sadness that comes with the flash of burning life soon blown out with nothing more then a sigh. It focuses on the sadness as those we care for go far too gently into that good night. Of those who left before their time. As this poem was written specifically for Thomass dying father it is even more poignant in the emotional weight the words convey. This poem radiates with intensity, in particular, the verse beginning: wild men who caught and sang the sun in flight is simply beautiful poetry. Addressed to the poet's father as he approaches blindness and death. The relevant aspect of the relationship was Thomas's profound respect for his father, tall and strong in Thomass passionate mind but now tamed by illness and the passing of time. The acceptance of death and a peaceful rest afterwards are pushed aside in favor of an ungentle rage so blind it almost mirrors the vigor of childhood frustration at the nature of things we are powerless to change. Further more, the poem speaks as much of the loss of love and the feelings of one left behind as of death itself. The meaning of the poem stays shrouded in metaphors like the references to night as "good". He acknowledged his father stood somewhere he had not, and perhaps saw what he could not. Thomas was not ready to let go of such an important part of his life even though his father was facing an irreversible course, and Thomass grief was perhaps all the greater.